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The Hidden Thread: A Novel
The Hidden Thread is a breathtaking novel about the intricate craft of silk and the heartbreak of forbidden love.
When Anna Butterfield's mother dies, she's sent to live with her uncle, a silk merchant in London, to make a good match and provide for her father and sister. There, she meets Henri, a French immigrant and apprentice hoping to become a master weaver. But Henri, born into a lower class, becomes embroiled in the silk riots that break out as weavers protest for a fair wage.
New York Times bestselling author Liz Trenow weaves a luminous tale of class struggle and star-crossed love.
386 pages, Kindle Edition
First published January 26, 2017
227 people are currently reading
1775 people want to read
About the author
Liz Trenow
16 books368 followersLiz Trenow's family have been silk weavers for nearly three hundred years, and the company is one of only three still operating in the UK today, weaving for top-end fashion houses and royal commissions.
It is this remarkable silk heritage that has inspired many of Liz's four novels, including the most recent The Silk Weaver (UK pub Jan 2017) It will be published in the US as The Hidden Thread in May 2017.
It is set in London in the 1760s in the very house in which the family company began, just down the road from where the pre-eminent silk designer Anna Maria Garthwaite lived at the same time. It is the unknown early life of Anna Maria that has inspired the plot, set against the historical backdrop of racial tension and industrial unrest.
With beautiful illustrations of Anna Maria designs throughout, this will be a book to treasure.
It is this remarkable silk heritage that has inspired many of Liz's four novels, including the most recent The Silk Weaver (UK pub Jan 2017) It will be published in the US as The Hidden Thread in May 2017.
It is set in London in the 1760s in the very house in which the family company began, just down the road from where the pre-eminent silk designer Anna Maria Garthwaite lived at the same time. It is the unknown early life of Anna Maria that has inspired the plot, set against the historical backdrop of racial tension and industrial unrest.
With beautiful illustrations of Anna Maria designs throughout, this will be a book to treasure.
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Displaying 1 - 30 of 192 reviews
May 13, 2017
Picture that you are standing in front of my bookshelves and you pick up this book.
You: "This looks interesting."
Me: "Yeah... it was."
You(with a raised eyebrow): "So...it's not good?"
Me: "No.. oh it was o.k. I liked it. "
You: "But..."
Me: Well .. I feel...The writing, the characters, the plot, the author's personal family connection all very interesting..."
You(nodding head): "Expecting Hollywood blockbuster?"
Me(waves hands wildly above head) :
"Made for Saturday night television."
Set in the late 18th century, a young English woman meets a Frenchman that has risen above his poorer circumstances. From different worlds, they fall in love amidst some historical events that serve as a good backdrop that I had wished were more the focus than the love plot.
Thanks to NetGalley for an uncorrected digital galley in exchange for an honest review.
You: "This looks interesting."
Me: "Yeah... it was."
You(with a raised eyebrow): "So...it's not good?"
Me: "No.. oh it was o.k. I liked it. "
You: "But..."
Me: Well .. I feel...The writing, the characters, the plot, the author's personal family connection all very interesting..."
You(nodding head): "Expecting Hollywood blockbuster?"
Me(waves hands wildly above head) :
"Made for Saturday night television."
Set in the late 18th century, a young English woman meets a Frenchman that has risen above his poorer circumstances. From different worlds, they fall in love amidst some historical events that serve as a good backdrop that I had wished were more the focus than the love plot.
Thanks to NetGalley for an uncorrected digital galley in exchange for an honest review.
July 13, 2017
This was an historical fiction that takes place in 1760. It grabbed me right from the beginning and took me on a roller coaster of emotions as I was reading. It is based on a couple of actual events. The main character, Anna Butterfield, was inspired by Anna Maria Garthwaite who was an English textile designer known for and celebrated for the intricate floral designs she created. The other event in the book is the "silk riots" that took place to fight for an honest wage for the weavers, most of whom were French immigrants. These events did not take place at the same time in history, but they were woven together in a great plot.
Anna Butterfield is a vicar's daughter from a small town on the coast of England. When her mother dies, her father sends her to live with his sister and her family to be introduced to society. The hope is that she will meet a wealthy man so he can support Anna, her sister and father when he is no longer able to work. When she arrives in Spitalfields, she faints and is rescued by a young frenchman named Henri. Little does she know that this chance encounter will change her life. Her aunt is determined to assist her in making a "good match" and lets her know in no uncertain terms that she is above the french immigrants. It turns out that Henri is a journeyman weaver who is looking to design his masterpiece to be entered into the Company as a Master Weaver. Anna and Henri bump into each other a few times until they realize that they have true feelings for one another. Anna, who is an artist of nature, designs a floral pattern that Henri wants to use for his masterpiece. Of course this courtship/friendship is deemed unacceptable for Anna. Her family are torn apart when they find out. Anna's aunt has a man in mind for her and he actually proposes, but Anna does not love him. Meanwhile, the weavers are trying to stop the merchants from importing illegal french silk and paying below the accepted rate for their product. This is where the riots come in. One of Henri's good friends gets caught up in the events and Henri tries to help him and ends up in trouble.
Can Henri and Anna fight back against society? Can they fight back against what is expected of them? Is there anyway that they can be together? Will the weavers get the government to back their demands so they can make an honest living? This book covered so many topics from the period. Racism, romance, wage riots, classism, persecution - religiously, gender, race, status and much more. I was so glad there was a good epilogue so I was not left wondering about these characters when the story ended. If you like historical fiction, pick this book up, it will not disappoint. The publisher generously provided me with a copy of this book via Netgalley.
Anna Butterfield is a vicar's daughter from a small town on the coast of England. When her mother dies, her father sends her to live with his sister and her family to be introduced to society. The hope is that she will meet a wealthy man so he can support Anna, her sister and father when he is no longer able to work. When she arrives in Spitalfields, she faints and is rescued by a young frenchman named Henri. Little does she know that this chance encounter will change her life. Her aunt is determined to assist her in making a "good match" and lets her know in no uncertain terms that she is above the french immigrants. It turns out that Henri is a journeyman weaver who is looking to design his masterpiece to be entered into the Company as a Master Weaver. Anna and Henri bump into each other a few times until they realize that they have true feelings for one another. Anna, who is an artist of nature, designs a floral pattern that Henri wants to use for his masterpiece. Of course this courtship/friendship is deemed unacceptable for Anna. Her family are torn apart when they find out. Anna's aunt has a man in mind for her and he actually proposes, but Anna does not love him. Meanwhile, the weavers are trying to stop the merchants from importing illegal french silk and paying below the accepted rate for their product. This is where the riots come in. One of Henri's good friends gets caught up in the events and Henri tries to help him and ends up in trouble.
Can Henri and Anna fight back against society? Can they fight back against what is expected of them? Is there anyway that they can be together? Will the weavers get the government to back their demands so they can make an honest living? This book covered so many topics from the period. Racism, romance, wage riots, classism, persecution - religiously, gender, race, status and much more. I was so glad there was a good epilogue so I was not left wondering about these characters when the story ended. If you like historical fiction, pick this book up, it will not disappoint. The publisher generously provided me with a copy of this book via Netgalley.
June 6, 2017
This book is described as breathtaking in its blurb and I cannot think of a better word. Breathtaking indeed!
So needless to say I loved it. I loved that it was about silk, threads and weaving. I loved the richness of London in the 1700's and the little quotes from 'manual's' and other books that were the 1700 equivalent to today's self-help books.
Not unlike Pride and Prejudice this book is about a woman whom is not happy being a part of the 'typical' high society she could be immersed in. Instead our lead gal, Anna, is a bit of a romantic; a painter/artist that is looking for real love, not just a good match to a wealthy man. The love story here is poignant, honest and unbelievably adorable. I'm not a crier but I will admit to at a few moments being choked up by the sweetness of it all.
There is one thing that The Hidden Thread is not, it's not an action book, not a thriller, has no magic or intrigue in it, and isn't about anything more complex than two people and their stories that collide. Going in with clear expectations that you will learn a lot about weaving and silk; and knowing that it's well researched and written will go a long ways to your enjoyment.
