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King Raven #3
Tuck
As King Raven, Bran is Lord of the Forest, but his true crown seems out of reach. Bran is still fighting to bring his people justice from the shadows of the green wood. But Abbot Hugo is used to playing the long game and has been watching - and learning.
443 pages, Hardcover
First published February 17, 2009
174 people are currently reading
4599 people want to read
About the author
Stephen R. Lawhead
103 books2,766 followersStephen R. Lawhead is an internationally acclaimed author of mythic history and imaginative fiction. His works include Byzantium, Patrick, and the series The Pendragon Cycle, The Celtic Crusades, and The Song of Albion.
Also see his fanpage at Myspace:
http://www.myspace.com/stephenlawhead...
Stephen was born in 1950, in Nebraska in the USA. Most of his early life was spent in America where he earned a university degree in Fine Arts and attended theological college for two years. His first professional writing was done at Campus Life magazine in Chicago, where he was an editor and staff writer. During his five years at Campus Life he wrote hundreds of articles and several non-fiction books.
After a brief foray into the music business—as president of his own record company—he began full-time freelance writing in 1981. He moved to England in order to research Celtic legend and history. His first novel, In the Hall of the Dragon King, became the first in a series of three books (The Dragon King Trilogy) and was followed by the two-volume Empyrion saga, Dream Thief and then the Pendragon Cycle, now in five volumes: Taliesin, Merlin, Arthur, Pendragon, and Grail. This was followed by the award-winning Song of Albion series which consists of The Paradise War, The Silver Hand, and The Endless Knot.
He has written nine children's books, many of them originally offered to his two sons, Drake and Ross. He is married to Alice Slaikeu Lawhead, also a writer, with whom he has collaborated on some books and articles. They make their home in Oxford, England.
Stephen's non-fiction, fiction and children's titles have been published in twenty-one foreign languages. All of his novels have remained continuously in print in the United States and Britain since they were first published. He has won numereous industry awards for his novels and children's books, and in 2003 was awarded an Honorary Doctorate of Humane Letters by the University of Nebraska.
also write under the name Steve Lawhead
Also see his fanpage at Myspace:
http://www.myspace.com/stephenlawhead...
Stephen was born in 1950, in Nebraska in the USA. Most of his early life was spent in America where he earned a university degree in Fine Arts and attended theological college for two years. His first professional writing was done at Campus Life magazine in Chicago, where he was an editor and staff writer. During his five years at Campus Life he wrote hundreds of articles and several non-fiction books.
After a brief foray into the music business—as president of his own record company—he began full-time freelance writing in 1981. He moved to England in order to research Celtic legend and history. His first novel, In the Hall of the Dragon King, became the first in a series of three books (The Dragon King Trilogy) and was followed by the two-volume Empyrion saga, Dream Thief and then the Pendragon Cycle, now in five volumes: Taliesin, Merlin, Arthur, Pendragon, and Grail. This was followed by the award-winning Song of Albion series which consists of The Paradise War, The Silver Hand, and The Endless Knot.
He has written nine children's books, many of them originally offered to his two sons, Drake and Ross. He is married to Alice Slaikeu Lawhead, also a writer, with whom he has collaborated on some books and articles. They make their home in Oxford, England.
Stephen's non-fiction, fiction and children's titles have been published in twenty-one foreign languages. All of his novels have remained continuously in print in the United States and Britain since they were first published. He has won numereous industry awards for his novels and children's books, and in 2003 was awarded an Honorary Doctorate of Humane Letters by the University of Nebraska.
also write under the name Steve Lawhead
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Displaying 1 - 30 of 498 reviews
March 6, 2025
Note, March 6, 2025: I just made a substantive edit to this review, to explain why I'm no longer convinced of Lawhead's theory that the Robin Hood ballads were originally set in Wales.
With this volume, Lawhead brings his King Raven trilogy to a rousing conclusion! The general comments I made on the first two books apply here, too; but the emotional impact of this book nudged it into five-star territory. This is outstanding fiction of its type --a worthy capstone to a thoroughly excellent series. Lawhead has done himself proud here.
In all three books of the series, Bran ap Brychan --Rhi Bran y Hud-- is the central figure, the linchpin of the story. But as we saw much of Scarlett through Will Scarlet's eyes and he plays a key role in the plot, so here, our good-heartened and rotund title character often gives us our viewpoint, and plays a crucial role in the denouement. The author breathes new life into the familiar figures of all these characters of the legends, and more (including Maid Merian); he's also done his historical homework, to bring us a number of real historical personages made flesh under his pen. King William Rufus (who actually did lead his army into Wales) is an obvious example; but Baron Bernard Neufmarche (who really did rule in Hereford, and expand his territory into Wales), William's justicar and adviser Cardinal Ranulf Flambard, and the northern Welsh king Gruffyd also step from the pages of dry history into vivid fictional life in these books. The interspersed "folk" ballads about "Rhyban Hud" in the text and the epilogue are Lawhead's own compositions, but they clearly reflect a good knowledge of the actual ballad tradition and how it was created and transmitted. (However, though he uses that knowledge to make the case, in his appended material, that balladeers could have exchanged a Welsh location, which he believes is the historically correct one, in the original ballads for settings in their own and their listener's own stamping grounds, that wouldn't explain why the onlyballads that survived place Robin in the Sherwood/Barnsdale forests areas, with no attestation whatsoever for ballad traditions giving other locations. Because of that point, although the author initially won me over to his Welsh theory, I feel obliged to reject it on further consideration.)
All the satisfactions of the best action-oriented historical fiction are here: an exciting, fast-moving story with genuine danger and suspense, told in accessible prose; strong characters that you connect to emotionally, clean romance, moral and spiritual sensibility and a clear sense of social justice, basic historical accuracy and well-integrated period detail, and a vivid sense of time and place. It does not exaggerate to call this trilogy a work in the tradition of Ivanhoe; if Sir Walter Scott were still alive, the publisher could probably have gotten him to pen some praise to quote on the book jacket!
With this volume, Lawhead brings his King Raven trilogy to a rousing conclusion! The general comments I made on the first two books apply here, too; but the emotional impact of this book nudged it into five-star territory. This is outstanding fiction of its type --a worthy capstone to a thoroughly excellent series. Lawhead has done himself proud here.
