Lecture coup de poing, lecture exaltante, Les habitudes alimentaires des mal-aimés explore la signification du manque et de la consommation à travers les appétits de ses personnages : que dit la faim qui nous tenaille sur l'état de nos coeurs sans défense? Ellen, sur un toit, saute à la corde sous le soleil brûlant de la Corée. Elle a solennellement renoncé aux glucides jusqu'à ce qu'elle trouve un pantalon à sa taille. Damon n'en peut plus de se nourrir de chow mein bon marché acheté sur un coin de rue à Montréal. Dans cet univers où des poutines à demi-mangées traînent sur les planchers des salons et où des grains de maïs au beurre maculent les mentons de graisse, les cocktails dilués, le mauvais café, les fourchettes en plastique et les cigarettes abondent. Partout. Ses mots ont une force propulsive. Ils libèrent d'aveuglantes voix intérieures, impénitentes et à vif, de leur écran protecteur. Les personnages irrévérencieux de Megan Gail Coles écorchent, mais se révèlent aussi étrangement réconfortants dans leurs luttes pour comprendre la nature perméable de leurs pensées. À la fois tordantes et sardoniquement complexes : telles sont les habitudes alimentaires des mal-aimés.
Megan Coles is a graduate of Memorial University of Newfoundland and the National Theatre School of Canada. She is co-founder and co-artistic director of Poverty Cove Theatre Company. Megan is currently working on a trilogy of plays examining resource exploitation in Newfoundland and Labrador titled Falling Trees, Building Houses and Wasting Paper. She is a member of the Writers' Alliance of Newfoundland and Labrador, Playwrights' Guild of Canada, Playwrights' Atlantic Resource Centre and Playwrights' Workshop Montreal. Her completed plays include Our Eliza, The Battery and Bound. Megan, originally from Savage Cove on the Great Northern Peninsula, currently resides in St. John's where she works at Breakwater Books. Eating Habits of the Chronically Lonesome is Megan's first fiction.
What a wonderful collection of short stories. They will move you to laughter and some will move you to tears, at least that was the case for me. I found myself smiling as I read them because being from Newfoundland myself I could hear the voices of these characters so perfectly in my head.
Not all center around Newfoundland or those from there we do have the Russian family recently moved to Canada, a story that made my eyes fill I will admit; But the major them do involve Newfoundland in some form. I noticed that some stories even had connecting characters which is something I found to be neat.
I laughed, I cried, I glared, I smiled. I'm happy I read it.
really really enjoyed this collection of stories. I loved the author’s novel and I could really see the connections between her style in this earlier work and the later book. Honestly though I think I might’ve liked these stories more? The connections between the characters were looser but that allowed the stories to cover more ground. I love the mood that Coles explores with her work and I really don’t think I’ll ever stop being delighted by fiction that is so explicitly canadian it wouldn’t work otherwise.
Had to check out a previous work of the author after reading Small Game Hunting at the Local Coward Gun Club. These were interesting and had a heart to them but lacking the refinement and punch the novel has. You can see the DNA of it here though, interconnected shorts with distinct characters, problems that aren’t shied away from.
Coles has a way with words and characters, her lines of text breathless and never-ending except when they're not, usually because a character is saying something thought-derailing to the main character. The flow here is like poetry. It makes me think of Vonnegut's line about language and Ireland.
The diversity of voices here is a little thin, but for a first effort at fiction it's forgivable, and even if the delivery is similar the words and structure are not.
I'm glad I read this one, and I'll look forward to her next.
Meh...la voix des personnages n'est pas très bien définie, sauf quelques-uns, on a l'impression que c'est toujours la même personne qui parle, homme ou femme. D'ailleurs, une nouvelle est narrée par une petite fille... Ce n'est vraiment pas clair qu'il s'agit d'une enfant dans la manière dont c'est écrit. Cela cause une drôle de dissociation puisque ce qu'elle dit, les situations de parents qui la déchire par leurs chicanes, est très réaliste, mais le personnage non.
There is solid interplay between some of the stories, showing developments and continuations that heighten the overall effect. These effects are not consistently applied, and though some of the stories work singularly, others don't properly hold up to the bar that the author demonstrates they are capable of reaching. This affects the overall experience of reading the collection.
Megan Gail Coles’ Eating Habits of the Chronically Lonesome is a short book, but a long read, in a good way. Its stories are as dense and rich as chocolate truffles: you have to stop after a few and come back later. Which is a bit ironic, given the book‘s pervasive motifs of dissatisfaction and food anxiety.
It would be wrong of me to rate this book when I know the reason I disliked it was because I typically don’t enjoy short stories. I picked this up solely because the author wrote my favourite book I read in 2019.
I genuinely enjoyed this book of short-stories. Being from Nova Scotia, I could hear the various dialects and voices of the characters. Although I found the first story a bit abrupt when I began the book, I appreciated the variety and range of perspectives. Looking forward to more from this author!
Wonderful woven book of short stories. I picked up intending to pick a way over a short story at a time and put it down. I blew through it in a day. Well written and engaging.
Favourites: Houseplants and Picture Frames, This Empty House is Full of Furniture, Some Words Taste Better Than Others, Ultimatums Grow Wild in This Place
A rich array of short stories! Megan Gail Coles is a gifted writer who has a talent of providing an authenic and heartbreaking voice to her characters.
I read about half of the stories and couldn't read any more. The narrator in every story had the same voice, whether they were a 30-year-old man or a little girl. This is the MOST depressing collection I've ever read, but not in an emotionally satisfying way. Reading it just makes you feel awful and even a six- or seven-page story feels like a novel.
This is a wonderful collection of short stories. I adored the different voices throughout. Megan captured the charm and character of Newfoundland. I would love to read more!! It was a really neat idea to incorporate the theme of food throughout the collection.
A bit too much stream of consciousness and negativity (all the characters were losers) for me. The two foreigner stories were interesting, male and female versions of being trapped in a new culture.