Even though the writing is not overly flowery, nor is the story anything particularly original, I still adored this book. It was breathtaking in that Liz Trenow clearly knows how to tell a story with depth that evicts emotions for average people in believable and realistic situations. It's in the vein of Gone with the Wind, Pride & Prejudice or more recently The Minaturist or The Tea Girl of Hummingbird Lane. Just a story about people and the time they lived (and loved) in.
The Hidden Thread is historical fiction at it's finest and I can't imagine changing anything in it that would improve it. Finding out the authors connection to the people and time period at the end of the novel just re-enforced for me how much time and effort clearly went into researching the time period and silk industry. And how can you possibly fault an author who admits to their fictional liberties taken!! It's a rare treat that I can walk away from a historical novel and not feel the need to wiki the real details.
I cannot possibly say enough good things about The Hidden Thread except that if you love historical fiction, read it!
For this and more reviews bookmark my blog at: Epic Reading
Please note: I received an eARC of this book from the publisher via NetGalley. This is an honest and unbiased review.
So needless to say I loved it. I loved that it was about silk, threads and weaving. I loved the richness of London in the 1700's and the little quotes from 'manual's' and other books that were the 1700 equivalent to today's self-help books.
Not unlike Pride and Prejudice this book is about a woman whom is not happy being a part of the 'typical' high society she could be immersed in. Instead our lead gal, Anna, is a bit of a romantic; a painter/artist that is looking for real love, not just a good match to a wealthy man. The love story here is poignant, honest and unbelievably adorable. I'm not a crier but I will admit to at a few moments being choked up by the sweetness of it all.
There is one thing that The Hidden Thread is not, it's not an action book, not a thriller, has no magic or intrigue in it, and isn't about anything more complex than two people and their stories that collide. Going in with clear expectations that you will learn a lot about weaving and silk; and knowing that it's well researched and written will go a long ways to your enjoyment.
Even though the writing is not overly flowery, nor is the story anything particularly original, I still adored this book. It was breathtaking in that Liz Trenow clearly knows how to tell a story with depth that evicts emotions for average people in believable and realistic situations. It's in the vein of Gone with the Wind, Pride & Prejudice or more recently The Minaturist or The Tea Girl of Hummingbird Lane. Just a story about people and the time they lived (and loved) in.
The Hidden Thread is historical fiction at it's finest and I can't imagine changing anything in it that would improve it. Finding out the authors connection to the people and time period at the end of the novel just re-enforced for me how much time and effort clearly went into researching the time period and silk industry. And how can you possibly fault an author who admits to their fictional liberties taken!! It's a rare treat that I can walk away from a historical novel and not feel the need to wiki the real details.
I cannot possibly say enough good things about The Hidden Thread except that if you love historical fiction, read it!
For this and more reviews bookmark my blog at: Epic Reading
Please note: I received an eARC of this book from the publisher via NetGalley. This is an honest and unbiased review.
April 4, 2017
I received an advanced copy of The Hidden Thread from NetGalley and the publisher. It was an enjoyable and interesting account of a little know revolt of silk weavers in 18th century London. In the midst of the turmoil we have Henri and Anna who fall in love but find themselves divided by their social standing. Theirs is a touching story of overcoming the prejudices and judgment of society to be with the person of choice. It was well-researched and the descriptions of the weaving process were especially fascinating. But I never really figured out the meaning of the title and discovered that it was released earlier under a different title and cover: The Silk Weaver. I think the original title makes much more sense and the original cover was definitely more appealing. I would recommend this if you enjoy historical fiction/romance.
March 26, 2018
5 Words: Family, silk, business, class, love.
This book is well written, with a split narrative of two very distinct and different voices. I did find that it took me longer than usual to read this book, but that was because I spent a lot of time sitting and reflecting as I got to the end of each of chapter. The story itself is well paced, a slow build up to a fantastically fast-paced ending.
I loved Anna's character, how she kept her free will and what made up the essence of herself despite the changes in her world and circumstance. I liked how there were tiny, natural changes in her thoughts and actions, and I loved her bravery. I did want to grab her by the shoulders and give her a good shake a few times.
This book is another triumph for the author, filled with delicious descriptions of the most sumptuous silks. It is incredibly well-researched and detailed, the whole time period comes alive on the page.
This book is well written, with a split narrative of two very distinct and different voices. I did find that it took me longer than usual to read this book, but that was because I spent a lot of time sitting and reflecting as I got to the end of each of chapter. The story itself is well paced, a slow build up to a fantastically fast-paced ending.
I loved Anna's character, how she kept her free will and what made up the essence of herself despite the changes in her world and circumstance. I liked how there were tiny, natural changes in her thoughts and actions, and I loved her bravery. I did want to grab her by the shoulders and give her a good shake a few times.
This book is another triumph for the author, filled with delicious descriptions of the most sumptuous silks. It is incredibly well-researched and detailed, the whole time period comes alive on the page.
May 22, 2017
Having read a few other of this authors books, I was excited to try her latest release. I love the background to her writing, in that when researching her ancestry Trenow discovered her family history of silk weaving and production of fine clothes and materials, thus inspiring her work.
Although this story was a little different to her previous books, I did enjoy it for the most part. It's at a fairly slow moving pace so have patience. The writing isn't too taxing so fans of historical fictional romance should feel at ease with it.
I have to say I prefer the authors wartime based books, but then I'm a huge fan of that writing era anyway.
A pleasing read. Recommended for fans of her previous books and new readers alike.
Although this story was a little different to her previous books, I did enjoy it for the most part. It's at a fairly slow moving pace so have patience. The writing isn't too taxing so fans of historical fictional romance should feel at ease with it.
I have to say I prefer the authors wartime based books, but then I'm a huge fan of that writing era anyway.
A pleasing read. Recommended for fans of her previous books and new readers alike.
May 1, 2017
4.5 stars
Set in London 1760, The Hidden Thread by Liz Trenow brings to us this delicate story of love, hope and will.
After the death of her mother, Anna Butterfield arrives in London to stay with her Aunt and Uncle’s family. Mr. Sadler, her uncle, is one of the well-established mercers in the silk industry. At that time, the only hope for such a young lady was to marry into a rich family. It was also the only means to support her father and sister. The Saddlers, being well connected in London society, were expected to introduce Anna to that society and hence help her out in this matter.
However, free spirited Anna had a different view of life. She couldn’t imagine her life going that way. She longed to be married based on love instead of wealth. She cherished her freedom of choice and of mind. She had the free spirit of an artist and longed to know more about the art of silk designs. She had lived a more spontaneous life in the village with her family where she could move around easily and enjoy the beauty of nature. Now in London, her every move was restricted guided by the intricate society laws of how a lady of class should behave.
Meanwhile, the silk weavers are going through real hard time. Their jobs are threatened by the illegal imports of the French silk. They try their best to establish their rights into fair wages in an unfair and unforgiving society.
The weaving industry is one of the things I loved about this book. Actually, I haven’t realized before how much effort it had taken people to bring around those wonderful silk designs and pieces. I was glad to know more about this amazing industry. It’s very interesting to read a book that gives you a bit of historical info in addition to the lovely story.
The story was such a delicate and enjoyable one. I couldn’t help but love Anna and admire her free spirit. The pages flew while I followed the lovely story between Anna and Henri, the French weaver. Liz Trenow has such an enjoyable writing style that catches the interest and keeps the readers engaged in the story.
The Hidden Thread, was both, an enjoyable journey in history and a heartwarming love story. I enjoyed this book so much.
**Special thanks to NetGalley & Sourcebooks Landmark for supplying my copy of this book in exchange for an honest and unbiased review. This does not affect my opinion of the book or the content of my review. **
For all my reviews please visit http://www.meshascorner.net
Set in London 1760, The Hidden Thread by Liz Trenow brings to us this delicate story of love, hope and will.
After the death of her mother, Anna Butterfield arrives in London to stay with her Aunt and Uncle’s family. Mr. Sadler, her uncle, is one of the well-established mercers in the silk industry. At that time, the only hope for such a young lady was to marry into a rich family. It was also the only means to support her father and sister. The Saddlers, being well connected in London society, were expected to introduce Anna to that society and hence help her out in this matter.