In all three books of the series, Bran ap Brychan --Rhi Bran y Hud-- is the central figure, the linchpin of the story. But as we saw much of Scarlett through Will Scarlet's eyes and he plays a key role in the plot, so here, our good-heartened and rotund title character often gives us our viewpoint, and plays a crucial role in the denouement. The author breathes new life into the familiar figures of all these characters of the legends, and more (including Maid Merian); he's also done his historical homework, to bring us a number of real historical personages made flesh under his pen. King William Rufus (who actually did lead his army into Wales) is an obvious example; but Baron Bernard Neufmarche (who really did rule in Hereford, and expand his territory into Wales), William's justicar and adviser Cardinal Ranulf Flambard, and the northern Welsh king Gruffyd also step from the pages of dry history into vivid fictional life in these books. The interspersed "folk" ballads about "Rhyban Hud" in the text and the epilogue are Lawhead's own compositions, but they clearly reflect a good knowledge of the actual ballad tradition and how it was created and transmitted. (However, though he uses that knowledge to make the case, in his appended material, that balladeers could have exchanged a Welsh location, which he believes is the historically correct one, in the original ballads for settings in their own and their listener's own stamping grounds, that wouldn't explain why the onlyballads that survived place Robin in the Sherwood/Barnsdale forests areas, with no attestation whatsoever for ballad traditions giving other locations. Because of that point, although the author initially won me over to his Welsh theory, I feel obliged to reject it on further consideration.)
All the satisfactions of the best action-oriented historical fiction are here: an exciting, fast-moving story with genuine danger and suspense, told in accessible prose; strong characters that you connect to emotionally, clean romance, moral and spiritual sensibility and a clear sense of social justice, basic historical accuracy and well-integrated period detail, and a vivid sense of time and place. It does not exaggerate to call this trilogy a work in the tradition of Ivanhoe; if Sir Walter Scott were still alive, the publisher could probably have gotten him to pen some praise to quote on the book jacket!
September 11, 2011
Definitely the best book of the trilogy.
I admit the trilogy was a bit hard to read at times, I am not a complete fan of Lawhead's writing style, like Ken Follett, it can be a bit long winded at times and get to be dry reading, but the story itself, the meat of it, the research and history infused into the classic tale, that's what kept me reading. And Lawhead, like Follett and the Pillars books, does it well, from the pronunciation guide at the beginning of the books to his author notes where some of the history behind his bringing this Robin Hood trilogy to be set in the Welsh lands comes out, you can tell the man did his homework and I am thankful for it.
But one of the best things about this trilogy to me is the main character of each story, from Rhi Bran to Scatlocke to Aethelfrith. It wasn't exactly like a story told from their perspective, but it focused on their perspective more then the rest of the Merry Men or Grellon.
My favorite touch of this third book that Lawhead adds is poetry. Tuck is broken up into 5 parts and each section begins with a very interesting catchy poem that, as your reading, continues a story that parallels the trilogy almost. The poem itself seems written in Middle English or is similar to it, and to me I kept wondering, who wrote this poem? Is it an actual early poem/song about Robin Hood or did Lawhead write it? It definitely didn't sound Lawhead'esque. It rhymed and was lyrical and really made the story more entertaining, and once you reach the end you realize it also foreshadowed the epilogue.
When reading or watching anything related to Robin Hood I oftentimes find myself searching for THE memorable characters that crossover from one to the next, the Little John's, Merian, Friar Tuck, etc. In this series after the first two books I was thinking to myself, "shucks, I guess Alan a'Dale isn't going to make an appearance in these stories..." then BAM! Out of nowhere he shows up, I have to admit it took me by surprise and I got a little giddy, he is a remarkable character and Lawhead did a beautiful job of writing him.
All in all Lawhead has added his unique perspective and twist on my favorite legend, that of Robin Hood. After reading the entire trilogy, I'm very glad to have read the historical gems he adds at the end, breaking down how revolutionary and deadly the longbow was at the time (especially when weilded by the Welsh). I can't imagine the story without it. The epilogue was also great, you have the trilogy, the meat of the legend and how it was created, and then the epilogue is how that legend lives on. Through Thomas a’Dale, traveling bard and songster, grandson of Alan a’Dale, the story travels to Nottingham and Sherwood Forest:
“so long as the singer took care to adapt it to his listeners: dropping in names of the local worthies, the places nearby that local folk knew, any particular features of the countryside and its people--it all helped to create a sense of instant recognition for those he entertained, and flattered his patrons.”
Stephen Lawhead, Tuck, p. 432.
Beautifully done, we see one adaptation among many that a minstrel plays, playing to the crowd, adjusting the story so the nobles would like it, but this is the one we recognize the most and can therefore finally connect to Lawhead’s Rhi Bran y Hud, Bran ap Brychan, Robin Hood.
I admit the trilogy was a bit hard to read at times, I am not a complete fan of Lawhead's writing style, like Ken Follett, it can be a bit long winded at times and get to be dry reading, but the story itself, the meat of it, the research and history infused into the classic tale, that's what kept me reading. And Lawhead, like Follett and the Pillars books, does it well, from the pronunciation guide at the beginning of the books to his author notes where some of the history behind his bringing this Robin Hood trilogy to be set in the Welsh lands comes out, you can tell the man did his homework and I am thankful for it.
But one of the best things about this trilogy to me is the main character of each story, from Rhi Bran to Scatlocke to Aethelfrith. It wasn't exactly like a story told from their perspective, but it focused on their perspective more then the rest of the Merry Men or Grellon.
My favorite touch of this third book that Lawhead adds is poetry. Tuck is broken up into 5 parts and each section begins with a very interesting catchy poem that, as your reading, continues a story that parallels the trilogy almost. The poem itself seems written in Middle English or is similar to it, and to me I kept wondering, who wrote this poem? Is it an actual early poem/song about Robin Hood or did Lawhead write it? It definitely didn't sound Lawhead'esque. It rhymed and was lyrical and really made the story more entertaining, and once you reach the end you realize it also foreshadowed the epilogue.
When reading or watching anything related to Robin Hood I oftentimes find myself searching for THE memorable characters that crossover from one to the next, the Little John's, Merian, Friar Tuck, etc. In this series after the first two books I was thinking to myself, "shucks, I guess Alan a'Dale isn't going to make an appearance in these stories..." then BAM! Out of nowhere he shows up, I have to admit it took me by surprise and I got a little giddy, he is a remarkable character and Lawhead did a beautiful job of writing him.
