I LOVED this story. Like, LOVED. I read it in one sitting, while I was supposed to be working-- I was just that immersed in the world Nia created.
There's no doubting at this point that Nia Forrester is an incredibly, incredibly gifted writer. And what she was able to do with Deuce and Zora-- Deuce being a minor character from the Afterwards series-- only further illustrates what we already knew.
As I've said before, Nia's character development is pretty much unrivaled. What she's able to convey, the depth of emotion, thought-process and the internal struggles of her characters as they make life decisions, both small and large, is just... super impressive. It's impressive because even in all of that, she never loses sight of making sure the story has entertainment value. She writes characters that stick, that you think and wonder about long after you've finished the book, and Deuce and Zora are certainly no exception. In fact, I'm betting they'll emerge as favorites for a lot of reasons, namely because of the purity of their love as they struggle with external issues that cause them to question if that intense passion is enough to sustain them outside of their bubble.
Beyond that, this book is super timely, given the turmoil that we find ourselves in as a society. I always say it's really important that artists capture the times, as vividly as possible. In that way artists (musicians, writers, visual artists) are historians. That's what Nia did with this story. Nia writes with quiet intelligence. She doesn't yell to the reader about how smart she is, or how deeply she thinks about things that affect us as humans, or how we as humans relate to those everyday dips and curves of life. Yes, her writing is introspective and compelling, even poetic at times, but mostly, her writing is approachable. It's warm. Even when she grapples with heavy issues-- like feminism, sexuality, abuse, and in this book in particular, the Black Lives Matter movement and value of acknowledging the humanity of black folk from all walks of life-- her prose remains grounded, clear and digestible.
Deuce and Zora's story never felt heavy but it was complex, as both young characters came into their own, seeking balance and perspective and ultimately, finding a little of both of things in their unexpected love for one another. Deuce is easily, in my opinion, one of the best men she's written-- sexy and assured, even when he's questioning himself, vulnerable but sturdy-- but most of all in love with his woman, and not afraid to show it. It's always cool to read about a dude who isn't intimated by the realness and intensity of his feelings, even though he's young and inexperienced with commitment. That was Deuce-- all in, from the beginning. But he wasn't sappy or corny, which is a feat as a writer.
As for Zora, she was layered and beautiful, inside and out, even as she struggled with who she was becoming, and how to become that person and maintain her love for Deuce. What's cool about her character is she represents the balance that's needed for those invested in the movement for justice. The need to live and enjoy life, even the often strenuous push for social change. The need to just... be and actually be able to enjoy what the fight for the recognition of black humanity is ultimately about in the first place-- the ability to breathe freely. I think Nia touches on that here through Zora.
I'm sure readers will be wanting to hear more from Deuce and Zora because there is a lot more story to tell, should Nia be inclined to continue with them. Then again, it's usually that way with Nia's characters because you just don't want to let them go.
Young, Rich & Black perfectly illustrates why Nia Forrester is not only one of the best, but most needed voices, not just in romance, but in fiction period.