The sequin star trilogy interrogates the sixteen years of ‘post-truth’ surrounding the unsolved JonBenét Ramsey case. The first narrative spans nine lawsuits, two books, John Ramsey’s first political campaign and the circumstances surrounding Patsy’s death – all during the first six years after the Grand Jury trial was railroaded. It also interrogates the psychological fabric holding these “sequins” together. Besides testing aspects from the original timeline, the sequin star narrative examines the arch account of the Ramsey case; that treatise of ‘post-truth’ penned by the prime suspects themselves, as well as the writer of the arch counter-narrative, detective Steve Thomas. “In this narrative,” writes LA-based true crime researcher Lisa Wilson, “we will seek parallels between some of these historiological concepts and the criminological elements of this case. The Logos is the first ‘day’ of Christmas, when ‘word’ is made ‘flesh’, when a star is born, where God enters into the world he has made in the form of a baby.” “How this literally translates to this case,” adds van der Leek, “is through lawsuits. These lawsuits were essentially a bickering contest over semantics.” "From 2000 onwards the Christmas spirit is inverted. Instead of peace, joy and love for all mankind, words are made cash. Whenever the Ramseys won their suits, millions flowed back to them.” Investigative journalist Nick van der Leek plumbs the Justin Ross Harris case to seek insight and potential allegory into how a reckless and distracted parent may attempt to conceal this fact. “The Harris case induces a real star in the death of a child. The son is killed by the power of the sun acting in the closed cubicle of Harris’ vehicle. The test is whether this is intentional or not? Does Harris have a shiny record as a parent or a heart of darkness? Are Harris’ claims plastic or authentic?” Through their sequin star narratives van der Leek as narrator and Wilson as researcher go far further into the human story and deeper into human psychology than the veneers of other narratives anchored to this particular crime. The sequin star series is an attempt to understand through the Ramseys in Boulder what our society was and is becoming, and who we are becoming. Is there a cosmic significance to the extinguishing of a single tiny star in the curtain of night above a small hamlet? Can today’s society stand as JonBenét did, perched under a gigantic but artificial star on the edge of a Continental divide, and know what it is to fall from those dizzying, glittering heights into an abyss?