All in all Lawhead has added his unique perspective and twist on my favorite legend, that of Robin Hood. After reading the entire trilogy, I'm very glad to have read the historical gems he adds at the end, breaking down how revolutionary and deadly the longbow was at the time (especially when weilded by the Welsh). I can't imagine the story without it. The epilogue was also great, you have the trilogy, the meat of the legend and how it was created, and then the epilogue is how that legend lives on. Through Thomas a’Dale, traveling bard and songster, grandson of Alan a’Dale, the story travels to Nottingham and Sherwood Forest:
“so long as the singer took care to adapt it to his listeners: dropping in names of the local worthies, the places nearby that local folk knew, any particular features of the countryside and its people--it all helped to create a sense of instant recognition for those he entertained, and flattered his patrons.”
Stephen Lawhead, Tuck, p. 432.
Beautifully done, we see one adaptation among many that a minstrel plays, playing to the crowd, adjusting the story so the nobles would like it, but this is the one we recognize the most and can therefore finally connect to Lawhead’s Rhi Bran y Hud, Bran ap Brychan, Robin Hood.
September 14, 2016
Tuck is the third and final installment in the King Raven story. The first book Hood was a solid 4 stars; the second book Scarlet was bit better, perhaps 4 1/4 stars. Tuck was a well deserved 4.5 stars. I thoroughly enjoyed the entire King Raven series; it's a nice treat when a series improves as it goes along. Lawhead is a gifted storyteller who weaves the tale of Robin Hood and his Merry Men into its own wondrous legend of adventure, heartbreak, passion, and determination within the early Welsh culture. It is truly a memorable work.
February 28, 2009
I have to say, this is one of the most fantastic, well written books I have ever read! I've liked the rest of the series, but this book did a really great job of concluding it. I was quite fascinated at all the history behind it, and I think Lawhead researched the time period extremely well. As I was getting to the ending,I was so excited to know what happened next that I found myself reading till three o'clock in the morning and still convincing myself that I wasn't too sleepy to read anther chapter or two. The suspense drove me crazy, especially when both sides were fighting continuously with only ten fighters on Bran's side and thousands on the other using different battle tactics. One of the things I have to say that really pleased me and separated this from a lot of Robin Hood interpretations was that Bran wasn't afraid to do what he had to. In a lot of Robin Hood stories, Robin Hood is sort of, well...a wimp, by being "noble" and trying so hard to never do anything to hurt even the worst of enemies to help the people. Bran had actually killed many Ffreincs, captured the sheriff, and was willing to take risks when he had to, but ultimately wanted peace and did what he knew was good for his people. This made him a very three-dimensional character that I could imagine. In fact, I thought the series fleshed out all the main characters, such as Tuck and Merian, and even some minor characters such as Baron Neufmarche and Lady Agnes tremendously. This is just a wonderful, wonderful book; I recommend this book and the entire series to everyone and would definitely say this would remain one of my favorite novels of all time.
October 22, 2010
The King Raven trilogy gets rare 5 stars from me. It was that good.
Suffice it to say, this is no run of the mill Robin Hood story. Richer, deeper, and well thought out. Lawhead did a fantastic job. I liked it far better than his Pendragon series and I really liked them too. This was better. Much better.
There are characters to love, characters to hate and even some you loved and hated at the same time. It felt natural to connect to the character and slip into the story itself.
I can't say much without giving spoilers and I'd rather not do that. This is a story that should be unfolded as Lawhead planned. I cannot in good conscience ruin that for anyone, even though I'm practically bursting at the seams to tell you everything.
Do yourself a favor, read this trilogy, you won't be disappinted. In fact, you will love it. I sure did.
Suffice it to say, this is no run of the mill Robin Hood story. Richer, deeper, and well thought out. Lawhead did a fantastic job. I liked it far better than his Pendragon series and I really liked them too. This was better. Much better.
There are characters to love, characters to hate and even some you loved and hated at the same time. It felt natural to connect to the character and slip into the story itself.
I can't say much without giving spoilers and I'd rather not do that. This is a story that should be unfolded as Lawhead planned. I cannot in good conscience ruin that for anyone, even though I'm practically bursting at the seams to tell you everything.
Do yourself a favor, read this trilogy, you won't be disappinted. In fact, you will love it. I sure did.
December 28, 2019
I loved this whole series. Stephen Lawhead is a fantastic writer, and this was a perfect finish. It makes so much sense to have the origin of Robin Hood in Wales. I was captivated.
I’m a little nervous to read anything else he’s written, because what if it’s *not as good* and I’m disappointed, LOL.
I’m a little nervous to read anything else he’s written, because what if it’s *not as good* and I’m disappointed, LOL.
November 21, 2010
Tuck was a lackluster end to a lackluster series. It had the problems of its predecessors (flat characters, inconsistent viewpoints, glacial pacing) and nothing new to add. There's really none of the gleeful mischief of the legend of Robin Hood - none of the sense of fighting because it's the right thing. It's all aimed at the ultimate goal of getting official recognition of the kingship of the cantref, and that just isn't particularly satisfying, given the cost.
Overall, I find the whole King Raven cycle a terribly disappointment. There was clearly a ton of potential here, and it was squandered.
Overall, I find the whole King Raven cycle a terribly disappointment. There was clearly a ton of potential here, and it was squandered.
October 31, 2011
Enjoyed this read a great deal but not as much as Scarlet. Tuck is a gentle, pious man who believes in justice and fairness. He tells the story in his own way. I felt that Lawhead had a little trouble getting into this character. Perhaps it's my imagination but I thought that he seemed more attuned to Will Scarlet! It was fun to read about the battles and how the long bow could stand against knights with swords and horses. Thank you Mr. Lawhead for more information about that topic at the end of the novel. However, anyone who reads this series should certainly finish with Tuck as it wraps up the story so delightfully well.
February 19, 2024
The fight for Elfael is on! Tuck is my favorite in the King Raven series - it seems to move quicker than the other two, and it is action packed from beginning to end. A satisfying conclusion to this Welsh take on Robin Hood...or is it Rhi Bran y Hud?
Content:
Occasional language.
Mentions of affairs, etc.
Violence.
Death of a child.
Ages 15+
Content:
Occasional language.
Mentions of affairs, etc.
Violence.
Death of a child.
Ages 15+
March 21, 2017
This was a wonderful series! A little slow to start, but it was well worth it.
October 30, 2014
Written for book club:
More desperate then ever to free his land from invaders, the Phantom Raven of the forest sets out once again to try his might against his adversaries. But with some surprising twists, and unanticipated hardships, can the group see it through to the end? The third and final installment of Stephen Lawhead's King Raven Trilogy, Tuck reunites readers one last time with Bran and his Grellon and their fight for freedom.
