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416 pages, Hardcover
First published April 2, 2015
In principle, then, the Rorschach test rests on one basic premise: Seeing is an act not just of the eye but of the mind, and not just of the visual cortex or some other isolated part of the brain but of the whole person. If this is true, a visual task that calls upon enough of our perceptual powers will reveal the mind at work.



Descended from artists on both sides of his family, Hermann Rorschach had a lifelong belief in perception as the point of intersection between mind, body, and world. He wanted to understand how different people see, and at the most fundamental level, seeing is, as the painter Cezanne said of color, “the place where our brain and the universe meet.”


Alone among the pioneers of psychology, Rorschach was a visual person and created a visual psychology. This is the great path not taken in mainstream psychology, even though most of us today, even the talkiest and most bookish, live in a predominantly visual world of images on surfaces and screens. We evolved to be visual. Our brains are in large part devoted to visual processing—estimates run as high at 85 percent—and scientists are beginning to take that fact seriously; advertisers in quest of “eyeballs on the page” started to take it seriously a long time ago. Seeing runs deeper than talking.





I’ve lost count of the number of times I’ve heard, after describing this book to someone: “It’s like the Rorschach test is a Rorschach test~ It can mean anything!” I want to say No, it isn’t. However tempting it may be to “present both sides” and leave it at that, the inkblot test is something real, with a particular history, actual uses, and objective visual qualities. The blots look a certain way; the test either works in a given way or it doesn’t. The facts do matter more than our opinions of them.