However, free spirited Anna had a different view of life. She couldn’t imagine her life going that way. She longed to be married based on love instead of wealth. She cherished her freedom of choice and of mind. She had the free spirit of an artist and longed to know more about the art of silk designs. She had lived a more spontaneous life in the village with her family where she could move around easily and enjoy the beauty of nature. Now in London, her every move was restricted guided by the intricate society laws of how a lady of class should behave.
Meanwhile, the silk weavers are going through real hard time. Their jobs are threatened by the illegal imports of the French silk. They try their best to establish their rights into fair wages in an unfair and unforgiving society.
The weaving industry is one of the things I loved about this book. Actually, I haven’t realized before how much effort it had taken people to bring around those wonderful silk designs and pieces. I was glad to know more about this amazing industry. It’s very interesting to read a book that gives you a bit of historical info in addition to the lovely story.
The story was such a delicate and enjoyable one. I couldn’t help but love Anna and admire her free spirit. The pages flew while I followed the lovely story between Anna and Henri, the French weaver. Liz Trenow has such an enjoyable writing style that catches the interest and keeps the readers engaged in the story.
The Hidden Thread, was both, an enjoyable journey in history and a heartwarming love story. I enjoyed this book so much.
**Special thanks to NetGalley & Sourcebooks Landmark for supplying my copy of this book in exchange for an honest and unbiased review. This does not affect my opinion of the book or the content of my review. **
For all my reviews please visit http://www.meshascorner.net
April 22, 2017
Liz Trenow's The Hidden Thread is a historical fiction/romance novel about the silk weaving trade in 18th c London, inspired by Trenow's family history as silk weavers in Spitalfields, East London.
While researching her family history Trenow learned about Anna Maria Garthwaite, a silk designer who produced naturalistic, accurate designs of flowers for brocades and damasks which appear in the Victoria and Albert Museum.
The novel centers around a vicar's daughter, Anna, who comes to live with her aunt and uncle in London. Anna is a very modern woman in her sensibility while conforming to the expectations of her time and class.
Anna's uncle is a prosperous, well-connected, silk mercer. It is hoped that Anna's prospects will be much better in London than in her small village. It is not only for her own sake that Anna must marry well; as pastor of a small church her father lives in a parsonage; he can never retire, as it means he would lose both home and income.
Life in upper crust London is bewildering and constricting for Anna. Like Belle in Beauty and the Beast, she both longs for more than her village offers but also rejects the societal values that constrict women's lives. She would like to marry for love but a man with prospects has shown an interest, and regardless of her personal feeling, she knows she should accept him.
Ideally, Anna would like to be an artist. London brings her into connection with several of the great artists of her time, including one who takes an interest in her work.
Upon arrival in London, Anna met an apprentice silk weaver, Henri, a French Protestant refugee who fled to England rather than convert to Catholicism. The Huguenots brought their skill in silk weaving, but like refugees across time, they are reviled.
Anna and Henri feel an attraction they both understand is 'impossible'. Henri learns of Anna's artistic skill and begs her to provide him with a design for the masterpiece he must weave for acceptance as a weaver. Through their relationship, the reader learns about the design history, mechanics, and politics of silk weaving in the 18th c.
The importation of French silk was banned at this time but was in such demand that mercers pirated it into England--including Anna's cousin, putting his father's reputation at risk.
Meanwhile, the silk weavers are asking for fair wages and violence is erupting.
The novel will appeal to readers who enjoy a progressive heroine and a wish fulfillment ending served with a slice of history.
I read Trenow's previous novel The Forgotten Seamstress, in which a woman seeks the history of a mysterious quilt.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
While researching her family history Trenow learned about Anna Maria Garthwaite, a silk designer who produced naturalistic, accurate designs of flowers for brocades and damasks which appear in the Victoria and Albert Museum.
The novel centers around a vicar's daughter, Anna, who comes to live with her aunt and uncle in London. Anna is a very modern woman in her sensibility while conforming to the expectations of her time and class.
Anna's uncle is a prosperous, well-connected, silk mercer. It is hoped that Anna's prospects will be much better in London than in her small village. It is not only for her own sake that Anna must marry well; as pastor of a small church her father lives in a parsonage; he can never retire, as it means he would lose both home and income.
Life in upper crust London is bewildering and constricting for Anna. Like Belle in Beauty and the Beast, she both longs for more than her village offers but also rejects the societal values that constrict women's lives. She would like to marry for love but a man with prospects has shown an interest, and regardless of her personal feeling, she knows she should accept him.
Ideally, Anna would like to be an artist. London brings her into connection with several of the great artists of her time, including one who takes an interest in her work.
Upon arrival in London, Anna met an apprentice silk weaver, Henri, a French Protestant refugee who fled to England rather than convert to Catholicism. The Huguenots brought their skill in silk weaving, but like refugees across time, they are reviled.
Anna and Henri feel an attraction they both understand is 'impossible'. Henri learns of Anna's artistic skill and begs her to provide him with a design for the masterpiece he must weave for acceptance as a weaver. Through their relationship, the reader learns about the design history, mechanics, and politics of silk weaving in the 18th c.
The importation of French silk was banned at this time but was in such demand that mercers pirated it into England--including Anna's cousin, putting his father's reputation at risk.
Meanwhile, the silk weavers are asking for fair wages and violence is erupting.
The novel will appeal to readers who enjoy a progressive heroine and a wish fulfillment ending served with a slice of history.
I read Trenow's previous novel The Forgotten Seamstress, in which a woman seeks the history of a mysterious quilt.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.
November 16, 2016
Thank you to NetGalley, Pan McMillan and Liz Trenow for the opportunity to read this book for an honest review.
Ok I'm going to try and do justice to this book with this review as I really loved it. I believe everyone should read this book.
This book took me on an emotional journey. I was smiling and crying and sometimes at the same time. It is full of lots of different topics. Racism, romance, wage riots, persecution - religiously, gender, race, status and much more.
It is set in Spitlefields in the 18th century. The descriptions of the setting in this book are lovely. The topics covered although hard to read because of what people thought at the time but done well.
Our main character is Anna Butterfield a charming young lady who is moving to her uncles house in London to be introduced to society. You must remember that this is the times when woman were expected to be seen and not heard. They were their to bare children and to make their husbands happy. But Anna is determined that there is more to life then this.
One day Anna meets the charming Henri. Henri is a French imagrant. Who is looked down on by society and who should definitely not be mingerling with Anna.
But Anna and Henri are drawn to each other like a moth is drawn to a flame. Henri is longing to be the best silk weaver in the land, and Anna is trying to fight against what is expected of her from society and longs to become an artist. Their love of the arts brings them together.
Of course this courtship/friendship is deemed unacceptable for Anna. Her family are torn apart when they find out.
But can Henri an Anna fight back against society? Can they fight back against what is expected of them? Is there anyway that they can be together? Not living in solitude but free to be with the person that they love?
This book covers so many topics so flawlessly and is such a remarkable book. I really went on a journey with the characters in the book and found myself caring deeply about their well being.
I hope that this book gets the recognition that it so rightly deserves when it comes out in January.
Happy reading everyone
Ok I'm going to try and do justice to this book with this review as I really loved it. I believe everyone should read this book.
This book took me on an emotional journey. I was smiling and crying and sometimes at the same time. It is full of lots of different topics. Racism, romance, wage riots, persecution - religiously, gender, race, status and much more.
It is set in Spitlefields in the 18th century. The descriptions of the setting in this book are lovely. The topics covered although hard to read because of what people thought at the time but done well.
Our main character is Anna Butterfield a charming young lady who is moving to her uncles house in London to be introduced to society. You must remember that this is the times when woman were expected to be seen and not heard. They were their to bare children and to make their husbands happy. But Anna is determined that there is more to life then this.
One day Anna meets the charming Henri. Henri is a French imagrant. Who is looked down on by society and who should definitely not be mingerling with Anna.
But Anna and Henri are drawn to each other like a moth is drawn to a flame. Henri is longing to be the best silk weaver in the land, and Anna is trying to fight against what is expected of her from society and longs to become an artist. Their love of the arts brings them together.
Of course this courtship/friendship is deemed unacceptable for Anna. Her family are torn apart when they find out.
But can Henri an Anna fight back against society? Can they fight back against what is expected of them? Is there anyway that they can be together? Not living in solitude but free to be with the person that they love?
