What a fun summer read!
I haven't read a John Grisham book since the 90s, but I picked up Camino Island after seeing a positive review. I was intrigued because the story is a departure from Grisham's usual legal thrillers. The plot is that priceless manuscripts by F. Scott Fitzgerald were stolen from a Princeton library, and the hunt is on to catch the thieves and save the papers.
The novel starts off with a thrill as we watch the gang of thieves go about the heist. (As a librarian and also as someone who wants literary archives to be protected, I liked that Grisham completely made up the details of the theft and didn't base it on the real library layout, because he didn't want anyone trying to imitate the crime in real life.) After the Fitzgerald manuscripts are stolen, we watch the police and FBI work the case, but when the trail goes cold, investigators decide to send in someone undercover.
Enter Mercer, an aspiring novelist who is tasked with infiltrating the social world of Bruce Cable, a bookseller in Camino Island, Florida, who is suspected of purchasing the stolen manuscripts. Mercer meets Bruce and some other writers in the area, and I really enjoyed the literary discussions they had. I won't spoil the ending of the mystery, but I was satisfied with how the plot was resolved.
I enjoy reading books about books, so it was fitting that I liked this literary mystery so much. The dialogue is a bit on the nose at times, but I enjoyed this novel so much that it seems silly to quibble. Recommend for those who like bookish thrillers.
Favorite Quotes
"Some writers are seasoned raconteurs with an endless supply of stories and quips and one-liners. Others are reclusive and introverted souls who labor in their solitary worlds and struggle to mix and mingle. Mercer was somewhere in between."
"Writers are generally split into two camps: those who carefully outline their stories and know the ending before they begin, and those who refuse to do so upon the theory that once a character is created he or she will do something interesting."
"Why do writers suffer so much? / ... It's because the writing life is so undisciplined. There's no boss, no supervisor, no time clock to punch or hours to keep. Write in the morning, write at night. Drink when you want to."
"Cable's Rules For Writing Fiction, a brilliant how-to guide put together by an expert who's read over four thousand books ... I hate prologues. I just finished a novel by a guy who's touring and will stop by next week. He always starts every book with the typical prologue, something dramatic like a killer stalking a woman or a dead body, then will leave the reader hanging, go to chapter 1, which, of course, has nothing to do with the prologue, then go to chapter 2, which, of course, has nothing to do with either chapter 1 or the prologue, then after about thirty pages slam the reader back to the action in the prologue, which by then has been forgotten ... Another rookie mistake is to introduce twenty characters in the first chapter. Five's enough and won't confuse your reader. Next, if you feel the need to go to the thesaurus, look for a word with three syllables or fewer. I have a nice vocabulary and nothing ticks me off more than a writer showing off with big words I've never seen before. Next, please use quotation marks with dialogue; otherwise it's bewildering. Rule Number Five: Most writers say too much, so always look for things to cut, like throwaway sentences and unnecessary scenes."
"There should be a rule in publishing that debut novels are limited to three hundred pages, don't you think?"