Vildsvin

by Hannah Lutz

Vildsvinen har spridit sig lavinartat i Småland, en gång var stammen praktiskt taget utrotad men nu är de överallt, bökar i trädgårdarna, intar skogarna och åkrarna. De rör sig i skymningen och om natten. De äter upp vetet. De är kloka och skygga. De är större än man kan tänka sig. Möter man en sugga ska man stå stilla.

Industriskogarna runt Tingsryd är särskilt hårt drabbade. Till byn Hornanäs kommer Ritve för att försöka filma flocken som plöjer fram genom bygden. Ritve slår upp sitt tält i skogen, följer flockens spår och människorna som lever under dess herravälde. Kommunanställde Glenn, inflyttad från Malmö och ansvarig för den lokala kulturfonden, väcks om nätterna av vildsvinens framfart och tanken på den katastrof han är övertygad om ska komma. Och långt in i skogen ligger den gamla skolan Siggalycke, dit Mia har tagit med sin demente morfar på vistelsestipendium från kommunen, i hopp om att han ska komma tillbaka från stumheten och till minnena, till den karismatiske rektorn Ivar Sandberg och den mytiska vildsvinssuggan Sigga.

Vildsvin är en gåtfull och stilsäker roman om djur och människor, uppbyggnad och förstörelse.

Genres: Fiction, Swedish Literature, Contemporary, Literary Fiction, Scandinavian Literature

98 pages, Hardcover

Published March 17, 2017

Reviews

[Rachel Louise Atkin · Rating 3 out of 5]

A short, poetic novella about a group of people moving to the Smaland forest where a group of wild boar are near extinction. The way this is written is so unique and I really have to praise the translator for such a poetic and surreal prose that makes you feel like you are walking through a dream.

I was a bit confused by the structure at first but it soon draws you in and it's very easy to appreciate the magic of the text. It really encapsulates the fairytale feel of the forest without coming across like your average fable or folktale. It definitely does something different and celebrates the dreamscape of the forest in a way I wasn't expecting.

If you want a very unique and short translation about nature and it's effect on the human mind, and vice versa, definitely would pick this up.

[Rebecca · Rating 2 out of 5]

“I have seen them, the wild boar, they have found their way into my dreams!” Ritve travels from Finland to the forests of southern Sweden to track the creatures. Glenn, who appraises project applications for the council, has boar wander onto his property in the middle of the night. Mia, recipient of a council grant for her Recollections of a Sigga Child proposal, brings her ailing grandfather to record his memories for the local sound archive. As midsummer approaches, these three characters plus a couple of their partners will have encounters with the boar and with each other. Short sections alternate between their first-person perspectives. There is a strong sense of place and how migration poses challenges for both the human and more-than-human worlds. But it’s over before it begins. I found myself frustrated by how little happens, how stingily the characters reveal themselves, and how the boar, ultimately, are no more than a metaphor or plot device – a frequent complaint of mine when animals are central to a narrative. This might appeal to fans of Melissa Harrison’s fiction. In any case, I congratulate The Emma Press on their first novel, which won an English PEN Award.

Originally published, with more quotes, on my blog, Bookish Beck.

[Vilis · Rating 3 out of 5]

No tām grāmatām, par kurām neiespējami pateikt "par ko tā ir". Citreiz tas nostrādā, šoreiz man īsti ne.

[Katrina Clarke · Rating 3 out of 5]

Mused on my review for this for quite a while. Perhaps wrong time, but this book hasn't landed as I hoped it may for me.
The three characters provide different facets to a story. The story may have a wild creature at the heart, but the telling is incredibly human: love, regret, memory.

It's quiet, the moments of character reflection are quite beautiful. But didn't click.

[Matthew · Rating 5 out of 5]

Mildly existential, somewhat vibrating with dread, but also touching. I enjoyed getting through this in little over an hour, taking me to Småland and in the mind of these three characters with zero context. It’s just a window and a brief visit, nothing happens but a lot does too. It spoke a lot to my own fears and uncertainties in a way that felt comforting.

