I admit, I’m always confused as to why there isn’t more “adult” books concerning mermaids. From the eerie sirens who sing sailors to death, to horrific beasts lurking beneath the ocean, the potential for scares and horror is limitless. I was interested in Grant’s book, which went more of the latter route, creating mermaids with grotesque bodies who will gladly eat humans, and was pleasantly rooted in science. I did not expect, however, uninteresting characters to take up the bulk of this novel and for the mermaids to be, well…not very scary?
When the Atargatis sailed out to film a mockumentary about mermaids, more a party then a serious mission, the ship returned within weeks, only empty of life and bodies. Several years later, Victoria “Tory” Sanderson is desperate to find out the truth of what happened to the ship, and more importantly, her sister. So, when a second secret expedition filled with state-of-the-art technology and top professionals is commissioned, Tori takes her chance to get on board, only to find what is out there is much worse than she imagined…
Dun, dun, duuuun
I don’t really read sci-fi books, but the best part about this book is undoubtedly the scientific elements. Most novels tend to consider mermaids as magic or mythological, but Grant’s depiction makes them almost appear real with the amount of detail and realism she goes into. I’m seriously wondering does she have a degree related to this or did she just do a lot of research. Another bonus is how she conducts this information through a variety of scientists in her novel. It’s explained how exactly how the mermaid’s bodies works, how they function, their whole lifestyle really, but never in a way hat makes it hard to comprehend. And I do personally find it very satisfying that we received a lot of information about them rather than their origins being left clouded in a veil of mystery. That doesn’t work for every reader, obviously, but I think it fits very well in this case because otherwise, I’m not sure this would’ve been as interesting to read.
What caught me out the more I read through the novel, was how the mermaids either (a) appeared too little, or (b) when they were there, the threat rarely felt imminent. The mermaids peak, possibly (probably) within the first few chapters of the books and then take an extended absence till about midway. Now, most of the time they are terrifying when they’re on the page. With some brilliant visual descriptions, Grant evokes equal parts claustrophobia, wonder, and disgust. My interest in them could not be satiated. However, the downfall in this book, to me, lies within the characters.
It’s a hard one to pinpoint. With a book this size, it’s understandable why Grant would want to create a large cast, probably so we can empathise with them, and make the promised kill count much more thrilling and emotional. But the majority of them felt so…flat. There’s Tori, the sonar specialist who’s searching for answers to her sister’s demise, Olivia the anchor who has taken Tori’s sisters role on the new ship, Jillian Toth, who’s whole job basically revolves around mermaids and their existence, deaf twins Holly and Heather, their sister Hallie, the three trying to find a way to communicate with the mermaids...there’s a lot of characters basically, and sadly, the book didn’t benefit from it. Very few stuck out and for a simple reason; a lot of their choices suffered from bordering between shallowness and just being ridiculous.
(Also, naming three siblings, Hallie, Holly, and Heather made for a lot of confusion. Maybe their parents/Grant were aiming for a Kardashian type thing, but if I saw a number of K’s on the page also, my eyes would still spasm.)
After the confirmation of the mermaid’s existence, things quickly get very repetitive and stale. (Not to say talk about the person who discovered them – it’s been some time since I’ve seen that level of idiocy in a book from a character). Characters will continuously say “we are not going to get out of this alive,” but as passively as if they are describing the weather. You see, once the threat is established, no one does anything. They will say things similar to the above, but won’t make an effort to fight it, pursue it. They’re not even afraid of it, and this point really affected the book for me. If a character does not show fear of the main threat, the readers won’t either. This is the second time I’ve used IT as an example in recent months, but at some stage in the book, the kids don’t really seem scared of Pennywise and because of that, I wasn’t either. I don’t think it was an intentional thing in IT – it’s just a case where you knew they wouldn’t die and the kids knew he was lurking around. Here, it’s clear the mermaids are a vital, violent threat, but everyone’s just like “alright,” and go about their day as usual. I’m just going to assume everyone was borderline suicidal or had a death wish, since no one reacted in a sanely human way and wanted to leave the ship. Some of this is blamed on people wanting to finish their research, but you’re telling me no one was remotely scared? All interest went out the window once I realised the characters had about as much emotions as a chair.
