Highly-regarded when it first appeared, in 2004, Hawkwind: Sonic Assassins relates the long and twisting history of one of the most iconic British rock bands. From founder and ever present leader Dave Brock's early days busking the streets of London and mixing with the movers and shakers of the embryonic blues rock scene of the 1960s, through his conversion to psychedelic soundscapes and the establishment of a band that would come to define its own spacerock genre, this is the story of Hawkwind as told by the multitude of musicians who have moved through the many line-ups, adding, as Dave Brock himself would say, "their own bits and pieces." Rewritten, expanded and updated, with new research and fresh interviews, this new edition of Ian Abrahams's Hawkwind biography has been eagerly awaited by the band's legion of fans.
Praise for the first edition of Hawkwind: Sonic Assassins The definitive book on the band. A fitting Tribute. Rockahead
Recommended reading to all fans, as well as anyone interested in the history of the rock music underground. Aural Innovations
Ian Abrahams's research is beyond meticulous. Classic Rock
Ian Abrahams (born 1963) is a freelance journalist and biographer. His books include 'Hawkwind - Sonic Assassins', 'Strange Boat - Mike Scott & The Waterboys' and, with Bridget Wishart, 'Festivalized: Music, Politics & The Alternative Culture'. He's written for Record Collector, R2 Rock 'N' Reel, Vive Le Rock, Shindig!, The Guardian, The Independent, Bass Guitar and others. Ian lives in Cornwall where his household includes two retired greyhounds who've never been to a muddy festival, tied on the end of a string.
This book is very informative in regards to this legendary space rock band's evolution over its 40 years of activity in general. I'm most grateful for the clearing up of the constant internal conflicts between the many different members, it appears Hawkwind is something of a magnet for obviously talented musicians that also are very difficult to work with. I also appreciate that Abrahams' research went as exhaustingly in-depth about the band's place in a broader cultural context as about what happened inside the group. The appendix' walkthrough of Hawkwind's discography with a "what they said then vs. what they say now" comparison for each record further reinforces my impression of a huge generation between musicians who started in the 1970's or 1980's and those who started in the 1990's or 2000's.
Now, as for the negatives... it's a bit cursory at times, trying very hard to cram as much information into as little space at possible. I find this preferable to rambling on for too long about the same topics, but certain parts feel rushed. I also got some mixed messages about exactly how objective Abrahams set out to be. On one hand, when it comes to aforementioned conflicts inside the band he goes out of his way to present all points of view (apparently Dave Brock had a clear control freak phase in the late 1970's) but on the other hand Abrahams sometimes lets his own opinions slip through about the quality of respective albums.
Don't get me wrong, however: This book is definitely worth reading. I learned a lot that I didn't know before from the various interviews with the band to be found in here.
Since the late '60s, Hawkwind has been one of the leading underground/alternative/progressive/heavy-metal/space rock bands; they were playing before many of those terms were coined. Led by Dave Brock and featuring an ever-changing cast of musicians including Lemmy (who went on to found Motorhead), Michael Moorcock (the fantasy writer), Ginger Baker (from Cream), etc. This book is an in-depth history of their first forty years, which was filled with more feuds and drama than any soap opera.
Very detailed account of the career of Hawkwind. The second edition brings up the story of the band to the present day. The author is quite objective in his description of the roles played by some big personalities, especially Brock and Turner, and also gives a fair amount of time to the recordings and tours of the later period of the group's activities, a time when they slipped off the radar for many rock music fans.
Came to this book after bailing on Nik Turner's terrible ghost written effort. That book had no objectivity, was a myth maker for Turner, and badly written. This one was better researched and more neutral. There aren't many books on Hawkwind, so this is an essential read for the fan.
With a band like Hawkwind, where you have idealistic hippies doing free gigs, frightening pure grade LSD consumption, guys with mental issues and bona fide eccentrics, the truth, drama and egos are going to be difficult to separate from personal recollections, or retributions. But this book does well to work through it.
Turner was clearly a creative catalyst, but turned out to be a malicious dickhead, Dave was quietly ambitious, but often accused of being a control freak. That isn't surprising, no one could keep a revolving door of players going for 50 years with a creative democracy. Most bands would just implode.
All key members are represented here, especially those in the seminal years. Turner, Dik Mik, Dettmar Lemmy and some names I wasn't aware of. I enjoyed the background to the revolving door of Hawkwind, the explanation of the changing dynamics of new members and exits when things go bad between people or stale musically.
I was less interested in the blow by blows of each album, just too much detail for me. The early and latter parts are best, as they illuminate their beginnings and the later goes into the many fractious periods with key members. Nik Turner comes out with a balanced but very critical reading. Which I think is fair enough. He took the piss onstage and off, and when out of the band, and tried to justify it with his lifetime hippie ideals.
Quite a well researched book that would be enjoyed by any hardcore Hawkwind fan. I'm sort of glad that I waited to buy this one as the 2017 updated version brings the story up to date.
There are a couple of things that would have made the book a bit better. There are a number of black and white photos scattered throughout the book. They seem to be out of place. It may have been better to include them in their own section in the middle of the book. It's also strange that Stacia who was an integral part of the band's performance visuals is not pictured at all!
Although album releases are detailed during the normal course of the story, it would have been nice to have a thoroughly annotated discography at the end of the book. Sure, people can look up that stuff online. But, why not have it right there in your hands while you are reading the book?
A biography and overview of psychedelic band Hawkwind. I can hardly complain when the book quotes me (even though the quote is an attack on the band I love). One of the better of the several books about Hawkwind floating around out there.