This book covers so many topics so flawlessly and is such a remarkable book. I really went on a journey with the characters in the book and found myself caring deeply about their well being.
I hope that this book gets the recognition that it so rightly deserves when it comes out in January.
Happy reading everyone
March 24, 2017
So many words come to me when I recall my thoughts about reading this book. Sadness, loneliness, greed, young love, snobbiness, gut wrenching, these are just some of the feelings I felt and things that happen in this story.
A young girl (Anna) is sent to live with her aunt and uncle in the big city of London. Her widowed father and young sister still live in the country where she longs to still reside. Anna's aunt and uncle own a silk business and are considered not among the most wealthy but well off.
This is around 1770 when the silk riots were threatening to begin. Young French immigrants were fleeing their country and coming to England to weave their wares and wanted to be pay fair wages. However many English silk sellers were bypassing these young Frenchmen and importing directly from France and buying cheaper without paying import taxes.
On Anna's first day, she meets Henri who is one of these young Frenchmen. Immediately, William, Anna's cousin, sees her talking to Henri and forbids her to engage in conversation with a "cabbage head" under any circumstance. Their story with the background of the silk riots is the basis of this book.
A wonderful read, one that I am glad that I requested and most grateful that I got to read. A story that was well told and one that I was sorry to part with at the end.
Huge thanks to Sourcebooks Landmark for approving my request and to Net Galley for providing me with a free e-galley in exchange for an honest unbiased review.
A young girl (Anna) is sent to live with her aunt and uncle in the big city of London. Her widowed father and young sister still live in the country where she longs to still reside. Anna's aunt and uncle own a silk business and are considered not among the most wealthy but well off.
This is around 1770 when the silk riots were threatening to begin. Young French immigrants were fleeing their country and coming to England to weave their wares and wanted to be pay fair wages. However many English silk sellers were bypassing these young Frenchmen and importing directly from France and buying cheaper without paying import taxes.
On Anna's first day, she meets Henri who is one of these young Frenchmen. Immediately, William, Anna's cousin, sees her talking to Henri and forbids her to engage in conversation with a "cabbage head" under any circumstance. Their story with the background of the silk riots is the basis of this book.
A wonderful read, one that I am glad that I requested and most grateful that I got to read. A story that was well told and one that I was sorry to part with at the end.
Huge thanks to Sourcebooks Landmark for approving my request and to Net Galley for providing me with a free e-galley in exchange for an honest unbiased review.
June 27, 2017
I pick this up on an impulse, as it involved a topic that I was interested in - silk weaving in London in the late 1700s.
It's a nice little book, where a young woman, Anna, goes to London to stay with her aunt and uncle. She needs to make a good marriage to restore the family fortunes - her father is poorish parish priest. Her uncle sells silk, and both aunt and uncle are obsessed with following the latest rules and fashions of society. Anna feels confined by their dictates, and is intrigued by a French silk weaver she met on her voyage to London. Inevitably, there is a romance, which is nicely handled.
Another thread in the book is a movement by silk weavers to keep their wages steady, rather than have them be threatened by imported cheaper goods. I found this part far more interesting, and would have loved to learn more. There is also a good series of descriptions about how complex weaving works, and I really enjoyed that.
However, there is some time shifting used by the author to bring together these events and the creation of a certain style of silk that actual started much earlier in the century. It's a central point to the story. I understand why she did it, but since I'm interested in the history of fashion, I kept getting distracted by this. I doubt there are a lot of other people who would.
Overall - if you want a nice read, with decent characters, and a decent historical setting, this is pretty good. Not a "run right out and read this now".
It's a nice little book, where a young woman, Anna, goes to London to stay with her aunt and uncle. She needs to make a good marriage to restore the family fortunes - her father is poorish parish priest. Her uncle sells silk, and both aunt and uncle are obsessed with following the latest rules and fashions of society. Anna feels confined by their dictates, and is intrigued by a French silk weaver she met on her voyage to London. Inevitably, there is a romance, which is nicely handled.
Another thread in the book is a movement by silk weavers to keep their wages steady, rather than have them be threatened by imported cheaper goods. I found this part far more interesting, and would have loved to learn more. There is also a good series of descriptions about how complex weaving works, and I really enjoyed that.
However, there is some time shifting used by the author to bring together these events and the creation of a certain style of silk that actual started much earlier in the century. It's a central point to the story. I understand why she did it, but since I'm interested in the history of fashion, I kept getting distracted by this. I doubt there are a lot of other people who would.
Overall - if you want a nice read, with decent characters, and a decent historical setting, this is pretty good. Not a "run right out and read this now".
April 23, 2017
DNF page 176. I couldn't get into this typical Historic romance. Girl needs to marry for money to provide for family, doesn't fit it, finds someone that interests get and she can relate to but can't have...the same old tale. I thought the time period and the different theme of the Silk trade would make this more interesting but it didn't. I forced myself to get this far. If your looking for a light romance that is spice free, it should be the book for you.
May 1, 2017
The Hidden Thread by Liz Trenow is set in London in 1760. George III is the King of England and the naturalist movement is gaining momentum. Anna Butterfield is heading to London to stay with her father’s sister and her family. Anna is leaving her small village and her family for the first time. She is to try to make an advantageous match to help her family. Anna arrives at Spital Square and there is no one to greet her. Anna ends up fainting in the street (lack of food, the heat, and nervousness). Anna awakens to find a young Frenchmen assisting her. But then her cousin, William approaches berating her for being late and hitting the Frenchmen for touching her. Anna is taken to Sadler and Son where her Uncle Joseph and Aunt Sara along with her cousins, William and Elizabeth (aka Lizzie) live and have their shop on the bottom floor. Joseph Sadler is a mercer (a dealer in silks) and has a thriving business. Aunt Sarah quickly commissions appropriate dresses for Anna so she can be presented to society. Anna is unused to the dresses, the many rules of society, inactivity and freedom to go out. Most of all she misses seeing gardens which is inspiration for her sketches and watercolors. While out with Lizzie, Anna encounters Henri Vendome, the Frenchman who assisted her. He is a journeyman weaver to M. Jean Lavalle and he will soon be working on his master piece. If this piece is accepted, Henri will become a master weaver. Anna and Henri are attracted to each other, but they are from different classes. The political situation in London is volatile as journeyman weavers want fair wages and are upset with mercers who are importing foreign silks without paying the import taxes. Is there a chance for Anna and Henri? Can they overcome the social divide and have a future together? How will the political situation affect mercers and weavers? Pick up The Hidden Thread to find out!
The Hidden Thread is nicely written and has good main characters. I appreciated a female main character who was intelligent and creative. Liz Trenow is a descriptive writer who includes minute details (about garments, the sights, of nature, etc.). This type of writing allows for me to picture the story in my head. The author did a wonderful job at capturing that period in time as well as the sights and smells of London. Readers are given delightful descriptions of finished silks. It was interesting to read about the origins of silk and what goes into making the finished product. I was especially fascinated with the weaving process. The Hidden Thread reminds me of books written by Rosalind Laker. I give The Hidden Thread 4 out of 5 stars. There are a couple of slow sections, but overall I thought The Hidden Thread to be an engaging novel. The cover of the book really does not do the book justice. The original cover is more eye catching and so is the initial title (The Silk Weaver). The title (to me) refers to the threads that are hidden in a tapestry—the warp threads. It also references a special technique used by Henri for his master piece. I did feel that the book is a touch too long. I felt a little more editing would have beneficial. I enjoyed reading The Hidden Thread. There are some good life lessons included in the story. The author provided an epilogue that wrapped up all the various storylines which I really appreciated.
The Hidden Thread is nicely written and has good main characters. I appreciated a female main character who was intelligent and creative. Liz Trenow is a descriptive writer who includes minute details (about garments, the sights, of nature, etc.). This type of writing allows for me to picture the story in my head. The author did a wonderful job at capturing that period in time as well as the sights and smells of London. Readers are given delightful descriptions of finished silks. It was interesting to read about the origins of silk and what goes into making the finished product. I was especially fascinated with the weaving process. The Hidden Thread reminds me of books written by Rosalind Laker. I give The Hidden Thread 4 out of 5 stars. There are a couple of slow sections, but overall I thought The Hidden Thread to be an engaging novel. The cover of the book really does not do the book justice. The original cover is more eye catching and so is the initial title (The Silk Weaver). The title (to me) refers to the threads that are hidden in a tapestry—the warp threads. It also references a special technique used by Henri for his master piece. I did feel that the book is a touch too long. I felt a little more editing would have beneficial. I enjoyed reading The Hidden Thread. There are some good life lessons included in the story. The author provided an epilogue that wrapped up all the various storylines which I really appreciated.
