This lavishly produced authoritative monograph presents an in-depth view of the life and work of Utagawa Hiroshige, one of Japan's most revered artists. Presented in a style as stunning as the prints it celebrates, this survey of Hiroshige tells the fascinating story of the last great practitioner of ukiyo-e, or -pictures of the floating world.- Hiroshige is considered to be the tradition's most poetic artist and his work had a marked influence on Western painting towards the end of the 19th century. Vincent van Gogh, Claude Monet, Paul Cezanne, and James Whistler were inspired by Hiroshige's serene depictions of the natural world. Arranged chronologically, this book illustrates through text and magnificent reproductions Hiroshige's youth and early career; his artistic development in the genre of landscape prints; his depictions of Edo and the provinces; the flower and bird prints; and his many popular books and paintings. It discusses the historic and cultural environment in which Hiroshige flourished and the many reasons his art continues to be revered and imitated. Filled with 300 color reproductions, and featuring a clamshell box and Japanese-style binding, this volume is destined to become the definitive examination of Hiroshige's oeuvre.
Exquisitely beautiful book featuring many paintings by Hiroshige. The accompanying text seems very detailed, going into his life and artistic output. It is a quarto sized volume, so most paintings get the large format treatment they deserve.
I could have judged Matthi Forrer’s “Hiroshige” by its cover (full disclosure: I am a sucker for cobalt blue). Hiroshige has been my favorite Japanese artist since discovering his prints during my earliest trips to Japan in the 1980s. His is the Japan of my mind’s eye, before modernization and the advent of the Ministry of Pavement.
I recommend viewing this book in tandem with Adele Schlombs' “Hiroshige” (Taschen) as they could not compliment one another better. Forrer’s “Hiroshige” is based on an exhibition at the Royal Academy of Arts in London and includes an essay by one of the leading Hiroshige scholars. Forrer takes a chronological approach, whereas Taschen's is thematic. The images in Forrer’s “Hiroshige” are larger, more numerous and focus more on landscapes.
However, unlike the Taschen volume, Forrer does not include a section on the interaction between Hiroshige and European painters. Monet may have had the largest collection of Hiroshige’s work, but van Gogh is the only one I am aware of who did exact copies of at least two of Hiroshige’s work. Conversely, Hiroshige was influenced by the European Masters. Indeed, the twain were meeting at the very moment when Rudyard Kipling published his “Ballad of East and West.”
An exhibition catalog of woodblock prints from 2001, Royal Academy of Arts, London. Five stars for the intro, history, short bio, and maps on Hiroshige by Forrer. The photos are large, and color good, and descriptions good considering the artist lived from 1797-1858. Although Hiroshige made 5000+ drawings in his lifetime, 150 are covered here in no particular order? Hiroshige wood block prints are amazing for capturing modes of dress, travel, cultural life and business of the common man of the early 1800s. There are series of prints, ie, 53 Stations of the Tokaido Road that are not shown here in their entirety. U.S. Commodore Perry arrived in Japan 1854, and these prints traveled widely and were used for reference by many impressionist painters.
A lovely show catalog with a short biography and history, Hiroshige was an interesting artist, who lived until the arrival of the American black ships, some of his work shows a western influence, see "People on a Moonlit Street" and "People Walking Under Cherry Trees at Night" which are drawn in western perspective. There's still plenty of more traditional landscapes many of which almost feel like a fantasy. There are a few sketches and non-landscape works, but there are some holes that a academic work would have filled in.
Its physical format is a slightly oversize perfect bound standard book, so its not really a coffee table book.
Very difficult to read type font; artistic but hard to read. Ok, this is an fancy art book, mostly reproductions of some of the best works by Hiroshige and a few essays about the life and work of Hiroshige. A good introduction to Japanese woodblock art from the 17th to 18th century; the shogun era.