Entirely too dependent upon extant quotes cobbled together from myriad sources. Granted that a vast majority of the subjects covered within this exhaustive history of women's wrestling have long since passed thus cannot provide unique and 'fresh' quotes, but the author seems to have put no legwork into securing any comments by contemporary female talent. The sole active wrestler that provides any unique input is Natalya in a brief forward, and I suspect she did so given the writer is also Canadian.
One of the quirks of the book that irritated me is the over-indulgence of space Laprade gives to Dave Meltzer. For as many stories and opinions he offers on dozens of wrestlers, he may as well have been granted a co-author credit! Laprade leans heavily on Meltzer, who is no more an 'expert' in any sort than any person who merely documented second and third-hand information. It is a pet peeve for a person such as myself who enjoys reading wrestling books to see so many otherwise intelligent writers and wrestling personalities afford Dave Metlzer some form of exalted status. Here, again, Laprade is lazy, essentially handing off the vast bulk of the sections detailing the women's wrestling scene in Japan over the decades to Meltzer to comment upon.
Though there is plenty of fascinating material here that is not well known, such as the true popularity of women's wrestling and the amount of gate receipts it commanded for many decades, especially in Japan, too much of it is background and only touched upon. In his relentless drive to check the boxes on giving thumbnail sketches of 'every' female wrestler of the 20th and 21st centuries, Laprade far too often moves on from events, drama, and trivia that could and should have been expanded upon. I was frustrated so very often reading this book.
Instead of drilling down into a particularly fascinating or lurid fact (such as the Fabulous Moolah's penchant for 'prostituting' her young charges, or how many male wrestling personalities skirted the law in having relations with underage talent or the nefarious insider-dealing that kept women's wrestling groups splintered among themselves and unable to form a united league), this 'history' book contents itself by blandly regurgitating a formula that I quickly tired of: provide basic background of the talent (height, weight, birth date and location), sprinkle in a few comments culled from other sources in magazines, books, podcasts or even the WWE Network, detail the talent's title reigns, if any, then wash, rinse, repeat. By the time Laprade has exhausted the list of North American and Japanese females and moved on not only to the UK, Australia, and even the (then-current) crop of notable independents, I was about ready to tap out. I retained very little of what I'd read, as it all blurred together into one homogeneous female wrestler who won titles and had a career. I was spent.
This book is a 'fan book'. It is well-written, it is well produced, and for those who simply wish to have an all-in-one overview of the last hundred years of female wrestlers, then it is fine. However, for a person who read this because of the promise of the word 'history' of women's wrestling in the title, they will be left instead with basically a series of Wikipedia articles slapped into a book, with some terrible and groan-inducing comments from the wrestling 'genius' of Dave Meltzer as well.