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256 pages, Paperback
First published March 9, 2017
“We all rewrite our own narratives constantly. How we see things. Tragedies and successes. They change, like shifting sands, when viewed from different points in our lives.”The two central characters of Rachel and Jack are exceptionally well-realised with McAllister serving up three-dimensional characters with immense depth meaning hence the reader is able to identify with their emotions, motivations and mitigating circumstances. That Rachel and Jack are both flawed and not perfect makes this scenario all the more believable. Crucially the author also manages to show sensitivity and the reader really does feel like they are a part of Rachel’s dilemma and can appreciate her evolving view of Jack. Everything But The Truth is awash with more minor moral dilemmas along the way, from public versus private education choices to the double edged sword of social media and freedom of information and has clearly been thoroughly researched. Separated into three parts (who, what and why), this debut explores the grey areas that can come between lovers and families and is a nuanced study of perspective and context under pressure, along with eventual compromise and acceptance. The secondary characters, particularly best friend, Audrey and brother-in-law, Mez prove critical in shaping Rachel’s opinions with their own input and views being factored in. Aside from minor niggles of the overly drawn out and rather trite final chapters to the philosophy quoting sixteen-year-old patient whose dialogue made me cringe, Everything But The Truth is a brilliantly measured and intelligent debut. On the basis of this first effort from Gillian McAllister I will definitely seek out her future novels.