Originally published in 1993, Dirk Strasser’s Zenith: The First Book of Ascension is a sadly uncelebrated landmark in Australian fantasy fiction. While tremendously popular with those who read it, Zenith sadly arrived at a time before the mainstream acceptance of Australian fantasy.
Set on the Mountain, a globe-spanning peak which encompasses the world, the trilogy follows young Atreu the Ascender on his quest to reach the summit of the mountain and experience Zenith, a sort of spiritual awakening and enlightenment. Atreu’s ascent is not uncontested however. Forces both misunderstood and malign work against him, and only by harnessing the unique truth of his Zenith can he hope to prevail.
Strasser’s unique blend of adventure, esotericism, Eastern mysticism, and fantasy makes for compelling reading, and the apparent simplicity of Atreu’s task belie its implications. Cleverly escalating conflict pulls Atreu and the narrative along at consummate pace and as the stakes build, so too does the tension.
The influence of Eastern, particularly Tibetan, mysticism is strong in the work, but is absorbed so thoroughly into the mythology of Strasser’s world that there is no hint of contrivance or artifice. Rather than caricature, Strasser has embraced, and Atreu’s journey is as much a divine pilgrimage as it is traditional quest.
Perhaps it is this transcendent influence, or perhaps it is entirely Strasser’s art, but the story of the Mountain is infused with something of the timeless epic. As its plot grows, twists, and turns around on itself, there is the feeling of something much more powerful than the narrative at work. Strasser has not just written down a legend, rather, he has crafted one