After King William turns traitor and refuses to give back Bran's throne, Bran realizes it must now come to war. But finding help for this new mission could be harder than he thought.
He first looks to his mothers family, helping them with their own kingship trials and troubles, and making some new friends on the way. But will they return the good favor, and lend some warriors to his aid?
Friar Tuck looks for a different and more peaceful way to end the fight. But it doesn't appear that their enemies are ready to give up just yet, as their plans are thwarted once again by the not so peaceful stewards of Effel. Can the Grellon stop a bloody war before it's too late?
While everyone else is off making and carrying out plans, Meríon tries to pursued Bran to go to her father for help. Knowing her father has never liked her, and thinking this wont change after kidnapping his daughter, Bran refuses. But Meríon stubbornly sneaks away to try her luck with it. But when she finds her brother on the throne instead, married to Bran's enemy Neufmarche's daughter, she finds a little more trouble than she bargained for.
The book has it's ups and downs, it's moments when I thought the author was brilliant and moments when I thought he shouldn't have done what he did. The plot is good, the characters deep and interesting, and twists that I thought good and not so good.
As always, the characters are what I look at in books. You can have a good plot, a good setting, and a good writing style, but if your characters lack, you're book becomes flat and uninteresting. Much like a good movie needs good actors more than anything else, so a book needs good characters. Lawhead's characters bring the book to life. I felt I got a deeper look into Bran and Tuck, and the new characters that were introduced were all interesting and diverse. But in this book, I felt that he did some things with his characters that I deeply regretted
For starters, he let some of the older characters fall by the wayside. Will and Odo, two of my favorites, were pushed nearly out of the book. After falling in love with them in Scarlet, the reader gets so little of them in Tuck that it was really a disappointment. To my surprise Meríon and her adventures didn't get much coverage in the book. Then there was the issue of Baron Neufmarche, who in this book I thought completely unbelievable.
Other than the characters, there was the sprinkling of language throughout the book. Just enough to make me cringe every time I saw it. A completely unnecissary addition to a book.
Now, don't get me wrong, I thoroughly enjoyed the book and could see myself picking up the whole series again. There were a lot of great things in it as well.
For one, the themes. Justice, but mixed with peace when possible. Standing for what is right even when you're hope is getting lower and you stand alone. Forgiving your enemies even when they have caused you pain and loss. All of these are covered in the book, and are great lessons to be learned no matter what situation you are in. More than that, they are very Christian attitudes that are not only good, but necessary for us to understand and use in our lives.
Another great thing about the book besides good characters and themes is how it is written. It has a nice, steady pace and movement. Not an on the edge of your seat, I'm-going-to-die-if-I-can't-read-this-next-chapter-right-now type of book, but one that you regret putting down and easily pick back up again. And one that might very well be worth picking up again.
A quick, final overview of the trilogy as a whole: Great. Not amazing, not spectacular, but definitely better than just good, if you know what I mean. The King Raven Trilogy is worth picking up.
More desperate then ever to free his land from invaders, the Phantom Raven of the forest sets out once again to try his might against his adversaries. But with some surprising twists, and unanticipated hardships, can the group see it through to the end? The third and final installment of Stephen Lawhead's King Raven Trilogy, Tuck reunites readers one last time with Bran and his Grellon and their fight for freedom.
After King William turns traitor and refuses to give back Bran's throne, Bran realizes it must now come to war. But finding help for this new mission could be harder than he thought.
He first looks to his mothers family, helping them with their own kingship trials and troubles, and making some new friends on the way. But will they return the good favor, and lend some warriors to his aid?
Friar Tuck looks for a different and more peaceful way to end the fight. But it doesn't appear that their enemies are ready to give up just yet, as their plans are thwarted once again by the not so peaceful stewards of Effel. Can the Grellon stop a bloody war before it's too late?
While everyone else is off making and carrying out plans, Meríon tries to pursued Bran to go to her father for help. Knowing her father has never liked her, and thinking this wont change after kidnapping his daughter, Bran refuses. But Meríon stubbornly sneaks away to try her luck with it. But when she finds her brother on the throne instead, married to Bran's enemy Neufmarche's daughter, she finds a little more trouble than she bargained for.
The book has it's ups and downs, it's moments when I thought the author was brilliant and moments when I thought he shouldn't have done what he did. The plot is good, the characters deep and interesting, and twists that I thought good and not so good.
As always, the characters are what I look at in books. You can have a good plot, a good setting, and a good writing style, but if your characters lack, you're book becomes flat and uninteresting. Much like a good movie needs good actors more than anything else, so a book needs good characters. Lawhead's characters bring the book to life. I felt I got a deeper look into Bran and Tuck, and the new characters that were introduced were all interesting and diverse. But in this book, I felt that he did some things with his characters that I deeply regretted
For starters, he let some of the older characters fall by the wayside. Will and Odo, two of my favorites, were pushed nearly out of the book. After falling in love with them in Scarlet, the reader gets so little of them in Tuck that it was really a disappointment. To my surprise Meríon and her adventures didn't get much coverage in the book. Then there was the issue of Baron Neufmarche, who in this book I thought completely unbelievable.
Other than the characters, there was the sprinkling of language throughout the book. Just enough to make me cringe every time I saw it. A completely unnecissary addition to a book.
Now, don't get me wrong, I thoroughly enjoyed the book and could see myself picking up the whole series again. There were a lot of great things in it as well.
For one, the themes. Justice, but mixed with peace when possible. Standing for what is right even when you're hope is getting lower and you stand alone. Forgiving your enemies even when they have caused you pain and loss. All of these are covered in the book, and are great lessons to be learned no matter what situation you are in. More than that, they are very Christian attitudes that are not only good, but necessary for us to understand and use in our lives.
Another great thing about the book besides good characters and themes is how it is written. It has a nice, steady pace and movement. Not an on the edge of your seat, I'm-going-to-die-if-I-can't-read-this-next-chapter-right-now type of book, but one that you regret putting down and easily pick back up again. And one that might very well be worth picking up again.
A quick, final overview of the trilogy as a whole: Great. Not amazing, not spectacular, but definitely better than just good, if you know what I mean. The King Raven Trilogy is worth picking up.
June 5, 2011
The conclusion to the King Raven trilogy is really no different to the other books of the trilogy. The strong point, for me, the thing I found most interesting, was the new interpretation of how the Robin Hood story came about -- although I felt that the epilogue hammered that in maybe a little too much -- and not much else really grabbed me. Again, the writing is pretty good and once I settled down to read it I sped through Tuck in a couple of hours. If you want something easy to read and you like Robin Hood and you're not terribly threatened by a Welsh Robin, then this is definitely worth picking up. Lawhead's writing doesn't really come alive for me here, but nor is it terribly written. Beyond a couple of lines that made me cringe, anyway.
