Recently, I've been reminiscing about Mumkey's Anime Reviews. While rough around the edges and padded in a few areas, the webseries stands as one of my favourites for it's irreverent tone, mid-2010s YouTube charm and how well it captures the spirit of online video creation. Despite my familiarity with the Mumkey mythos, there's always been one piece of the puzzle which has been missing - The Triflers. While I've only heard unanimous praise for this book, I know nothing about it beyond it being a story of dirtbag teens. Now that I'm interested in reading, I figured it would be worthwhile to bridge that gap.
The Triflers presents itself in a dynamic way, alternating between the perspectives of it's three main characters: Dawn, Mason and Mario. The context, tone and motivations for which these characters write differ between the three, adding a commendable level of variety and friction to the story.
Dawn is the most enigmatic of the main characters. Despite being the lead antagonist of the story, I never had much of a feel for her as a character. She writes about having big ideas and looking down on the common man, yet doesn't seem to have many goals or a plan beyond doing what she wants in the present. This contrasts with how put-together and methodical she is, such as when she survived a night locked in a freezer. For all the psychopathic traits that she embodies, she appears to be lacking the biggest component of psychopathy - a superficial charm. All of Dawn's dialogue is jarring and unnatural. It's difficult to describe, but she often comes across as tepid, yet verbose, which makes it difficult to believe that she has the Triflers in the palm of her hand. It's worth mentioning that Dawn is an unreliable narrator and deliberately lies in one key part of her letter, so it's possible that her dialogue could also fabricated in an attempt to sound normal.
Mason is the moral center of the story and writes with extreme angst despite having a successful social life. The majority of his entries are concerned with his abusive homelife and love troubles. I enjoy these entries for how true-to-form they are, though I'd be lying if I said these subject matters didn't start to drag after a while. I would have also liked to hear about how Mason navigates his regular life at school despite his association with the Triflers, though in all fairness it's obvious that Mason is writing about his abusive homelife to keep himself from losing his mind. Mason is dramatically altered by the end of the story, being left with nothing and strongly motivated by revenge. I appreciate this change in his character - it sets up a continuation pretty well.
Mario is my favourite character of The Triflers, being the most believable. While far from sympathetic, his habitual self-saboutage and low self esteem gives him a degree of pathos as a character. He presents himself as a misunderstood genius yet has an infantile and superficial view of the world, which is accurate to a lot of shooter manifestos. The way he patronises his audience by defining Internet terms which have a clear-cut meaning adds to this realism in a humourous way. I started getting mixed signals from his character as the story neared its end, which could either be a good or bad thing. He's convinced that his life is meaningless and is acutely aware of his shortcomings, yet he ascribes an incredible level of importance to his act of retribution. I know the 'beta uprising' has been a common talking point amongst incels, though from what I know of it, it's ill-defined and mostly used to vent frustration, so I find it hard to believe that Mario would believe in such a prospect. It's also possible that he's just being provocative, as he is already known to be.
One of the more surreal moments of the book came from reading Mario's musings on depression and suicide. Sections of these chapters would later be used verbatim in the Mumkey's Anime Reviews episode for depression - one of my favourites of the series. It's been years since I watched that video, though I remember its wording vividly. The appeal it has in this book is obviously dampened by Mario's quirks and mannerisms, though I still think it still works pretty well. The section of Mario's manifesto where he talks about the beta uprising was also reused in the Mumkey's Anime Reviews episode about incels.
The book has a gripping conclusion. The way that the character entries slowly fizzle out until they're exclusively coming from Dawn gives the narrative a good level of dramatic tension. The retelling of Mario's shooting is gripping on it's own, though seeing how Dawn reacts to being put in a position where she has no control is what makes the explosive finale truly thrilling. The downfall of the Triflers is intriguing with how muddied Dawn's recount is, and the surprise reveal that Truman survived is a great twist. For the entire story I was hoping that there would be more input from the rest of the Triflers. I had already resigned myself to the fact that these characters weren't together out of friendship, so I was firmly unprepared to hear from another character by the time I reached the end. What makes Truman's entries great are the mystique surrounding them. There isn't much of a timeline as to when they were written, the first six entries are missing, their inclusion in this book would seem to imply that Truman got caught and there's also the implication that Truman is writing these entries behind Dawn's back. The juvenile way in which his logs are written, Truman's tragic love of Dawn and the incredibly difficult circumstances he now finds himself in would make for a strong continuation were one to ever materialise.
For all the strengths that this book has there are, unfortunately, some weaknesses. The biggest one for me is the pacing and overall direction of the narrative. The Triflers falls into a heavy slump midway through the story and only really recovers at the very end. The aforementioned Ricardo's saga adds little to the plot and Mario is lost in his own thoughts at around the same time. The only character driving the narrative forward is Mason, and that's regularly interspersed with his discussions about his home life.
A noticeably weak aspect of the book is Lilly - Mason's sister. While mostly transcribed by Mason, her few bits of dialogue are incredibly stilted and jarring. I imagine this is done to give her a degree of childlike innocence, though her wordliness paired with her overly-emotional responses make her come off as alien instead. Fortunately, her dialogue is relegated to a very minor portion of the book.
Mason being sent to prison doesn't make much sense to me given that his accusation of rape can be easily traced to Dawn. Mason says that he was blinded by his love of Dawn, though I'm unsure of how he could spend four months in a prison cell and not begin to think about how he was framed.
This is a niggling criticism, though I was never sold on the authenticity of the letter/manifesto/journal format of the story. Dawn's meticulous attention to detail aligns with her character, though I find it hard to believe that she would lay all of her motivations bare like she does in her letter (assuming that what she's saying is the truth). There are also times where I feel her recollections are too overly-detailed, such as her pointless retellings of when she worked at Ricardo's. Mason's journals have the most opportunity to be detailed as they're written on a day-to-day basis. That being said, his relaying of dialogue edges into the territory of being too overly-detailed, much like with Dawn. Mario's manifesto is, fortunately, quite believable. His obsessive retelling of his life events fits with his self-absorbed and defeatist attitude. The way in which he communicates is heavily rooted in incel and /pol/ lingo which, while authentic, presents a bit of a conflict with the narrative. I'm not entirely sure when and how incel discourse has evolved, though I imagine the concepts in this book solidified themselves a few years after 2012. Ultimately, having this level of detail makes for a better read, so I can't complain.
The Triflers is an easy recommendation to fans of Mumkey Jones. Mumkey writes well, and that panache for writing is captured within this book. For those fascinated by the dark corners of the Internet and true crime, this is also a decent recommendation. The self-published nature of the book allows for a candid and realistic discussion of the many dark themes it contains. For everyone else, this gets a weaker recommendation. The quirks within the writing and the moments where the narrative falls into a slump are clear indicators of where an editor would have been beneficial. Ultimately, I enjoyed my time with The Triflers. While it's unlikely for there to be a continuation of the narrative at this point, the story culminates into a satisfying climax and presents a good dynamic for a sequel.