January 24, 2019
A tale of history and a 1700's love story: a country girl sent to good society in London to attract a suitor and marry well. Anna, a lover of art, creativity, and nature. While pressed with obligations, her heart would not resign to solely catching a husband but to pursue her interests. She meets Henri, a poor silk weaver. While he may not be a wealthy suitor, he is her creative match.
I loved how the author inserted such a rich history of the silk trade, design, manufacturing, and demand. I had no idea of the silk riots and trade which was my favorite part about the story. The author has gone on record to reveal the story is her family history and semi-biographical. A fascinating history indeed.
Overall, The Hidden Thread is an Austen-esque look at history, society, strong female characters, family, and love. All of which never get old.
Thanks to NetGalley and Sourcebooks for my book copy. All opinions herein are my own.
I loved how the author inserted such a rich history of the silk trade, design, manufacturing, and demand. I had no idea of the silk riots and trade which was my favorite part about the story. The author has gone on record to reveal the story is her family history and semi-biographical. A fascinating history indeed.
Overall, The Hidden Thread is an Austen-esque look at history, society, strong female characters, family, and love. All of which never get old.
Thanks to NetGalley and Sourcebooks for my book copy. All opinions herein are my own.
August 12, 2019
Prima di iniziare il romanzo ero molto curiosa, dato che continuava a spuntare fuori come funghi più o meno ovunque, ma allo stesso tempo non è che fossi così certa mi sarebbe piaciuto, perché la storia non è che mi ispirasse così tanto.
E devo dire che a libro finito ero ancora più interdetta che prima di cominciarlo.
Il fatto è che sotto alcuni punti di vista il romanzo mi è anche piaciuto, ma sotto altri per niente.
L’idea di fondo, infatti, è molto carina ed interessante ed è trattata in una maniera molto accattivante, per cui, almeno inizialmente, è molto semplice restare incollati al libro e continuare a leggere. Andando avanti, però, non è che succeda molto, la trama diventa sempre più piatta e lo resta per un lungo tratto, “risvegliandosi” poi alla fine, nella quale sembra succedere tutto in pochissime pagine.
Le stesse sensazioni, un continuo alternarsi di mi piace e non mi piace, me le hanno trasmesse anche i due protagonisti: entrambi, infatti, spesso mi sono piaciuti molto, Henri l’ho trovato molto affascinante e Anna molto indipendente, nonostante l’epoca e la giovane età, ma altre scene, invece, non hanno fatto altro che mostrare un’incredibile sfilza di loro difetti, in particolare spesso Anna mi è sembrata una grande sempliciotta che non faceva altro che atteggiarsi.
La parte migliore del romanzo, comunque, è rappresentata dall’ambientazione, dato che si vede un grande lavoro di ricerca e cura dei dettagli che hanno fatto sì che durante la lettura sembrasse di essere catapultati all’interno di esso, trovandosi quindi a respirare l’aria settecentesca trasmessa dal romanzo.
E devo dire che a libro finito ero ancora più interdetta che prima di cominciarlo.
Il fatto è che sotto alcuni punti di vista il romanzo mi è anche piaciuto, ma sotto altri per niente.
L’idea di fondo, infatti, è molto carina ed interessante ed è trattata in una maniera molto accattivante, per cui, almeno inizialmente, è molto semplice restare incollati al libro e continuare a leggere. Andando avanti, però, non è che succeda molto, la trama diventa sempre più piatta e lo resta per un lungo tratto, “risvegliandosi” poi alla fine, nella quale sembra succedere tutto in pochissime pagine.
Le stesse sensazioni, un continuo alternarsi di mi piace e non mi piace, me le hanno trasmesse anche i due protagonisti: entrambi, infatti, spesso mi sono piaciuti molto, Henri l’ho trovato molto affascinante e Anna molto indipendente, nonostante l’epoca e la giovane età, ma altre scene, invece, non hanno fatto altro che mostrare un’incredibile sfilza di loro difetti, in particolare spesso Anna mi è sembrata una grande sempliciotta che non faceva altro che atteggiarsi.
La parte migliore del romanzo, comunque, è rappresentata dall’ambientazione, dato che si vede un grande lavoro di ricerca e cura dei dettagli che hanno fatto sì che durante la lettura sembrasse di essere catapultati all’interno di esso, trovandosi quindi a respirare l’aria settecentesca trasmessa dal romanzo.
June 13, 2018
When I opened the book I was swept back into the late 1700s, London. After her mother dies Anna Butterfly, at the request of her father, leaves her Seaside home and now lives in London with her aunt and uncle. Her uncle is supposed to find her a match who can support her father and sister. But this was not to be. On her first day in the city she meets Henri and there is an instant attraction between them. Henri is a poor French silk weaver and Anna is an artist from an affluent family. However, Anna and Henri continue their romance but have to be very careful not to be seen together because of the difference in their social class. I was very interested in the silk weaving and how Henri and Anna came together to create a masterpiece by weaving her floral art into Henri’s silk creation.
I love knitting, crocheting, especially embroidery and basically all the arts that are done with hands. About 2/3 of this book grabbed me and wanted me to stay with it. It was a simple story and a beautiful one but it was overly wordy. I found myself skimming pages. If it was condensed it would make a wonderful novella.
Anna's character is based on a one of the author's relatives.
I love knitting, crocheting, especially embroidery and basically all the arts that are done with hands. About 2/3 of this book grabbed me and wanted me to stay with it. It was a simple story and a beautiful one but it was overly wordy. I found myself skimming pages. If it was condensed it would make a wonderful novella.
Anna's character is based on a one of the author's relatives.
September 9, 2017
That was a very very solid and enjoyable read! The Hidden Thread is definitely a very slow paced book. Our character is mostly lacking the ability to go out into the world and play an active role exploring it, and Henri, the other POV is very dedicated to his work which provides for very few action moments. The final third of the book was the most interesting to me.
I did not feel very invested in the romance because it was so lightly introduced that I just couldn't get on board with the depth of feeling that came with it. But overall it was an enjoyable read and I definitely found out a lot about weaving!
I did not feel very invested in the romance because it was so lightly introduced that I just couldn't get on board with the depth of feeling that came with it. But overall it was an enjoyable read and I definitely found out a lot about weaving!
May 4, 2019
This was a bit of a disappointment. It should have been right up my alley, being a Georgian-era romance set amidst the silk-weaving trade, so some fascinating historical details to go along with the romance, right? But this line from the blurb hints at the problem: ‘a time of religious persecution, mass migration, racial tension and wage riots, and ideas of what was considered 'proper' for women’. That’s a lot of social history to squeeze into what is, at bottom, a fluffy, cross-class romance, and it was heavy enough to suffocate any life in the characters.
Here’s the premise: Anna Butterfield is the daughter of a country clergyman, sent to London after her mother’s death to live with her aunt and uncle, who is a silk mercer (merchant). They have undertaken to introduce her into society with the idea of finding her a rich husband to help support her father and sister back in Suffolk, her father having been impoverished by paying doctor’s fees during the mother’s long illness. A lot of the early part of the book is taken up with fitting Anna out in fashionable clothes, and spelling out what is expected of a demure young lady in London society, but it soon becomes clear that ‘introducing her to society’ means visiting one family, also in the silk trade, who have a son of marriageable age. He is surprisingly willing to go along with this scheme, and it’s clear there is prior agreement between the families, so I expected there to be some kind of business deal hingeing on the marriage, but this was never clarified, and the son’s motives for marrying remain murky.
As a contrast with the wealthy but unappealing son, there’s the rather idealised character of Henri, a journeyman silk weaver and French immigrant, who comes to Anna’s aid on her first day in London, and who rapidly and implausibly becomes her love interest. Anna is shown as hovering uneasily between the wealthy world of the silk mercers, and the much lower class world of the silk weavers, who are portrayed as the downtrodden workers fighting for better pay. Anna, as is all too common in historical romance, displays very twenty-first century sensibilities, and sides with the workers, even though her father, as a clergyman, is solidly upper middle class.