The story is pretty much the traditional Robin Hood, just a bit embroidered with details about Welsh conflicts, Welsh lords, Welsh places (as a travelling bard would have told/sung it if he made his way to Wales, I suppose!). If Lawhead intended this to be an entirely realistic story he should have departed further from the legends, because the things Robin gets away with are unbelievable. Which is, I suppose, some of the attraction about Robin.
The characters still fall relatively flat for me. I didn't feel any particular grief for the deaths, or gladness for the triumphs -- which is odd, considering that these are my people triumphing! For once. There was something very appealing about seeing the Welsh win the day, but... I much prefer it when books make my heart twinge a little, and I didn't get any of that here.
Still, it's a good conclusion to the trilogy, and I'm glad I read it.
The story is pretty much the traditional Robin Hood, just a bit embroidered with details about Welsh conflicts, Welsh lords, Welsh places (as a travelling bard would have told/sung it if he made his way to Wales, I suppose!). If Lawhead intended this to be an entirely realistic story he should have departed further from the legends, because the things Robin gets away with are unbelievable. Which is, I suppose, some of the attraction about Robin.
The characters still fall relatively flat for me. I didn't feel any particular grief for the deaths, or gladness for the triumphs -- which is odd, considering that these are my people triumphing! For once. There was something very appealing about seeing the Welsh win the day, but... I much prefer it when books make my heart twinge a little, and I didn't get any of that here.
Still, it's a good conclusion to the trilogy, and I'm glad I read it.
October 6, 2015
I really don't have much to say for this book, except that Stephen Lawhead is an incredible writer. I actually choked up at the epilogue. And the Author's Note is very interesting -- this guy really does his research and, thankfully, seems to love what he does. As with most trilogies I loved, I immediately feel the need to go back and reread the first book.
Now off to watch one of my favorite versions of the story!
Now off to watch one of my favorite versions of the story!
November 3, 2014
I thoroughly enjoyed this book. It was a satisfying conclusion to the "Hood" series. If you read it, don't stop at the conclusion, but take time to read the afterward. It lends credence to the historical background to the original Robin Hood story.
December 25, 2025
Review of “Tuck”
By: Stephen R. Lawhead
In the conclusion to the “The King Raven” trilogy, Friar Tuck became our new narrator. Tuck tried to persuade Bran to see if he could talk to Abbot Hugo before they went to war, but Hugo was past talking. Some of the men under Bran’s leadership were tired of living in the forest and they left. This forced Bran to search for allies elsewhere such as from his mother’s Kingdom of birth. He took Tuck and Scarlet to his mother’s homeland, but Bran’s mother’s people had their own Norman invasion to deal with. The King of this land was held hostage and Bran offers to go on a rescue mission.
Even though Bran told her “No”, Merian decided to return her home to persuade her father to help Bran by providing an army, but Bran believed his couldn’t trust her father, because he was under Baron Neufmarche’s rule and didn’t like Bran. Unfortunately, her father had died and her brother Garren, had married Baron Neufmarche’s daughter.
“Tuck” brought the story to a tense and thrilling conclusion with the threat of war looming over the characters. Friar Tuck was a great narrator and a character with a kind heart and strong moral compass. His request that they try to talk to Abbot Hugo Priest to Priest showed his good character and amped up the tension, because you didn’t know how Abbot Hugo was going to react. Even though, I was sure Bran and the others were right about Hugo, but I still hoped there was a way to do things peacefully just as Tuck did.
I was more frustrated with Merian, because I thought she was being naïve and that she let her emotions and her pride motivate her. She believed she could persuade her father to help Bran, but she knew her father didn’t trust Bran. She also knew her father was under the thumb Baron Neufmarche. I felt bad for her that she found out her father had died before she got a chance to say “goodbye” and had to deal with her condescending older brother Garren, who refused to listen to her side. It was also reckless of her to go alone, because she didn’t know what would happen, despite believing she did know how things would turn out.
It was fun to see another part of the world with Bran visiting his mother’s family and meeting Bran’s cousins. I would have loved to learn more about them because we didn’t get to know them as much. I appreciated that they were determined to help Bran despite their king. The rescue mission was thrilling and exciting. This included Bran’s ability to disguise himself, which was a thing that Robin Hood would do, and that was entertaining to watch play out.
By: Stephen R. Lawhead
In the conclusion to the “The King Raven” trilogy, Friar Tuck became our new narrator. Tuck tried to persuade Bran to see if he could talk to Abbot Hugo before they went to war, but Hugo was past talking. Some of the men under Bran’s leadership were tired of living in the forest and they left. This forced Bran to search for allies elsewhere such as from his mother’s Kingdom of birth. He took Tuck and Scarlet to his mother’s homeland, but Bran’s mother’s people had their own Norman invasion to deal with. The King of this land was held hostage and Bran offers to go on a rescue mission.
Even though Bran told her “No”, Merian decided to return her home to persuade her father to help Bran by providing an army, but Bran believed his couldn’t trust her father, because he was under Baron Neufmarche’s rule and didn’t like Bran. Unfortunately, her father had died and her brother Garren, had married Baron Neufmarche’s daughter.
“Tuck” brought the story to a tense and thrilling conclusion with the threat of war looming over the characters. Friar Tuck was a great narrator and a character with a kind heart and strong moral compass. His request that they try to talk to Abbot Hugo Priest to Priest showed his good character and amped up the tension, because you didn’t know how Abbot Hugo was going to react. Even though, I was sure Bran and the others were right about Hugo, but I still hoped there was a way to do things peacefully just as Tuck did.
I was more frustrated with Merian, because I thought she was being naïve and that she let her emotions and her pride motivate her. She believed she could persuade her father to help Bran, but she knew her father didn’t trust Bran. She also knew her father was under the thumb Baron Neufmarche. I felt bad for her that she found out her father had died before she got a chance to say “goodbye” and had to deal with her condescending older brother Garren, who refused to listen to her side. It was also reckless of her to go alone, because she didn’t know what would happen, despite believing she did know how things would turn out.
It was fun to see another part of the world with Bran visiting his mother’s family and meeting Bran’s cousins. I would have loved to learn more about them because we didn’t get to know them as much. I appreciated that they were determined to help Bran despite their king. The rescue mission was thrilling and exciting. This included Bran’s ability to disguise himself, which was a thing that Robin Hood would do, and that was entertaining to watch play out.
