I received this book as a Christmas present from a good friend. In this series, a reporter can talk to cats, and her own cats are her secret informants, providing her with a lot of into on what they hear around town, and together they solve crimes. It's a great premise, so I was quite looking forward to this first book of the series. Unfortunately, this book wasn't what I expected or hoped for, and I feel like I should reimburse my friend the money he paid for it, because I did not like this at all.
The book started out well enough as we got introduced to the characters, with two different narrative points, a third-person narration for whenever main character Odelia is the focus character, and first-person narration when her cat Max, the other main character, is the focus character. I found that to be pretty unique and it brought variety into the story, to see it from two different point of views. But after a good beginning of the story, the book begins to decline rapidly , and it never recovers from there.
For starters, the writing hits one of my biggest pet peeves in literature, which is unfortunately rather common in cozies, from what I've seen, and that is characters speaking in overly formal ways that sound old-fashioned and antiquated, despite the fact that the book takes place in modern times. I read through other reviews and found that someone called it "pedantic", and that's pretty fitting. I honestly can't say I remember ever hearing anyone using words like "quandary", "poppycock", "ubiquitous" and "Sisyphus job" in casual conversation. Why does it seem to be a chore to find more cozies where the dialogue sounds like it fits in the modern place setting the story takes place in?
Just the dialogue alone was a big issue for me in this book, and it wasn't the only one. The setting is another. The town the book takes place in, Hampton Cove, I believe we're meant to see it as the usual quaint small town in cozies, the kind of place you'd like to live at, but it honestly doesn't come across that way at all. We barely get to see anything of the town, mainly sticking to just the house of the protagonist, her parents' house and a couple of buildings, that's it; plus it also seems to be an ideal destinations for famous celebrities to drop by constantly, which takes away that cozy aspect from it. Then there's also the fact that it's outright stated that the people of this town can take some time to warm up to any new person who moves there, which honestly sounds hostile and not the kind of place I'd like to live at or even visit, plus there's apparently a law stating that you're required to spay/neuter your pet cat, which I know it's a responsible thing to do if you don't want kittens in the family, but still, a law? What happens if someone actually wants kittens in the family? Do they get fined, or even arrested? All that came with characters constantly mentioning on "how things are done around here", which sounds very presumptuous. Yeah, the setting is yet another miss in this book.
Now, as this is a cozy, the mystery should be one of the main draws of it. But I can honestly ask, what mystery? Because it was, without a doubt, the easiest mystery to solve in any book I've ever read. There are only ever truly three possible suspects, and since two of them give solid alibis quite early on, it was beyond simple to not figure out, but know that the third person was the guilty party. When the mystery basically solves itself relatively early in the book before the final act of the story has happened and the characters finally figure it out, then it failed as a mystery.
And then there's the characters. Oh boy, the characters in this book were a mess and then some. There are a few likable ones, such as restaurant owner Aissa, actress Gabby (both of them have only one scene in the book), Odelia's boss at the newspaper, and one of the cats, Dooley, is as sweet and kind as he is dumb, and arguably the most likeable character in the book. The rest of the characters were a fail. Main character Odelia is supposed to be a consumate professional, but most of the time she comes across as whiny and entitled, and her having the new detective in town in mind almost 24/7 despite their bad first meeting was annoying. Said detective, Chase Kingsley, was allegedly framed for molesting a woman and forced to quit the NYPD and move to Hampton Cove, but we never find out in this book if he did get framed or if he truly is guilty, but based on his behavior alone, he just wasn't likable, being overly aggressive and constantly angry, even though most people in town seem to be utterly charmed from just first laying eyes on him, and even Odelia's cats think of him as absolutely upstanding. This last bit becomes particularly bad in one scene, because Max and Dooley point out that Chase would never harm a woman or touch her in anger, but this is immediately after a scene where Odelia tries to interview Chase about why he got fired, and he gets so angry that he grabs her roughly by the shoulders and shakes her, demanding answers from her as to where she heard the story from, making for a quite uncomfortable moment. The contradiction on Max and Dooley's statement about Chase was so glaring it may well just slap the reader in the face.
The rest of the characters didn't help. Max the cat, the other main character, could have been likable, but he came across about as whiny as Odelia or more so, and his constant pointing out to the reader about things cats do got annoying in the long run, plus there was his constant "dogs are dumb" lines, which felt like the author was trying too hard. Newcomer Brutus, Chase's cat, is nothing but a smug bully and complete jerk, and then there's Harriet, who is supposed to be Max and Dooley's best friend, but all there is to her is a shallow, superficial hag who turns her back on her friends because she thinks Brutus is attractive, so she constantly ignores and excuses Brutus's bullying of her friends and even tries forcing them to accept Brutus into their homes. This was made worse by how Max and Dooley point out that Harriet can get away with that and everything else, because every person in town considers her so beautiful that they bend over backwards for her and do everthing she asks, which is not only ridiculous, but also contradicts the fact that only the women of that family can talk to cats, so how Harriet can get everyone in town to do what she wants makes no sense and is never explained.
Then there are Odelia's parents, who are a pair of overly cheerful idiots who think Chase is the best, most upstanding man there is having only just met him, just gushing over him in an over-the-top way; Odelia's uncle Alex, the chief of police, gives her way too much leeway and at one point seems genuinely amused that a lady in town may lose her only way to earn a living due to her business place being the crime scene; Odelia's grandmother comes across as a mean-spirited, cantankerous jerk who also acts like a dirty old woman towards Chase, which seems to be an attempt at comedy, but it just comes across as extremely uncomfortable. And it's a normal thing for murder victims in cozies to be jerks, but the murder victim in this book was so incredibly, intensely, outright evil that it got to the point of me genuinely not caring for the case to be solved and the killer to be caught. Needless to say, most of the characters in this book are as unlikable as they come.
And then finally, there's the romance aspect. I didn't even need to read the synopsis of future books to know Chase and Odelia will become a couple; I went and checked after finishing this book, and sure enough, they do end up becoming a couple eventually, and it starts taking root in this first installment. Now, I'm already not into romance, but can be okay with it if it's done right. But this one was done so badly. From the cats thinking and acting like Odelia and Chase are basically meant to be together from the moment they first lay eyes on each other, to other people trying to play match-maker, to the whole thing about how Odelia and Chase start out instantly hating each other but at the same time they can't stop thinking of each other like hormonal teenagers. The "they hate each other because they love each other" trope is about the laziest type of romance that can be written, and this book is a perfect example of it. I about sprained my eyeballs from rolling my eyes at the numerous moments Odelia kept thinking of how extremely hot and absolutely perfect physical specimen Chase is while saying she dislikes him, as well as how often the narration points out how much Chase is a hunk and so tall and muscular and handsome and irresistible. This was another instance of trying way too hard and it felt very juvenile and very obnoxious.
From the synopsis, I really wanted to like this series. It's a good premise with lots of potential, and at close to fifty books, it could've meant a lot of reading material and entertainment. Instead, what I got was unlikable characters, a bad setting, a mystery so easy to solve that it shouldn't even be called a mystery, bad dialogue that felt way out of place, and a lot of trying too hard to the point it grated on my nerves. This book didn't just bore me, it annoyed me to no end. Lowest rating I can give, and I won't be reading anything else from this author.