Excerpt from A View of the State of Ireland as It Was in the Reign of Queen Elizabeth: Written by Way of Dialogue Between Eudoxus and Irenus
I N this happy'reign flouriih'd ED: Mund spinser, the mofl eminent of our Poets till that Time, unlefs we ex -cept Cbaucer, .who was in fome refpc�is his Matter and Original. The Accounts of his Birth and F amilyare but obfcure and imperfea: 5 and it has happen'd to Shim, as to many other Men of Wit and Learning, -to be much better known by his Works than by the Hiiiory of his Life. He was born in London, and had his Education at pembroke-hall in Cam bridge. Tho' in the Dedications of oncor two of his Poems, we find him claiming Afiinity with fome Perfons of Diitin�ti on, yet his Fortune and Interefi feem at his firlt fetting our: to have been very inconfiderahle; For after he had conti nu'd 1n the College for fome time, and laid that Foundation of Learning, which, join'd to his natural Genius, qualify'd 'him for rifing to (0 great an Excellency afterwards, he flood {01 a Fellowihip, iin Competition with Mr. Andr�wf, af.
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Edmund Spenser (c. 1552 - 1599) was an important English poet and Poet Laureate best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I.
Though he is recognized as one of the premier craftsmen of Modern English verse in its infancy, Spenser is also a controversial figure due to his zeal for the destruction of Irish culture and colonisation of Ireland.
Edmund Spencer's "A View of the State of Ireland: The Production and Experience of Consumption" was written in light of the Irish uprising and intended to act as a call for the subjugation of Ireland. Written during Spencer's time in Ireland as a British envoy.
It is actually pretty horrifying to read Edmund Spencer's account of the Irish "problem" and his brutal solutions for controlling them. Though Spencer's words are conveyed through a conversation between two fictional characters, it is none the less chilling to read his description of the Irish population.
Particularly appealing is Spencer's hypothesis on the degeneration of the British settlers in Ireland and how its root cause is contamination from Irish women. Spencer proposes three main ways in which they corrupt the British blood: 1)through the nursing of British children, Irish nannies impart the Irish language onto them, which is one of the main causes of degeneration. 2) Through marrying and mingling with Irish woman and thus diluting the British blood. 3) Through contact with Irish women, specifically their bodily fluids such as milk, sweat, etc.
Such was his hatred for the Irish that Spencer proposes famine and slow starvation to be the best method to eliminate the Irish population.
It is a bigoted, racist, and utterly hateful and yet clinical account of the British attitude towards Ireland. Spencer's writing provides some insight and background for his work in the Faerie Queene, specifically Book II and the destruction/exhumation of the "Bower of Bliss" that is long since seen as a stand in for Ireland. In either case it is a fascinating, if slightly nauseous, account of British-Irish relations in the Renaissance period. 2.5 Stars.
It wasn't all about sonnets for Spenser, it was also about promoting racism and the "root and branch" clearing out of Ireland's native population. Spenser couches his vitriol in the most pompous and self-important way, using the greek tradition to format his horrific ideas about the Irish and the Old English living in Ireland, making his "View" unreadable on several levels, which is truly a noteworthy accomplishment. He joins a long tradition of writing that justifies and advocates violence along the lines or race and class in this tract, and one can trace these connections from the 12th century to the present, if they so choose.
I don't care how many "pretty little rooms" he created, this tract makes me completely abhor Spenser and everything he ever wrote. Pompous, social climbing, racist bigoted that he was.
Star rating for the edition, not the work. It's ludicrous to star-rate anything that's still being read five hundred years after its first publication.
The edition is sound with helpful notes and a good critical introduction. The work is problematic, of course, for its barbaric policy recommendations in dealing with "the Irish problem" and naturally has attracted a lot of post-colonial criticism. There are still fascinating moments in this work, however - some very interesting descriptions of Irish poetry and culture.
Nevertheless, this is not a book to pick up casually.
In addition to writing the most famous epic poem of the Renaissance, it turns out Edmund Spenser was also a racist, and in the way that only a Renaissance humanist could be - proposing odd plans that were genocide that couldn't be called genocide, suggesting racialist discourse toward the Irish because of factors like fluids in the body and similarities to Scythians, and proving rhetorically what he can't do scientifically. Throughout it all, the brilliant poet clashes with the xenophobic generalist, and the result is one of the oddest and most controversial texts of the 16 Century: a work that finds startling conclusions from strange jumping off points. His final plan (starve the Irish into submission) is either MEIN KAMPF or a pretty rational response considering contemporary uprisings; whatever the case, Spenser's not-so-modest proposal must be seen to be believed.
A bit zzz, but very enriching for the study of Swift, Spenser, and/or Ireland. I found that it made reading Gulliver's Travels for the 4th-ish time about 20 times more interesting.