February 15, 2009
I’m not sure where to start with this review since I didn’t make time in the past couple of years to review Hood and Scarlet, but the only reason I kept reading this trilogy was because of Robin Hood.
I love Robin Hood and I love this series. I don’t love the writing of these books. Except, there’s something that kept me reading and that was the need to get to the end and find out if this version has a happy ending.
I don’t want to ruin it or anything, but, it does.
Lawhead includes a pronunciation guide with each book that’s either useless, addicting (me), or frustrating, depending on your sensibilities. In his version of events, Robin Hood is really Bran ap Brychan, wayward Welsh prince of Elfael (pronounced Evile). If you’ve read as far as Tuck (and even if you haven’t, I’ll spoil it anyway), then you know Bran’s a bit of an orphan. With his father dead, Bran has become king, but Evil King William II (son of The Conqueror) has reneged on his promise to restore Bran to his rightful throne. Bran’s land and people are overseen by a nasty Bishop, Sheriff (Glanville, not Nottingham), and Marshal Guy de Gysburne; Robin’s band of Merry Men--Will Scatlocke (Scarlet), Iwan (Little John), Brother Aethelfrith (Friar Tuck), Mérian, Alan a’Dale, and many others--manage to push their luck and best them at every encounter.
If the historical cast of characters seems almost familiar it’s because they’re almost the same as the typical Robin Hood interpretation, but not quite. Lawhead has created an 11th century historical context for the reality that could possibly have been the real Robin Hood, or, Rhi Bran y Hud (King Raven the Enchanter). And to give the appropriate mythos to his recreation, Lawhead wove Celtic mythology (King Raven) and even Celtic vocabulary to make his story even more believable.
Tuck is broken up into 5 parts and an epilogue, each preceded (except the epilogue) by a set of stanzas from a really catchy poem that reads a lot like Middle English and nothing like the style Lawhead has used for rest of the narrative. I flipped through the front and back pages trying to find out if he had taken this from someone else and I was just missing the citation, but I didn’t find it. The writing style was lyrical and rhythmic with rhymes and catchy lines--really lively and wonderfully light. In short, it was nothing at all like the halting, awkward dialogue I think Lawhead meant to be archaic, but that came out too purple when it wasn’t truly funny or touching. Unfortunately, the real moments are few despite the obvious amount of work and research that went into this trilogy.
I was never really sure in what direction Lawhead wanted his audience to go with these books. There are times, like certain deaths or climatic events, that are strangled of emotion and left me dismissing the situations with the same care Lawhead attended to his writing in these moments. At times funny, the narrative was also adventurous, but the elements never quite came together in a unison that would have spun this novel (and the other two) out of it’s element and into something much, much greater. It’s not too much to ask for a dynamic, unhurried myth that is as much adventure as it is a tale of human triumph and tragedy. But I don’t think Tuck and the King Raven Trilogy in general were meant to be anything more than an entertaining Fantasy read with a strong historical context for the casual reader to become engrossed in the would-be reality of a familiar myth.
The plot, always, was fascinating and streamlined enough that I forgot the awkwardness of the writing that sometimes threatened to take over the tone of events. Even though I wasn’t excited about Lawhead’s writing, I really did love these books, and Tuck in particular; our mythical heroes are finally together, shooting arrows from out of the green towards unsuspecting evil-doers like the Sheriff and his cronies.
In this final installment, Bran and the Grellon (the folk he protects) are dejected and walking back to their forest sanctuary. King William II has just gone back on his promise leaving Bran the king of a ragtag band of survivors and refugees, the overload of a patch of forest surrounded by clever woodland lures and traps. His people are tired of unfulfilled promises and some would rather take their chances under the direct rule of William’s men than suffer further disappointments following the hopeful and frustrated dreamer, Rhi Bran ap Brychan. Sure that his mission would be better served by staunch supporters and true believers, Bran allows those who want to leave go without reservation. Now halved in their numbers, Rhi Bran decides to travel north and ask for the help of his mother’s relatives despite Mérian’s suggestions to seek the aid of her father (within a day’s riding distance) and the armies at his disposal.
And there is where the plot begins. Mérian goes to see her father by herself while Bran discovers his minor royal cousin, Gryffydd King of Gwenydd, has been jailed by another monarch and to even barter for the support of his extended family, Gryffydd (Griffith) must be rescued. Add to this roadblock Mérian’s imprisonment by her brother who now presides over their dead father’s realm and disbelieves his sister’s accusations of kidnap at the hand of his in-laws. Rhi Bran’s got quite a mess on his hands if ever he wants to bring peace to his Cymry home, but it involves a manhunt, a pack of wily mongrels, a sin-obsessed King, and whole lot of hand-crafted arrows.
Stephen Lawhead has added a unique perspective on the Robin Hood myth. After reading the entire trilogy, I can’t imagine the mythos without this concrete historical context. I don’t believe Lawhead’s interpretation is the only and penultimate translation of myth-to-man version of Robin Hood, but, true to the belief of Thomas a’Dale, grandson of Alan a’Dale:
And there, at the end of Lawhead’s Robin Hood, the legend of the freedom fighter rises beyond the words of this novel, of this series, and meets the ghosts of Nottingham, Prince John, and Sherwood Forest--one adaptation among many, but the one we recognize the most and can therefore finally connect to Lawhead’s Rhi Bran y Hud, King Bran the Enchanter.
PS For those of you into that kind of thing, Lawhead responds to hand-written letters and is a very, very kind man. :)
I love Robin Hood and I love this series. I don’t love the writing of these books. Except, there’s something that kept me reading and that was the need to get to the end and find out if this version has a happy ending.
I don’t want to ruin it or anything, but, it does.
Lawhead includes a pronunciation guide with each book that’s either useless, addicting (me), or frustrating, depending on your sensibilities. In his version of events, Robin Hood is really Bran ap Brychan, wayward Welsh prince of Elfael (pronounced Evile). If you’ve read as far as Tuck (and even if you haven’t, I’ll spoil it anyway), then you know Bran’s a bit of an orphan. With his father dead, Bran has become king, but Evil King William II (son of The Conqueror) has reneged on his promise to restore Bran to his rightful throne. Bran’s land and people are overseen by a nasty Bishop, Sheriff (Glanville, not Nottingham), and Marshal Guy de Gysburne; Robin’s band of Merry Men--Will Scatlocke (Scarlet), Iwan (Little John), Brother Aethelfrith (Friar Tuck), Mérian, Alan a’Dale, and many others--manage to push their luck and best them at every encounter.
