Montažas, 1 tomas

by Sergei Eisenstein, Natalija Arlauskaitė (translator)

Sergejaus Eizenšteino veikalas "Montažas" (1937) pateikia kino montažo teoriją, padarusią didžiulę įtaką pasaulio kinui ir kino teorijai, taip pat montažo priemonių bei jų analizės sąvadą. Eizenšteinas plėtoja savo teoriją kitų menų kontekste ir pateikia pavyzdžius iš dailės, architektūros, literatūros, žiniasklaidos sričių, aptikdamas montažinį mąstymą Vakarų, Rytų ir rusų meno istorijoje nuo pirmykščio laikotarpio iki avangardistų.

Knyga "Montažas" sudomins kino, vizualumo, dailės, kultūros istorijos specialistus ir studentus, taip pat visus, besidominčius šiomis sritimis.

Iš rusų kalbos vefrtė Natalija Arlauskaitė

Genres: Film

375 pages, Hardcover

First published January 1, 2000

About the author

Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest movie of all time.

Eisenstein was among the earliest film theorists. He believed that editing could be used for more than just expounding a scene or moment, through a "linkage" of related images. He developed what he called "methods of montage":
1) Metric
2) Rhythmic
3) Tonal
4) Overtonal
5) Intellectual

Eisenstein's articles and books—particularly Film Form and The Film Sense—explain the significance of montage in detail. His writings and films have continued to have a major impact on subsequent filmmakers.

Reviews

[Ivva Tadiashvili · Rating 5 out of 5]

მგონი ბოლო სტატიიდან დაწყება ჯობდა. მაგარი წიგნია, ეიზენშტეინს მაგარი მეთოდები აქვს, დღემდე გამოყენებადი. მნიშვნელოვნად გამოყენებადი.

[Natali Mtsariashvili · Rating 3 out of 5]

სატანა კაცი, დაგვტანჯა ხალხი.