The historical aspects of the era that the author has researched deeply are interesting, even if much of this information is dumped on the reader’s head in a fairly dull way. There’s a reason why critics advise authors to show, not tell; there was far too much telling going on here, and much of the worthy attempt to explain the unrest at the time happens off-stage, no doubt because of the need to keep our hero Henri squeaky clean. In other areas, the author displays a lack of awareness of Georgian culture. No afternoon tea, no uniformed maids (the horror! Only footmen in the drawing room, please), and the polka wasn’t introduced for another couple of generations. I was uneasy that the marriageable son invited Anna to a ball; I’d have expected her to go everywhere with her own family to chaperon her, not be tagging along with barely-known acquaintances. And Anna seems to find ways to wander about London more or less on her own, as well as bumping into kindly celebrities at every verse end.
On the whole, this book was an easy read but rather dull. None of the characters came to life, and the fairytale ending was, on the whole, pretty silly. But there was one part of the book where it suddenly sparked into life, where Anna returned to her village home at the back of beyond. It seemed to me that there was real affection there - between the characters, and for the village itself and Anna’s family. It had a real sense of place which the city scenes, for all their descriptive colour, never quite managed. I’d have liked more of that. Not a bad book, but for me a little lifeless and flat. Four stars.
Here’s the premise: Anna Butterfield is the daughter of a country clergyman, sent to London after her mother’s death to live with her aunt and uncle, who is a silk mercer (merchant). They have undertaken to introduce her into society with the idea of finding her a rich husband to help support her father and sister back in Suffolk, her father having been impoverished by paying doctor’s fees during the mother’s long illness. A lot of the early part of the book is taken up with fitting Anna out in fashionable clothes, and spelling out what is expected of a demure young lady in London society, but it soon becomes clear that ‘introducing her to society’ means visiting one family, also in the silk trade, who have a son of marriageable age. He is surprisingly willing to go along with this scheme, and it’s clear there is prior agreement between the families, so I expected there to be some kind of business deal hingeing on the marriage, but this was never clarified, and the son’s motives for marrying remain murky.
As a contrast with the wealthy but unappealing son, there’s the rather idealised character of Henri, a journeyman silk weaver and French immigrant, who comes to Anna’s aid on her first day in London, and who rapidly and implausibly becomes her love interest. Anna is shown as hovering uneasily between the wealthy world of the silk mercers, and the much lower class world of the silk weavers, who are portrayed as the downtrodden workers fighting for better pay. Anna, as is all too common in historical romance, displays very twenty-first century sensibilities, and sides with the workers, even though her father, as a clergyman, is solidly upper middle class.
The historical aspects of the era that the author has researched deeply are interesting, even if much of this information is dumped on the reader’s head in a fairly dull way. There’s a reason why critics advise authors to show, not tell; there was far too much telling going on here, and much of the worthy attempt to explain the unrest at the time happens off-stage, no doubt because of the need to keep our hero Henri squeaky clean. In other areas, the author displays a lack of awareness of Georgian culture. No afternoon tea, no uniformed maids (the horror! Only footmen in the drawing room, please), and the polka wasn’t introduced for another couple of generations. I was uneasy that the marriageable son invited Anna to a ball; I’d have expected her to go everywhere with her own family to chaperon her, not be tagging along with barely-known acquaintances. And Anna seems to find ways to wander about London more or less on her own, as well as bumping into kindly celebrities at every verse end.
On the whole, this book was an easy read but rather dull. None of the characters came to life, and the fairytale ending was, on the whole, pretty silly. But there was one part of the book where it suddenly sparked into life, where Anna returned to her village home at the back of beyond. It seemed to me that there was real affection there - between the characters, and for the village itself and Anna’s family. It had a real sense of place which the city scenes, for all their descriptive colour, never quite managed. I’d have liked more of that. Not a bad book, but for me a little lifeless and flat. Four stars.
February 6, 2017
Fans of Liz Trenow (myself very much included) have been kept waiting just about three years since the last publication from this author and I was beginning to wonder would we ever hear more from such a talented historical fiction writer. Thankfully she has now returned with The Silk Weaver which has the most sumptuous cover. So my only question before I begun this story was worth it the long wait? Well for the most part it was and I felt it was a departure for the author in terms of the era and setting she was writing about and she carried off to perfection. My only slight misgivings were that I felt the story took too long to establish itself and get going but then once this was achieved there was no let up in the plot and I enjoyed the book immensely. The author's previous books had never been set so far back in time as in 1760 the year this book takes place and I felt it was a real change both for me as a reader and Liz as a writer.
Although I love historical fiction at times you can become quite bored of the monotony of reading books set in or around either World War One or Two and I understand why so many books are set during this time but every now and then I like to mix it up within genres and this seemed like the book to do so. The more I read through the story and read the end notes it was clear this was a book the author had wanted to write for quite some time and it was evident throughout such vast and detailed research had been undertaken into all aspects of the plot and setting. Inspired by true events The Silk Weaver provided a fascinating insight into a time I would have given scant thought to previously and I suppose that's what endears me to this genre so much.
Anna Butterfield is travelling in a carriage with several other weary travelling companions making their way to the big city and hustle and bustle of London in 1760. It's evident quite early on that this is a big new adventure for Anna as she is leaving the quiet country village where she was born and raised and maybe not leaving through her own free will, but rather through circumstances and life events which took over. The reader can sense both Anna's apprehension yet excitement at moving to a city where dreams can be made and which couldn't be more polar opposite from all that she has known in her short life. There is a brief back story given regarding Anna and we discover she has been through a lot recently after nursing her mother before she succumbed to death. I wondered was Anna forced to leave home to live with her Uncle and Aunt and their children in London or was it voluntary? This wasn't made that clear until quite some chapters in so I didn't know how to view Anna. Should she be seen as someone who wanted a new experience and to move forward after such tragedy or did necessity force her Reverend father to send her away leaving his younger daughter to take care of the house?
I liked Anna from the beginning and I loved how her character attempted to go against social conventions without upsetting the applecart too greatly yet she still fought for that little bit of independence as a woman that she so desperately craved. I felt as a reader we were right there alongside her as she navigated this new and, I suppose to her, strange world in which she just wanted to soak right up and gain as many new experiences as possible all the while indulging her deep love of drawing and nature. Anna loves painting natural things but the city will be cramped and full to capacity with little or no green space. I did think her Aunt Sarah and Uncle Joseph (who works as a mercer) would be the villains of the piece but they weren't. Yes they had to be harsh and restrictive at certain times and they did want Anna to find a suitor in the hopes of leading to marriage but compared to other books I couldn't class them as evil tyrants. Their daughter Lizzie was a great conspirator when Anna needed one but I didn't think much of their son William even though he was utilised very cleverly when needed.
The chapters alternate between Anna and a young French weaver she encounters within minutes of her arrival in the city. Initially I felt having the different viewpoints there was some overlapping with details and scenes but the halfway mark when I felt the story picked up this vanished and everything really got going. All the setting up began to make sense and the major and minor stories started to come together in a frenzy against the historical backdrop of the weaving industry just showing how the workers had to fight for fair working conditions and payments and even today this is still the case worldwide in many jobs. So not much has changed in some ways.
Henri couldn't have been more different to Anna regarding all aspects of his life. I found his story as to how he travelled from France and eventually ended up working as a journeyman weaver for Monsieur Lavelle fascinating and it showed what a fearless person he was. It was obvious from the very brief first encounter between himself and Anna that they would meet again and that a spark had been ignited between the pair but so much was against them as is the same in many books. But I was glad this wasn't all focus on a love story between the pair, rather that obstacles were put in their way and this element didn't become the dominant force within the story rather it was one element amongst many that combined terrifically towards the end in a dramatic climax where the reader never truly knew what the outcome would be and I love to be still guessing the conclusion so late in a book. Henri was a fantastic character who was passionate about his profession as a weaver. He had great care and respect for all those around him particularly Monsieur Lavelle and he could see the end was in sight once his final masterpiece had been approved and he himself could become a master and attempt to establish his own business. Without the addition of Anna and discovering her talent for sketching exquisite pieces so rich and full of detail of nature Henri may never have had the chance to attempt to fulfill his dream. Yet it wasn't all smooth sailing and it was great that was the case it would have been too hum drum of a story if that had occurred.
