I always thought of the Kremlin as an elegant and stately government building in the French Imperial style with Byzantine and Russian motifs surrounded by an imposing red wall in front of the enormous Red Square forever flanked by St. Basil’s Cathedral which, in my humble opinion, is like an Arabian fairy tale nightmare induced by really bad “shrooms.”
In political terms, I believed said building simply housed the office and staff of Russian potentates, a sort of White House in steroids, since Russian leaders seem to enjoy enormous unchecked powers vis-à-vis their American counterparts.
As it happens, I was wrong. I was only thinking of the Grand Kremlin Palace. The Kremlin is not a building but a citadel. Indeed, the very definition of Kremlin is “the citadel of Moscow.”
In her book, the author describes in chronological order the origins and development of this “citadel of Moscow.” The book provides a detailed account on each structure that ever populated the citadel: who commissioned it, what was its function, where within the compound was it located, who was the architect, its style, a description of the structure, who built it, when and why was it destroyed or renovated, etc. By placing each structure within its historical context, the author ends up giving a condensed history of Russia. Moscow has been Russia’s capital city for seven (7) out of its nine (9) centuries of history. For most of that time, the Kremlin has been its seat of power. Since its origin, it has witnessed many of the major events which shaped present day Russia. As a result, the Kremlin is not only the very foundation of Russia but it also lies at its very heart. Even when the capital was St. Peterburg or when the real business of government was carried out elsewhere, although neglected, it was never forgotten. To this day it remains the most recognizable icon of Russian government. In this regard, the book is downright fascinating.
My only complaint is that not all buildings are accompanied by an illustration. In addition, all pictures and illustrations therein, which are by far incomplete, are bundled together in the beginning, the middle and the end of the book, without any reference to them in the text itself. Thus, many of the buildings described in the book get lost in my imagination.