In the first scene of this novel, a husband and wife are in their car, going on a trip for their tenth anniversary. Is this a sweet, sensual romance? A gentle meditation on the comforts of a marriage that has survived its first few bumps? Not exactly.
Phillip and Leslie have explored BDSM before, but now Phillip is willing to risk their relationship by finding out how far they are both willing to go. Leslie consents to being blindfolded on the way to a BDSM resort, a typical haven for a novel in this genre. She is very observant and notices sounds along the way, but she can't be sure where she is going. She has to trust Phillip as her Master, and he has to trust himself.
When they arrive at their destination and settle into their private room, Leslie realizes that she is meant to be blindfolded all weekend. Her imposed lack of sight intensifies her other senses and forces her to rely on Phillip and other helpers. It also serves as a metaphor for her inability to foresee what will happen next, and her trust in the process. Phillip tells her that he is going to use her well during the next few days, and she shivers with pleasure.
All the characters are described in the third person (no "I" as storyteller), but most of the narrative is told from Leslie's viewpoint, so to speak. During Leslie's first mealtime in a communal dining hall, Phillip helps her eat. He also keeps her off-guard by unlocking her chastity belt and spreading ointment on her clit and lower lips to keep her in an unrelieved state of sexual excitement.
Leslie hears something disturbing: "It was the sound of someone else's breathing, someone panting in a pace close to her own. A man." Leslie discreetly signals to Phillip, who notices the stranger and lets him know that Leslie is not available without her Master’s permission. Leslie, Phillip and the reader all know that the man will reappear later, and that he is Trouble. Can a woman who is sexually aroused by Dominant men be genuinely afraid of one? Clearly the answer is yes, and Leslie’s instincts are shown to be valid.
Phillip and Leslie meet the first of their new friends when Mistress Blade introduces herself and her male submissive, Peter, and compliments Phillip's control and Leslie's responsiveness. It is easy to guess that the female-dominant couple will become friends of Leslie and Phillip, but their importance in the plot remains to be seen.
As Leslie meets other guests at the resort, they tell her their stories of "coming out" into the world of Dominance and submission, or of their most significant scenes. And while Leslie is learning about the quirks of Dominants, Phillip learns about those of submissives. The stories are instructional, and they have the effect of a chorus formed from diverse voices.
Phillip places Leslie in a "slave holding pen" as a way of stretching her limits as well as his own. There Leslie meets a sister-submissive, Sylvie, who tells her that the sign hanging from Leslie's neck says she is only to be picked up by her Master. Still feeling nervous and alone, Leslie accepts friendly cuddling as Sylvie tells her a story about an elaborate banquet scene in which Sylvie was a human centerpiece, with another submissive assigned to join her in entertaining the assembled guests:
"Over me, the slave-boy was a pitiful sight. Dressed in crotch-less panties, an ill-fitted bra, and a sheer marabou that draped to his hips, he was attired in a pink so vivid I knew his humiliation had already exceeded my fear.
Gladly, I opened my mouth and took his sheathed cock between my lips. We were compatriots after all, he in his girlie get-up and me as his repository joined together in a scene not of our own making. Yet as thrilling as our union was for me, his dick sat limp in my mouth.
'Recite,' came the second command.
'Oh, how we love and hug a great Priapus;
He that has such a one shall ne'er escape us.
And after once, if we can make it rise?
Must on again and bravely fight love's price.'
They were the words of John Wilmot, the famous second Earl of Rochester [1647-1680:], pilfered from his obscene play, Sodom or the Quintessence of Debauchery."
Sylvie's tribal tale of her experience is in the literary tradition of BDSM as a lifestyle of the rich and cultured, and it reminds Leslie and the reader that “obscenity” has a long history. The stories-within-the-story that are told by various secondary characters also show the author's tendency to put careless, slightly-inaccurate words in the mouths of her storytellers. Sylvie's claim that the slave-boy "pilfered" the Earl of Rochester's words seems melodramatic. (Do actors "pilfer" the words of playwrights?)
This novel seems to have been written quickly to meet a deadline. If it was, the cumulative effect of the scenes and stories in the overall plot is especially impressive. While every scene (including recounted scenes) can stand alone, all of them together give a general picture of a largely-heterosexual BDSM community. Phillip and Leslie, two innocent newcomers despite their previous experience, mature in parallel ways as they find their places in the tribe.
Storytelling as an act of love and as the transmission of knowledge leads to a climactic scene after the villain puts his plan into action. The irresponsible behavior of one person shows up the basic human decency of all the rest, and the value of community spirit becomes clear to all.
By the end of the novel, Leslie has made Phillip prouder of her than ever before, and she has helped her would-be protectors to recognize their own collective strength and overcome their sense of guilt. Phillip and Leslie, who left the routines of everyday life and the safety of home to seek their fortune, have been tested and found worthy, and they now have a circle of reliable mentors and friends.
In the last, private scene, Leslie takes off her blindfold and sees with new eyes:
"Remembering the blindfold and all it had robbed from her, Leslie watched Phillip's every move. She stared into his face as he penetrated and took her, as he fucked her and used her, as he came. . . Then, with the gentle rhythm of his breath upon her neck, his warmth surrounding her, Leslie would close her own eyes. Finally, she would rest, safe and sure of her place in his arms."
Some have said that romance and BDSM don't combine well, but they are very compatible in this novel. Even after the wild weekend is over, married love is shown to be a greater adventure than the most extreme scenes of sex with strangers.
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