Empty and Full: the Language of Chinese Painting

by François Cheng

Chinese painting might be called "philosophy in action," for it is one of the highest expressions of Chinese spirituality. Both a medium for contemplation leading to self-transcendence and a microcosm embodying universal principles and primal forces, it is a means for making manifest the Chinese worldview. At the heart of this worldview is the notion of emptiness, the dynamic principle of transformation. Only through emptiness can things attain their full measure and human beings approach the universe at the level of totality.
Focusing on the principle of emptiness, Francois Cheng uses semiotic analysis and textual explication to reveal the key themes and structures of Chinese aesthetics in the practice of pictorial art. Among the many Chinese writers, poets, and artists whose writings are quoted, he gives special emphasis to a great Ch'ing dynasty theoretician and painter, Shih-t'ao. Twenty-seven reproductions of the words of Shih-t'ao and other masters illustrate the interpretive commentary.

Genres: Art, Philosophy, Nonfiction, France

192 pages, Paperback

First published January 1, 1979

About the author

François Cheng is a French academician, writer, poet and calligrapher. He is the author of essays, novels, collections of poetry and books on art written in the French language, and the translator of some of the great French poets into Chinese.

Born in China and taking French citizenship in 1973, he was elected to the Académie française in 2002, and was the first person of Asian origin to be a member of the Academy. He was the winner of the 1998 Prix Femina for Le Dit de Tianyi ("The saying of Tianyi")

When Cheng arrived in France in 1948, on a study grant, he did not speak a word of the language. He subsequently adapted quickly and profoundly. In his speech to the Académie française, he explained, "I became a Frenchman in law, mind and heart more than thirty years ago [...] especially from that moment when I resolutely went over to the French language, making it the weapon, or the soul, of my creative work. This language, how can I say everything that I owe to it? It is so intimately bound up with the way I live and my inner life that it has proved to be the emblem of my destiny." It took many years before he became a novelist. His first works were on Chinese poetry and painting. Later he began to write works of poetry himself, before finally turning to the writing of novels.

Reviews

[Ezops · Rating 3 out of 5]

Çin piktüral sanatında resmin kutsallığı ve bunun felsefi boyutunda önem kazanan yin-yang, dağ-su, fırça-mürekkep ve bunların esinini oluşturan boşluk kavramını derinlemesine ve farklı dönemlere ait önemli sanatçıların eserleri ve düşünceleriyle anlatıyor yazar. Boşluk kavramına giriş için okuması oldukça güç bir eser. Öncelikle konfiçyüsçülük, taoizm ve Budizm inançlarına hakim olup sonrasında bu düşüncelerin boşluk kavramıyla başlayarak sanatlarına da nasıl tezahür ettiğini anlamaya çalışmak işi kolaylaştıracaktır.

[Ebru Türkyılmaz · Rating 5 out of 5]

Başlangıcında, kavramsal çerçeveye oturtulmuş öylesine bir çalışma okuyorum gibi geldi kitapta. Sonlara doğru sanatçıların pratikleriyle kurdukları anlamsal bağı anladıkça, anlatımın büyüsüne kapıldım. Kendi sanatımdan, üretim pratiğimden öylesine kesişimler yakalıdım ki adeta resimlerin gizine ortak hissettim kendimi.

[Matias Salimbene · Rating 3 out of 5]

La idea de vacío y su aplicación en el arte y en la vida, es una idea que difícilmente uno pueda olvidar. No es una lectura sencilla, tuve la suerte de tener un profesor en la facultad que nos facilitó el acceso a este libro.

[Nora Sesmero · Rating 4 out of 5]

Muy bellas estas palabras sobre la filosofía y la pintura china.

[Larry · Rating 5 out of 5]

This book discusses Chinese Painting, History, and Philosophy in a very erudite way.

This book is recommended for anyone interested in Chinese art and culture.

[Imageseer · Rating 3 out of 5]

The zen idea of negative positive relationships squared.