If the historical cast of characters seems almost familiar it’s because they’re almost the same as the typical Robin Hood interpretation, but not quite. Lawhead has created an 11th century historical context for the reality that could possibly have been the real Robin Hood, or, Rhi Bran y Hud (King Raven the Enchanter). And to give the appropriate mythos to his recreation, Lawhead wove Celtic mythology (King Raven) and even Celtic vocabulary to make his story even more believable.
Tuck is broken up into 5 parts and an epilogue, each preceded (except the epilogue) by a set of stanzas from a really catchy poem that reads a lot like Middle English and nothing like the style Lawhead has used for rest of the narrative. I flipped through the front and back pages trying to find out if he had taken this from someone else and I was just missing the citation, but I didn’t find it. The writing style was lyrical and rhythmic with rhymes and catchy lines--really lively and wonderfully light. In short, it was nothing at all like the halting, awkward dialogue I think Lawhead meant to be archaic, but that came out too purple when it wasn’t truly funny or touching. Unfortunately, the real moments are few despite the obvious amount of work and research that went into this trilogy.
I was never really sure in what direction Lawhead wanted his audience to go with these books. There are times, like certain deaths or climatic events, that are strangled of emotion and left me dismissing the situations with the same care Lawhead attended to his writing in these moments. At times funny, the narrative was also adventurous, but the elements never quite came together in a unison that would have spun this novel (and the other two) out of it’s element and into something much, much greater. It’s not too much to ask for a dynamic, unhurried myth that is as much adventure as it is a tale of human triumph and tragedy. But I don’t think Tuck and the King Raven Trilogy in general were meant to be anything more than an entertaining Fantasy read with a strong historical context for the casual reader to become engrossed in the would-be reality of a familiar myth.
The plot, always, was fascinating and streamlined enough that I forgot the awkwardness of the writing that sometimes threatened to take over the tone of events. Even though I wasn’t excited about Lawhead’s writing, I really did love these books, and Tuck in particular; our mythical heroes are finally together, shooting arrows from out of the green towards unsuspecting evil-doers like the Sheriff and his cronies.
In this final installment, Bran and the Grellon (the folk he protects) are dejected and walking back to their forest sanctuary. King William II has just gone back on his promise leaving Bran the king of a ragtag band of survivors and refugees, the overload of a patch of forest surrounded by clever woodland lures and traps. His people are tired of unfulfilled promises and some would rather take their chances under the direct rule of William’s men than suffer further disappointments following the hopeful and frustrated dreamer, Rhi Bran ap Brychan. Sure that his mission would be better served by staunch supporters and true believers, Bran allows those who want to leave go without reservation. Now halved in their numbers, Rhi Bran decides to travel north and ask for the help of his mother’s relatives despite Mérian’s suggestions to seek the aid of her father (within a day’s riding distance) and the armies at his disposal.
And there is where the plot begins. Mérian goes to see her father by herself while Bran discovers his minor royal cousin, Gryffydd King of Gwenydd, has been jailed by another monarch and to even barter for the support of his extended family, Gryffydd (Griffith) must be rescued. Add to this roadblock Mérian’s imprisonment by her brother who now presides over their dead father’s realm and disbelieves his sister’s accusations of kidnap at the hand of his in-laws. Rhi Bran’s got quite a mess on his hands if ever he wants to bring peace to his Cymry home, but it involves a manhunt, a pack of wily mongrels, a sin-obsessed King, and whole lot of hand-crafted arrows.
Stephen Lawhead has added a unique perspective on the Robin Hood myth. After reading the entire trilogy, I can’t imagine the mythos without this concrete historical context. I don’t believe Lawhead’s interpretation is the only and penultimate translation of myth-to-man version of Robin Hood, but, true to the belief of Thomas a’Dale, grandson of Alan a’Dale:
“so long as the singer took care to adapt it to his listeners: dropping in names of the local worthies, the places nearby that local folk knew, any particular features of the countryside and its people--it all helped to create a sense of instant recognition for those he entertained, and flattered his patrons.”
Stephen Lawhead, Tuck, hardcover first edition, p. 432.
And there, at the end of Lawhead’s Robin Hood, the legend of the freedom fighter rises beyond the words of this novel, of this series, and meets the ghosts of Nottingham, Prince John, and Sherwood Forest--one adaptation among many, but the one we recognize the most and can therefore finally connect to Lawhead’s Rhi Bran y Hud, King Bran the Enchanter.
PS For those of you into that kind of thing, Lawhead responds to hand-written letters and is a very, very kind man. :)
July 31, 2017
A thrilling conclusion to a most thrilling trilogy it was all I hoped it would be! I finally got all of the POVs straight (struggled with all the changing narratives in the first book, and somewhat in the second). This book tugs at the heart with emotions ranging from joy and admiration, to grief and despair and all the annoyance and frustration with some characters, and pity or loathing for others.
The plot was masterfully executed and hardly slowed down. The forest and its inhabitants came to life through Lawhead's vivid storytelling. I would have wished to have seen more of Scarlet, loving the previous book as much as I did (probably my favorite of the three). But Tuck, of course, deserves all the honors in his namesake book, my favorite friar to be sure:) Deaths were expected but not the characters I would have thought of, (making them all the more tragic). Overall I highly recommend the series and encourage any slogging through the first book (as I did) to persevere!
The plot was masterfully executed and hardly slowed down. The forest and its inhabitants came to life through Lawhead's vivid storytelling. I would have wished to have seen more of Scarlet, loving the previous book as much as I did (probably my favorite of the three). But Tuck, of course, deserves all the honors in his namesake book, my favorite friar to be sure:) Deaths were expected but not the characters I would have thought of, (making them all the more tragic). Overall I highly recommend the series and encourage any slogging through the first book (as I did) to persevere!
September 24, 2019
This one was my favorite in the series. It starts of exactly where book 2 ended, Bran and he's band leaves the King with their hopes dashed. William will not acknowledge Bran's claim regardless of the promises made. They return to the forest with only one goal - regain control of Elfael.
While the tone of this book is more series- Rhi Bran has to fight for he's throne and suffers some betrayal and loss - the author kept the lighter stories alive, how Bran liked to trick the Norman nobility to do what he wanted.
Some of the series was tough reading, it's a bit long winded at times, yet the research and attention to detail makes this worth while and a really interesting new look at the Robin Hood folk tales.
In this book the writer also incorporated some local poetry and that really set this one apart for me.
