Richard Wagner d'Apres Lui-Mème: L'Elaboration Du Grand Oeuvre d'Art; Art Et Révolution; l'Oeuvre de l'Avenir; Wieland Le Forgeron; Opéra Et Drame; l'Anneau Du Nibelung; Tristan; Parsifal
Excerpt from Richard Wagner d'Apres Lui-M�me: L'�laboration du Grand OEuvre d'Art; Art Et R�volution; L'OEuvre de l'Avenir; Wieland le Forgeron; Op�ra Et Drame; L'Anneau du Nibelung; Tristan; Parsifal
D'abord, comme on n'arrive � rien sans protections, commencer par faire sa cour � Jules Jamn, le critique alors en vogue, puis � Roger et � Mme Viardot, qui venaient de conqu�rir, par leur grand succ�s dans le Proph�te, une position importante � l'op�ra Sur tout r�clamer le patronage de Meyerbeer (2) qui, jadis, avait prot�g� Wagner et semblait dispos� � le faire passer pour son disciple Ensuite, gr�ce � l'appui de ces diff�rents personnages, faire repr�senter Re'enzi et �crire imm�diatement un nouvel ouvrage pour Paris.
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Germanic legends often based romantic operas of especially known composer Richard Wagner, who worked Tannhäuser (1845) and the tetralogy Der Ring des Nibelungen (1853-1876).
From 1872, Richard Wagner lived at Bayreuth to 1883 and designed the opera house, used chiefly for performances of his works.
Wilhelm Richard Wagner conducted, directed theater, and authored essays, primarily for his later called "music dramas." Unlike most other greats, Wagner wrote the scenario and libretto.