(Another point is it took such a long time for them – these highly trained scientists- to establish the mermaids were intelligent and dangerous. When they decided they were smart, I basically rolled my eyes. I think it was clear when the mermaids expertly killed someone or did some impressive feat that they may need to be taken a little bit seriously.)
I wouldn’t say the characters were bad in other aspects. The dialogue was fine. I can’t say I clicked with Tori or Olivia, since Tori seemed too distant and Olivia was a bit childish. I think my favourite was Dr. Jillian Toth, since she didn’t take any bullshit and made it clear from the start she knew how dangerous it was and didn’t care. By the end, she was the character I had the most respect for and genuinely liked. Also special shout out to her mysterious husband, Theo Blackwell who oozed control with a slight (slight) bit of heart. But otherwise, characters reacted so passively to everything. People literally died in front of their friends, and no one cared after five minutes. It honestly baffles me how any grief/fear/shock was swept aside so quickly.
My other issue was the lack of mermaids. They felt very underutilised and the book suffered from plot convenience a little too often. At times, characters would be in very dangerous situations and the mermaids would take no advantage of it because, hey, we need that character later. I was also surprised some of the more interesting elements were ignored. We know pretty early on (the second/third chapter, I think) that mermaids can mimic voices/sounds, yet it’s never used against the humans? I expected some kind of psychological torture invoked here, but, alas, no.
Unfortunately, this book wasn’t that creepy for me either. The scariest part occurs during the discovery of the mermaids. I literally held my breath, awash with excitement that I was going to get a lot more like this in an action-packed second half. But if I were to best describe the rest of the book it would basically be a crime show autopsy with, interspersed with random deaths every now and then. Not to mention the number of kill scenes are surprisingly minimal – when they’re there, they’re good - but most happen off page which must be one of the stranger missed opportunities in this book.
(Also, while she writes great kill scenes, I do need to mention I thought the prose otherwise was a bit sparse and didn't really do the setting justice.)
Grant also has a habit of giving a full life story on any person/building/place we meet. It wasn’t off-putting, just unusual and I’ve rarely seen so much exposition in a novel. No perspective showed much uniqueness, besides a chapter told from a dolphin’s perspective (a brilliant chapter). Also, Tori's ex, Jason, was only in the book for a few chapters, yet I thought his were the most well-written? I'm telling you he was in there for such a short amount of time he should be considered an extra, but she dug into his character really well for the timespan. The changing perspectives didn’t bother me either, though I momentarily freaked out when one chapter was written in present tense, before it stayed at third throughout the book. My brain probably wouldn’t have been a fan of flicking back and forth between the two.
I think the themes of humanity’s selfishness, climate change, and nature’s unstoppable power was quite good though two characters felt a little on the nose. Jacques and Michi, two married hunters only talk about how much they love killing, and have off-the-page sex all the time. I suppose their relationship had some passion, at least. The other two (there’s f/f relationship in this book by the way) suffered from time constraints of everything happening over a span of a day or two, or that the relationship was already too cold to be considered love.
The mermaids were the highlights and brilliantly created/researched. Overall, the book was well-written, but it’s unrealistic characters, weirdly stitched plot/pacing, and lack of scares really let me down. The book is also unnecessarily long – I think it would be a DNF for those expecting thrills and jump scares. I’d recommend it if you don’t mind the length, but otherwise I couldn’t see it being a major attraction to non sci-fi/horror readers. If you like mermaids too, I guess, you’d enjoy this depiction.
Regarding the abrupt ending, it satisfied enough for me. I did a little digging and I believe Grant is writing/has written a sequel but her publisher only picked up this novel, so it depends solely on public response. I do hope for Grant and myself we’ll see a second book published someday, and I believe there’s a film in the works so it should stir up plenty of interest. Unfortunately, as one now this book had a many fantastic concepts, but ultimately failed to deliver due to the humans being more unrealistic than the mermaids.
(Before I finish, I need to say this – surely if you fall into the middle of the ocean unexpectedly during the night, the cold would kill you, or render you immobile, or you’d at least panic. This may have been one of the most ridiculous parts of the book, and now, I’m so confused. I need to research this.)