Cultural Writing. Art. Popular Culture. A collection of groundbreaking poster art that moves fluidly from the halls of rock clubs to the walls of galleries. This collection showcases a decade of work by underground art's most talented practitioner. Framed by essays from luminaries in the music and design worlds--including Steve Albini, Art Chantry, and David Carson--this book offers a unique look into Ryan's unusual approach to poster art.
Jay Ryan is a pretty sweet dude. He's friendly, plays some great bass guitar (along with another bass player) in a fun instrumental Chicago rock band by name of Dianogh (pronounced "DYAH-NO-GOO"), and screens some of the raddest posters on the planet. I'd definitely recommend checking out his work (and the work of his friends) through The Bird Machine [http://www.thebirdmachine.com]. This is his first book, and could easily command any coffee table, toilet reading area, or bookshelf you place it upon. It makes me wish I had lots of extra cash lying around that I could absolutely justify spending on buying his posters, framing his posters, and hanging his posters. My three-month-old daughter has two in her bedroom. They alternate with the seasons.
I've been casually following the screen printed gig posters of Jay Ryan since about 1999. I've even swiped a few off club and record-store walls. So I was pleasantly surprised to find this book while browsing the comic shop.
It is hard to review a book that is comprised mostly of pictures and I guess that is really my only problem with this book. I'd just really like to hear Jay talk more about his process. I know screen printing is pretty straight forward, but everybody has a different way of doing things and that is what I want to know about. The introductions at the front of the book are fairly straightforward and the the interview with Jay at the end, while nice, in not very illuminating. It feels like two friends talking about subjects they already know, therefore the reader is left feeling out of the loop.
In case it seems like I'm being too negative, I want to stress how much I love looking at this book. The posters are incredible and just having them collected here is good enough for me.
If you want to see some of Jay Ryan's posters, he has a huge gallery at thebirdmachine.com
I'd never heard of Jay Ryan before reading this book, but now I'm a huge fan. His posters are cute without being cutesy, which is a tough balance, and his color palate is pretty amazing. I liked the introductory essays and interview as well -- particularly for a neophyte like me, they really put everything in context. A lovely book.
I love Jay Ryan's art -- we have several of his posters around the house. This is a nice collection and overview of his work and displays his great talent. If you love graphic art, check out The Bird Machine.
when i first started seeing Jay Ryan's posters at Reckless in Chicago they looked like someone just dropped of a sketch and moved on. I loved it and still do. This book is affordable and filled with the cutest damned animals you ever did see.
A collection of works by my favorite poster artist. Gorgeous stuff. Also, he's a nice guy who always attends the Flatstock show during SXSW. So glad he finally responded to my (and others) requests to publish a book.
Jay Ryan is an invaluable member of Chicago's indie art scene. His creepy squirrels and rough pencil lines are imitated by many, but matched by none. Check out this retrospect for some high-quality stimulation!