WOW. First things first, this book is a double-barreled shotgun blast of Krall to the face. There is so much material here, spanning across many years of his career. We see all the permutations of his style, from standard narrative prose, to his most strange and experimental works (paragraphs of X's, long strings of text that are just lists of unrelated words, nonsensical footnotes and invented-word section titles, etc), and the birth of his trademark non-linear, 'cut-up' style. The stories run the gamut from comic to tragic, slipping and sliding through bizarro humor, strange science-fiction, noir-infused crime stories, and searing deconstructions of modern-day cultural mores, and throughout it all Krall boldly and unflinchingly takes us on these dark journeys of the body-and-mind horrors of being a human being; trapped in a lusting, hungering, pugnacious, and ever-decaying flesh-and-bone prison, peppered with ribald, scatological, and mischievous humor, and an often-times told in an almost uncomfortably intimate, first-person confessional style. I've said all this and not even touched on his poetic use of repetition and variation, or the unsettling use of the unreliable narrator and the 'am I crazy, am I drugged, or am I the only one seeing the world for how it really is' effect it has on the reader. Suffice it to say this is an intense and highly varied collection, and may not be for everyone, but those who already know Jordan Krall's work will find a lot value in this archaeological cross-section of his past works and evolving style.