[Nikki · Rating 2 out of 5]

Ik heb het uitgelezen omdat het zo dun was, maar wat een niksig boek

[Leelo]

Captivating in its quiet contentedness. It made me unhurry like I had all the time in the world. Not sure what to make of the ending though. I wish the grandfather's side had been shown, too.

[Reisse Myy Fredericks · Rating 5 out of 5]

I loved this. We’re dropped straight into the action—no context, no introductions—and the result is a voyeuristic intimacy that feels both dreamy and unsettling. The plot is slippery, maybe even secondary, but the feeling is profound: a fog-drenched, moss-covered countryside that’s climatologically off-kilter. The sense of place is dense with foreboding, inhabited by a quiet constellation of queer lives shaped by their shifting environment.

[Amanda Almén · Rating 3 out of 5]

Pappa och jag läste den på samma dag och har diskuterat den en stund nu. Ska ärligt säga att jag inte riktigt greppade innebörden, men vi har diskuterat nynazism och landsbygd och det spöklika i att vildsvinen i princip aldrig syns fast att alla pratar om dem och vet att de är närvarande i skogarna runt Siggalund.

[Sara Green · Rating 2 out of 5]

I was hoping another review might point me towards what I was missing in this book - I even translated the Latvian review from Villis. I am still confused what I was supposed to be taking from each of the narratives - but at least now I can take heart that I am not the only one.

But, hey, always happy to support the lovely Emma Press.

[Heidi ✨ · Rating 4 out of 5]

It gets bumped up to a four for the quality of the prose/translation. I’m not sure I understood what was going on (if there was a deeper metaphor etc) but it was very dreamy. A story which floated along…

[Magnus Frederiksen · Rating 3 out of 5]

En poetisk skildring av det stora problemet med vildsvinen i Småland som alla sett men aldrig kan peka ut. Om jakten att få se dem, djuren som är överallt men ingenstans. Och om ensamhet. Och jakten på att få vara med om det som alla pratar om men man aldrig får vara med om.

[Anetq · Rating 4 out of 5]

En lille poetisk bog om drømme og længsler - og vildsvinene i den smålandske produktionsskov, Glenn, Mia og Ritve drømmer, men vildsvinene er ikke sådan at kontrollere.

[Hanneleele · Rating 4 out of 5]

An odd little book, kind of compelling, kind of a mystery, the boar like a phantom through it all, unseen, perhaps even a bit of a metaphor (for nature? migration?). An intriguing debut even if it didn't quite click for me.

[Paige]

brum book club book

[ken]

book club pending

[Frances Booth · Rating 3 out of 5]

dreamlike

[Maja · Rating 2 out of 5]

i don’t get it

[Samantha Fulton · Rating 4 out of 5]

i wish the wild boar would come to my dreams

[Zuky the BookBum]

huh

[Joe · Rating 3 out of 5]

I really wish this style of writing gripped me like it does other people. I just can’t get on well with it. The poetic flow was what kept me going to the end — and the fact that 102 pages can be chewed through quickly — but, to be honest, I felt nothing while reading this novella.

I’m not entirely sure what I was supposed to take from each of the characters’ tales and lives. None of them were interesting, and the pages about Mia were irritating to read. The stories aren’t long enough to adhere to the existentialism as there’s no depth; no time to relate to the characters or get to know them.

The whole book feels like a first draft, one that the author was supposed to add to but forgot.

This book is up there with Pedro Paramo and The Living and the Rest in my personal category of “uhhh…..?”. Like, I get it — I get the idea — I just don’t feel it.

[Didde Elnif · Rating 4 out of 5]

En lille krøllet poetisk bog, jeg er ikke sikker på, jeg nogensinde bliver helt klar over, hvordan skal tolkes, men den slags bog, det er okay at gå og spekulere over.