As a fellow interested in producing written works, this collection of anecdotes from many writers attracted my attention. I thought it would have quite a dramatic sweep of time, people and places, and would help to expand my literary conceptions.
The author has sought out and compiled details about what inspired just over 200 works of writing. They run the whole spectrum of popular and classic fiction. Most are novels, of course, but there are also plays (Death of a Salesman, A Streetcar Named Desire), works of poetry (Whitman's "Leaves of Grass," Homer's Odyssey,) a children's book or two (Goodnight Moon, Curious George, several of Dr. Seuss's works,) and even an occasional excursion to a comic strip, in Bill Watterson's "Calvin and Hobbes."
If you have an idea for a reasonably popular novel in mind, it's probably here. A few selections caught me off-guard, but the way these titles are organized, has an uncanny quality of motivating me to read the next segment.
However, that approach presents a flaw. The trend for this book to go leaping across times, places and people, means the reader must immediately adjust one's self to a new language mode, and set or cultural mores, for each entry. That makes the information contained in each section especially hard to retain. Even though I found much of what I read fascinating, I struggled somewhat to recall it later.
This book may be better served as one to pull off the shelf once in a while, if you find yourself wondering what inspired, say, Hemingway's "The Sun Also Rises," or you want to recall the possible real-life model for Mary Poppins. Reading every entry in order, while enjoyable, may not be the best approach.
As for each passage, though they're all concise and sound invested, they can be a bit uneven. They can range from a one-paragraph blurb, to three or four pages of insight. Many of them also don't necessarily focus on what inspired the writer; it could be showing what certain names and titles were derived from, descriptions of the society when and where the story was written, or a sample of correspondence. This may be down to the research that was found, but when the entry on, say, The Wizard of Oz is longer than the one for Dune, it could leave some readers cold.
It's often a light read, less concerned with literary scholarship and more so neat facts, so it's worth checking out. Just don't expect it to have the depth of, say, Stephen King's "On Writing," or other works about where stories come from.