Ellen Marie Wiseman’s What She Left Behind is a page-turner without much substance; the kind of story that stays with you about as long as it takes to stick it back on the shelf.
The story is told through two narrative threads and revolves around two female characters. In the present day, there is Izzy Stone, a child who has lived in foster care since her mother murdered her father when she was seven. Izzy uncovers the story of Clara Cartwright, a young woman whose story begins in the 1930s and who was wrongfully imprisoned in a mental institution by her monstrous father and uncaring mother.
I found Wiseman’s writing style irritating, as she relies on descriptions to drive her story. She clung to similes like literary life preservers, apparently trying to spare her readers (and herself) from drowning in anything too complicated as complex characters and a mature, well-developed plot. No doubt the ghosts of past writing teachers were standing over her as she wrote, whispering, “show, don’t tell,” “show, don’t tell, Ellen!”
Everything smelled like bleach, urine and feces and it was clear that Wiseman wanted to EXPOSE all of the horrors that occurred in mental institutions. It’s all here: electroshock therapy, chains, cages, insulin shock therapy, and forced sterilization. The female characters are frequently nauseous and vomiting; though one is pregnant, so we will have to forgive her for that.
What aggravated me most about this novel though was the high school life/bullying that Wiseman portrays. I felt like I was watching a teen movie from the late ‘90s, complete with the high-fiving, beer drinking, jocks and the hair-flipping, cigarette smoking “plastics.” I half expected Alicia Silverstone and Freddie Prinze Jr. to make cameo appearances. Yes, high school can be a cruel place and bullying is horrible, but Wiseman’s portrayal was exaggerated and cliché.
Overall, I would say that Wiseman spins an entertaining yarn, but her writing lacks subtlety and she needs to learn to sacrifice some of her beloved descriptions in exchange for more psychological and narrative complexity.