Men figure prominently in the biblical story. When we think of the Bible, we think of Moses, Jesus, and Paul; maybe Peter and Abraham. Women always seem to sit further in the background, their stories rarely coming to the fore (unless, like Eve, they serve as temptresses). Yet, there are important stories where women figure prominently. What needs to happen is for people to step forward and bring these stories to life. Alice Connor does this in "Fierce."
The subtitle of this book, which brings these stories to life, seems to cover the bases very well: Women of the Bible and their stories of violence, mercy, bravery, wisdom, sex, and salvation. In the hands of Alice Walker, an Episcopal priest and campus minister, stories of women from Eve to Mary Magdalene are retold. These women are not portrayed as femme fatales or victims, but as strong and vital and purposeful. There is an edge to the way the stories are told, that not only brings life to the stories but strength as well. I thought of using the word "hip," and there is that, but I'm not sure that such a word does justice to this effort.
The book is divided into three parts. Part one -- "The Only Four (plus Mary) picks up on the four women who appear in the geneaology of Jesus. Thus, we meet Tamar, who slept with her father-in-law because he failed in his duty to provide her with a husband and heir. There are Rahab and Bathsheba, two foreign women, whose nakedness might give scandal but continued the story. Finally there is Ruth. Each story is told with verve, so we might learn a little more about them. Then in part two -- Hebrew Women -- we start (interestingly to me) with Asherah, a Canaanite goddess who might have been understood at some point to be Yahweh's consort/queen. I struggled with this inclusion, since in general the prophets fought against Asherah's influence, but Connor uses the elimination of Asherah from Yahweh's story to remind us of who else gets excluded. From there we move to Eve, Hagar, Deborah and Jael, Song of Songs, the widows, the city of Jerusalem (cities were often portrayed in feminine form), and finally Susanna. Susanna is an interesting addition since her story appears not in the canonical text, but the apocryphal texts. But her story is poignant for a time such as this, when we are speaking more forthrightly about sexual assault and harassment, something that is present in this story.
The final section delves into the women of the New Testament, from the woman at the well to Mary Magdalene. In between we encounter, Mary and Martha, Herodias I and Herodias II (Salome), and Paul's church ladies including Priscilla and Phoebe. Connor seeks here to enliven our understanding and take note of misrepresentations of their stories. I especially enjoyed her conversation about the woman at the well, in which Jesus talks theology with one who is his apparent equal. IN tghe same chapter she retells the story of the Syro-Phoenician woman. In both cases we have women willing to talk back to God.
Over all I loved the book. I As a male preacher, I was chastened by my lack of attention to many of these stories. I may have missed important clues that she brings out. I do have a couple of concerns however, mainly with the chapter on Mary and Martha. Whereas she was mostly careful about pointing out when we have mixed stories up, here she doesn't. She uses the Johannine story of Mary and Martha, and their brother Lazarus, as the foundation of retelling the Mary/Martha story. The only problem is that Lazarus doesn't appear in the Synoptics. And with regard to the anointing, whereas in John Mary, sister of Martha and Lazarus does the anointing, in the Synoptics its other women and other places, and Lazarus is not present. This seems rather careless to me, but it doesn't take away from the entirety of the book.
I would agree with Walter Brueggemann's assessment (in his blurb), where he suggests that Connor "is a skillful artist who knows how to transpose old, old stories into new, new songs." Those who know me, know that I am not the most comfortable with certain language forms that I was taught not to use in polite company, and thus at points I winced at word usage. But, that's just me, and again it doesn't detract from the overall purpose of the book. Again, there is an edge to this book, and that is a good thing. Indeed, Connor writes with humor when appropriate and deep seriousness when appropriate. She also writes out of her own story, making his a most personal encounter with the biblical story. It's not a memoir, but it is deeply personal. I would especially recommend this book to those who, like me, spend time in the pulpit. This will be a most helpful resource.