Anna and Henri are polar opposites of each other in terms of background and ambition yet I could still see that there was that special something connecting them to each other. Anna had a lot to deal with acclimatising to a new city especially as unrest started to take hold. In one way she had to obey the rules set down by her aunt and uncle and society in general yet in others there was that fighting spirit deep within her just dying to be set free. She wanted to embrace her talent and love of nature but feels confined when her aunt starts the matchmaking process. Women at the time were viewed as best serving a purpose of running a household and establishing a family. I wanted Anna to be different to the norm, to step outside the box and listen to what her heart and mind were telling her. I loved how she showed great strength of character and such ingenuity when it was needed the most and battled to right a major wrong.
It's rare in a book to have two such strong lead characters but I believed Henri showed just as much metal as Anna when needed. I didn't like the turn of events that seemed to overtake his life and his task of becoming master weaver but on reflection it needed to be there as the book was inspired by true events and this circumstances added more flavour and depth to the overall story at just the point where I believed things may never get going and then everything took on a life of it's own and I couldn't wait to discover the final outcome for all parties involved. Despite all the very good points regarding this novel I wouldn't say The Silk Weaver is my favourite of Liz's books but it was certainly worth the wait for its publication and I just hope book five will not be as long in its creation. It's worth the read for the historical element alone and combined with a love story that has you rooting for a positive outcome you wouldn’t be sorry you picked up this book and enjoyed a few hours in the company of Anna and Henri and I hope you do to.
Although I love historical fiction at times you can become quite bored of the monotony of reading books set in or around either World War One or Two and I understand why so many books are set during this time but every now and then I like to mix it up within genres and this seemed like the book to do so. The more I read through the story and read the end notes it was clear this was a book the author had wanted to write for quite some time and it was evident throughout such vast and detailed research had been undertaken into all aspects of the plot and setting. Inspired by true events The Silk Weaver provided a fascinating insight into a time I would have given scant thought to previously and I suppose that's what endears me to this genre so much.
Anna Butterfield is travelling in a carriage with several other weary travelling companions making their way to the big city and hustle and bustle of London in 1760. It's evident quite early on that this is a big new adventure for Anna as she is leaving the quiet country village where she was born and raised and maybe not leaving through her own free will, but rather through circumstances and life events which took over. The reader can sense both Anna's apprehension yet excitement at moving to a city where dreams can be made and which couldn't be more polar opposite from all that she has known in her short life. There is a brief back story given regarding Anna and we discover she has been through a lot recently after nursing her mother before she succumbed to death. I wondered was Anna forced to leave home to live with her Uncle and Aunt and their children in London or was it voluntary? This wasn't made that clear until quite some chapters in so I didn't know how to view Anna. Should she be seen as someone who wanted a new experience and to move forward after such tragedy or did necessity force her Reverend father to send her away leaving his younger daughter to take care of the house?
I liked Anna from the beginning and I loved how her character attempted to go against social conventions without upsetting the applecart too greatly yet she still fought for that little bit of independence as a woman that she so desperately craved. I felt as a reader we were right there alongside her as she navigated this new and, I suppose to her, strange world in which she just wanted to soak right up and gain as many new experiences as possible all the while indulging her deep love of drawing and nature. Anna loves painting natural things but the city will be cramped and full to capacity with little or no green space. I did think her Aunt Sarah and Uncle Joseph (who works as a mercer) would be the villains of the piece but they weren't. Yes they had to be harsh and restrictive at certain times and they did want Anna to find a suitor in the hopes of leading to marriage but compared to other books I couldn't class them as evil tyrants. Their daughter Lizzie was a great conspirator when Anna needed one but I didn't think much of their son William even though he was utilised very cleverly when needed.
The chapters alternate between Anna and a young French weaver she encounters within minutes of her arrival in the city. Initially I felt having the different viewpoints there was some overlapping with details and scenes but the halfway mark when I felt the story picked up this vanished and everything really got going. All the setting up began to make sense and the major and minor stories started to come together in a frenzy against the historical backdrop of the weaving industry just showing how the workers had to fight for fair working conditions and payments and even today this is still the case worldwide in many jobs. So not much has changed in some ways.
Henri couldn't have been more different to Anna regarding all aspects of his life. I found his story as to how he travelled from France and eventually ended up working as a journeyman weaver for Monsieur Lavelle fascinating and it showed what a fearless person he was. It was obvious from the very brief first encounter between himself and Anna that they would meet again and that a spark had been ignited between the pair but so much was against them as is the same in many books. But I was glad this wasn't all focus on a love story between the pair, rather that obstacles were put in their way and this element didn't become the dominant force within the story rather it was one element amongst many that combined terrifically towards the end in a dramatic climax where the reader never truly knew what the outcome would be and I love to be still guessing the conclusion so late in a book. Henri was a fantastic character who was passionate about his profession as a weaver. He had great care and respect for all those around him particularly Monsieur Lavelle and he could see the end was in sight once his final masterpiece had been approved and he himself could become a master and attempt to establish his own business. Without the addition of Anna and discovering her talent for sketching exquisite pieces so rich and full of detail of nature Henri may never have had the chance to attempt to fulfill his dream. Yet it wasn't all smooth sailing and it was great that was the case it would have been too hum drum of a story if that had occurred.
Anna and Henri are polar opposites of each other in terms of background and ambition yet I could still see that there was that special something connecting them to each other. Anna had a lot to deal with acclimatising to a new city especially as unrest started to take hold. In one way she had to obey the rules set down by her aunt and uncle and society in general yet in others there was that fighting spirit deep within her just dying to be set free. She wanted to embrace her talent and love of nature but feels confined when her aunt starts the matchmaking process. Women at the time were viewed as best serving a purpose of running a household and establishing a family. I wanted Anna to be different to the norm, to step outside the box and listen to what her heart and mind were telling her. I loved how she showed great strength of character and such ingenuity when it was needed the most and battled to right a major wrong.
It's rare in a book to have two such strong lead characters but I believed Henri showed just as much metal as Anna when needed. I didn't like the turn of events that seemed to overtake his life and his task of becoming master weaver but on reflection it needed to be there as the book was inspired by true events and this circumstances added more flavour and depth to the overall story at just the point where I believed things may never get going and then everything took on a life of it's own and I couldn't wait to discover the final outcome for all parties involved. Despite all the very good points regarding this novel I wouldn't say The Silk Weaver is my favourite of Liz's books but it was certainly worth the wait for its publication and I just hope book five will not be as long in its creation. It's worth the read for the historical element alone and combined with a love story that has you rooting for a positive outcome you wouldn’t be sorry you picked up this book and enjoyed a few hours in the company of Anna and Henri and I hope you do to.
May 1, 2017
London - 1760
Anna Butterfield, age 18, is traveling in a coach when they encounter a riot. She has left the coach at a public house in Spitalfields where she is to meet her Cousin William Sadler. After the long trip and little to eat, she faints. A young man speaking French kindly assists her and gives her some water. She tells him she is to stay with her uncle Joseph Sadler of Spital Square. He owns and runs Joseph Sadler and Sons, Mercers to the Gentry. When her cousin shows up, he is rude to the young man who has helped her. He calls French people like him cabbage heads.
Anna’s Uncle Joseph and Aunt Sarah welcome her as does her Cousin Elizabeth (Lizzie). Having recently lost her beloved mother, Anna is grateful to them for inviting her to stay. Anna’s father is a vicar who now has to care for Anna’s younger somewhat mentally and physically disabled sister.
Sarah, Anna’s father’s sister, insists that she be outfitted with beautiful clothes. Anna is fascinated with the beautiful silk fabrics and their unusual smell. Silk is their business.
One day, Anna sees the young French man, Henri, who helped her and stops to thank him for his kindness to her. He is an indentured silk weaver. His family escaped from France with only he and his mother surviving the trip. Henri is preparing his master piece silk weave after which he will become a master weaver and can have his own shop. He finds that smaller wildflowers are all the rage and these are the flowers that Anna loves to paint.