While the tone of this book is more series- Rhi Bran has to fight for he's throne and suffers some betrayal and loss - the author kept the lighter stories alive, how Bran liked to trick the Norman nobility to do what he wanted.
Some of the series was tough reading, it's a bit long winded at times, yet the research and attention to detail makes this worth while and a really interesting new look at the Robin Hood folk tales.
In this book the writer also incorporated some local poetry and that really set this one apart for me.
July 19, 2018
If you had told me this is how it all would end back when I was reading "Hood," I probably wouldn't have believed you. I probably would have laughed. Because that book was so dark, I almost quit reading it halfway through and gave up on the series even though I had probably a dozen friends, on and off the internet, telling me the series was awesome.
Yeah, my friends were totally right. The ending? SO good. I was pleased.
Anyway. This series still isn't my favorite Robin Hood retelling, but I did enjoy it. Yay! It was nifty having this book focus a lot on Friar Tuck, because I've always liked him a lot in basically every version of Robin Hood I've seen or read that includes him. But I think I liked "Scarlet" a little bit better.
Yeah, my friends were totally right. The ending? SO good. I was pleased.
Anyway. This series still isn't my favorite Robin Hood retelling, but I did enjoy it. Yay! It was nifty having this book focus a lot on Friar Tuck, because I've always liked him a lot in basically every version of Robin Hood I've seen or read that includes him. But I think I liked "Scarlet" a little bit better.
February 9, 2021
After reading HOOD, the first installment of Stephen Lawhead's King Raven trilogy, I proceeded to the conclusion of the journey, TUCK. Why? In my youthful reading of Robin Hood, I always thought the good Friar an important character of this folklore. Thus, I skipped SCARLET, to be revisited later. The epic conclusion to the trilogy, TUCK, did not disappoint, as the stalwart mendicant shrewdly manipulates the suprise ending to this tale. Combining fantasy, mythology, history, geography, political intrigue of medieval Britain, and folklore of the Robin Hood, Lawhead finds his mark. A captivating, fun read from cover to cover. What's not to like with this epic retelling of Robin Hood? Deserving a strong 4.5 rating.
This entire review has been hidden because of spoilers.
December 23, 2020
This is the third and final book in the King Raven series, a retelling of the Robin Hood legend. In this volume, King Bran and his band are living in the forest while he tries to regain his kingdom after being betrayed by King William. He can't do it alone and much of the book centers around his and Lady Marian's efforts to secure additional soldiers. As the title suggests, the cunning and amusing Friar Tuck plays a major role. It's a swashbuckling good time. I suggest reading the series in order. That will give you a better understanding of how the opposing sides became enemies.
December 9, 2022
I have had this trilogy for years and finally got around to reading it. The whole series is very good in my view. And I really like the author's setting and how he reimagines the tale of Robin Hood. Especially set in the Welsh (Celtic) world of medieval times in the twelfth century. I also love anything of a Celtic (Gaelic) setting. As I am myself a fair bit of Irish, Scottish and Welsh lineage. If you like this kind of genre by all means read the whole series.
March 16, 2025
This was a great 3 part series that started strong but also got better and better along the way.
This book could have been called Tuck or Marian. Seeing her perspective and impact on this book in the series was as important and interesting as the friar's.
The reframing of Ribin Hood's story as the Welsh RI Bran Hud (King Raven) was intriguing, but it was just as interesting to get a look into the history of Wales and the Norman occupation through the context of characters living through it. Lawrhead did a great job of putting both these aspects into a single story.
This book could have been called Tuck or Marian. Seeing her perspective and impact on this book in the series was as important and interesting as the friar's.
The reframing of Ribin Hood's story as the Welsh RI Bran Hud (King Raven) was intriguing, but it was just as interesting to get a look into the history of Wales and the Norman occupation through the context of characters living through it. Lawrhead did a great job of putting both these aspects into a single story.
July 11, 2019
I loved this series. Well written and interesting.
January 14, 2021
Good book. Fast read. Great story. Lots of fun twists with a nice ending and all loose ends tied up. Perfect ending to this historic fantasy retelling of Robin Hood.
August 12, 2020
My favorite of the three. I thoroughly enjoyed listening to the audiobook.
May 8, 2021
Great ending to this series.
July 26, 2020
Concluding book in this series (so far) Not as good as Scarlet, but better than Hood.
This is the shortest Lawhead review I've ever done. Usually, I'm gushing over his books. He hasn't been my favorite author for decades for no reason.
Laura-Lee
This is the shortest Lawhead review I've ever done. Usually, I'm gushing over his books. He hasn't been my favorite author for decades for no reason.
Laura-Lee
June 3, 2015
The third book in the trilogy and probably the best. As you can tell by the title, the most important character in this book is Friar Tuck. Although he plays the most important role in the events, it's still the story of Bran/King Raven/Hood and his small group of followers.
The story is completely wrapped up at the end of this book and the epilogue explains how this 11th Century tale became a legend associated with a later age and in a different location. i.e. Nottingham and Sherwood Forest.
I have to give Mr Lawhead credit for taking what little historical evidence there is and weaving a tale around it in the correct time period. This conflicts with usual tales of Robin Hood but actually makes a lot more sense. The location change to the march ow Wales also works, as after all the Welsh were renowned for their archers for hundreds of years. Throughout the books he never uses the name Robin Hood. His Welsh name and title in these books is 'Rhi Bran y Hud', which one can easily imagine ending up as the familiar name.
Worth noting is that although this book is set in Wales, the language is kept fairly simple so there are no incomprehensible Welsh names. Sure, there are quite a few but they are all easy to handle. For purists, there is a pronunciation guide for all the odd spellings. Overall, a great series for history fans.
The story is completely wrapped up at the end of this book and the epilogue explains how this 11th Century tale became a legend associated with a later age and in a different location. i.e. Nottingham and Sherwood Forest.
I have to give Mr Lawhead credit for taking what little historical evidence there is and weaving a tale around it in the correct time period. This conflicts with usual tales of Robin Hood but actually makes a lot more sense. The location change to the march ow Wales also works, as after all the Welsh were renowned for their archers for hundreds of years. Throughout the books he never uses the name Robin Hood. His Welsh name and title in these books is 'Rhi Bran y Hud', which one can easily imagine ending up as the familiar name.
Worth noting is that although this book is set in Wales, the language is kept fairly simple so there are no incomprehensible Welsh names. Sure, there are quite a few but they are all easy to handle. For purists, there is a pronunciation guide for all the odd spellings. Overall, a great series for history fans.
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