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Beyond the Stars, Part 2: The True Paths of Discovery
Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898–1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike , October , and Battleship Potemkin , as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible —he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today.
?Seagull Books is embarking on a series of translations of key works by Eisenstein into English. A fascinating memoir in two volumes, Beyond the Stars —first published by Seagull in 1995 and now available again. Begun as Eisenstein approached fifty, it is full of the famous names of his era, including Charlie Chaplin, Mary Pickford, John Dos Passos, Jean Cocteau, and many more; at the same time, it is a serious book of inquiry about film as a medium, offering countless reflections by Eisenstein on his own work and that of other movie pioneers.
?Seagull Books is embarking on a series of translations of key works by Eisenstein into English. A fascinating memoir in two volumes, Beyond the Stars —first published by Seagull in 1995 and now available again. Begun as Eisenstein approached fifty, it is full of the famous names of his era, including Charlie Chaplin, Mary Pickford, John Dos Passos, Jean Cocteau, and many more; at the same time, it is a serious book of inquiry about film as a medium, offering countless reflections by Eisenstein on his own work and that of other movie pioneers.
408 pages, Paperback
Published January 15, 2019
About the author
Sergei Eisenstein
132 books108 followersSergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest movie of all time.
Eisenstein was among the earliest film theorists. He believed that editing could be used for more than just expounding a scene or moment, through a "linkage" of related images. He developed what he called "methods of montage":
1) Metric
2) Rhythmic
3) Tonal
4) Overtonal
5) Intellectual
Eisenstein's articles and books—particularly Film Form and The Film Sense—explain the significance of montage in detail. His writings and films have continued to have a major impact on subsequent filmmakers.
Eisenstein was among the earliest film theorists. He believed that editing could be used for more than just expounding a scene or moment, through a "linkage" of related images. He developed what he called "methods of montage":
1) Metric
2) Rhythmic
3) Tonal
4) Overtonal
5) Intellectual
Eisenstein's articles and books—particularly Film Form and The Film Sense—explain the significance of montage in detail. His writings and films have continued to have a major impact on subsequent filmmakers.
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