The story follows the family depicting the riots of the weavers for better pay. Although Anna’s aunt and uncle forbid her to have anything to do with Henri, she sees him now and then and together they develop a friendship.
I enjoyed this story very much. I have read other books about the Spitalfields area of London being the heart of the silk weaving industry and how difficult life was for the residents. But, this book goes into greater detail about the making of silk which I found fascinating. As the author comes from a family of silk weavers, she understands the craft and explains it beautifully. We also see how difficult the times were for the workers and the trials they faced every day. I hope other readers like this book as well. Congratulations, Liz Trenow on a great story.
Copy provided by the publisher via NetGalley in exchange for a fair and honest review.
Anna Butterfield, age 18, is traveling in a coach when they encounter a riot. She has left the coach at a public house in Spitalfields where she is to meet her Cousin William Sadler. After the long trip and little to eat, she faints. A young man speaking French kindly assists her and gives her some water. She tells him she is to stay with her uncle Joseph Sadler of Spital Square. He owns and runs Joseph Sadler and Sons, Mercers to the Gentry. When her cousin shows up, he is rude to the young man who has helped her. He calls French people like him cabbage heads.
Anna’s Uncle Joseph and Aunt Sarah welcome her as does her Cousin Elizabeth (Lizzie). Having recently lost her beloved mother, Anna is grateful to them for inviting her to stay. Anna’s father is a vicar who now has to care for Anna’s younger somewhat mentally and physically disabled sister.
Sarah, Anna’s father’s sister, insists that she be outfitted with beautiful clothes. Anna is fascinated with the beautiful silk fabrics and their unusual smell. Silk is their business.
One day, Anna sees the young French man, Henri, who helped her and stops to thank him for his kindness to her. He is an indentured silk weaver. His family escaped from France with only he and his mother surviving the trip. Henri is preparing his master piece silk weave after which he will become a master weaver and can have his own shop. He finds that smaller wildflowers are all the rage and these are the flowers that Anna loves to paint.
The story follows the family depicting the riots of the weavers for better pay. Although Anna’s aunt and uncle forbid her to have anything to do with Henri, she sees him now and then and together they develop a friendship.
I enjoyed this story very much. I have read other books about the Spitalfields area of London being the heart of the silk weaving industry and how difficult life was for the residents. But, this book goes into greater detail about the making of silk which I found fascinating. As the author comes from a family of silk weavers, she understands the craft and explains it beautifully. We also see how difficult the times were for the workers and the trials they faced every day. I hope other readers like this book as well. Congratulations, Liz Trenow on a great story.
Copy provided by the publisher via NetGalley in exchange for a fair and honest review.
February 7, 2017
I love books that educate you and transport you into another place and time. I loved the descriptions of all aspects of the silk trade, importing and costume making businesses and felt you could imagine yourself at the loom creating a masterpiece alongside Henri. You learn about the tensions of the time and the dangerous world. You could feel the social expectations of the time and Anna was like a breath of fresh air. She wanted to be free to befriend whoever she wanted and the freedom to sketch and paint the world around her.
She is overawed by the sights and sounds in London having come from a vicarage in a small village but still finds a way to draw some wild flowers in a market. This leads to a great alliance that overcomes many obstacles.
I loved the whole atmosphere in the book and couldn't put it down. The romance running through is lovely and you are hoping things will develop despite the social constraints Anna has living with her aunt and uncle. Friendship plays an important part between Anna and Charlotte and together they find solutions to many problems throughout the book.
I would highly recommend this book to anyone who loves historical stories.
She is overawed by the sights and sounds in London having come from a vicarage in a small village but still finds a way to draw some wild flowers in a market. This leads to a great alliance that overcomes many obstacles.
I loved the whole atmosphere in the book and couldn't put it down. The romance running through is lovely and you are hoping things will develop despite the social constraints Anna has living with her aunt and uncle. Friendship plays an important part between Anna and Charlotte and together they find solutions to many problems throughout the book.
I would highly recommend this book to anyone who loves historical stories.
April 26, 2017
Hidden Thread is set in London England during the 1760s. Anna Butterfield's mother passes away and her father sends her to live with her uncle in London, who is a silk merchant. She meets an immigrant from France, Henri. Henri hopes to one day be a Master Weaver. Both are attracted to one another but because they are from two different worlds, it is forbidden for them to be together.
I did find Anna and Henri's story in the Hidden Thread to be pretty good. I found the struggles of the merchants to be quite interesting. I had no idea that this was part of English history and found it to be intriguing and refreshing. I found the book to be emotional at times with the challenges Anna and Henri face. Though I did enjoy other books by Liz Trenow more, I still think this is a must read.
4 1/2 stars.
I received this book from NetGalley.com, but was not required to write a review. This review is 100% my own honest opinion.
I did find Anna and Henri's story in the Hidden Thread to be pretty good. I found the struggles of the merchants to be quite interesting. I had no idea that this was part of English history and found it to be intriguing and refreshing. I found the book to be emotional at times with the challenges Anna and Henri face. Though I did enjoy other books by Liz Trenow more, I still think this is a must read.
4 1/2 stars.
I received this book from NetGalley.com, but was not required to write a review. This review is 100% my own honest opinion.
April 24, 2017
Thank you Netgalley and Sourcebooks Landmark for the wonderful advanced reading copy of The Hidden Thread by Liz Trenow. I really enjoyed this historical fiction story, set in England in the 1760's, during turbulent times for the silk trade. This story is of 2 talented people, from different backgrounds, which are challenged by rigid social orders of that era, and how they make their way to contentment against all odds. It's a delicate story of struggles and injustice, along with industriousness and innovation. An interesting read indeed!
June 24, 2023
Книги Ліз Тренау легкі, ненав'язливі і не позбавлені сенсу.
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"Шовкові пута" - це щира історія кохання збіднілої англійської дворянки та небагатого французького ткача. Це історія про пошук свого місця у світі і подолання труднощів, які спіткають на життєвому шляху.
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Авторка походить із родини, що з XVIII століття займається виготовленням шовку. Тому всі персонажі роману так чи інакше пов'язані з даною галуззю - створюють ескізи, тчуть тканину, продають, шиють пречудові вбрання.
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"Шовкові пута" - хороша книга для приємного відпочинку спекотними літніми вечорами.
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"Шовкові пута" - це щира історія кохання збіднілої англійської дворянки та небагатого французького ткача. Це історія про пошук свого місця у світі і подолання труднощів, які спіткають на життєвому шляху.
⠀
Авторка походить із родини, що з XVIII століття займається виготовленням шовку. Тому всі персонажі роману так чи інакше пов'язані з даною галуззю - створюють ескізи, тчуть тканину, продають, шиють пречудові вбрання.
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"Шовкові пута" - хороша книга для приємного відпочинку спекотними літніми вечорами.
August 22, 2017
What a great story, I found myself immersed in the lives of the people within the pages of this book.
As a dressmaker myself I love to read about the subject of sewing and textiles and I wasn't disapointed in this tale about Silk Weavers and I learnt some things along the way. A lovely book to be read and sved and read again sometime soon.
As a dressmaker myself I love to read about the subject of sewing and textiles and I wasn't disapointed in this tale about Silk Weavers and I learnt some things along the way. A lovely book to be read and sved and read again sometime soon.
November 25, 2020
This novel took me to a time and place that I knew little about. With the help of the skillful writing style of Liz Trenow I was swept into a story that had interesting characters and an insight into a historical period of time.
January 3, 2026
Novela, ambientada en Londres en 1700, cuando el comercio de la seda está en pleno apogeo. La protagonista Ana llega a Londres desde un pueblo de Kent para buscar marido. Preciosa, novela romántica y de clases sociales.
April 9, 2017
Review coming soon!
July 23, 2019
This is close to my Book of the Year for 2019! What an amazing, compelling, beautiful, fascinating, informative read. Botanical artist meets refugee French silk weaver in a forbidden love, in a time of social change and unrest. Rich historical setting, beautiful descriptions of art, design, nature and drawing. Love the depictions of women's lives at that time, and one woman's struggle to escape social strictures. Have Ehret's botanical drawings on my walls, so I was delighted to meet him in fiction!
January 14, 2024
3.5 stars. Not bad, just very generic.
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