First let me say, kudos to Tyndale House Publishers for doing such a lovely job publishing this novel. The cover art, the artwork on the inside pages — these are beautiful and inviting. I believe that reading a book isn’t solely about the writer’s words. It’s the experience of reading those words. (For this reason I’ll never prefer an e-book over a printed one.) The best books come as a complete package, so that the reader finds pleasure in the book’s feel, its heft and appearance. Yes, these things do matter.
But of course a good book can’t be all about its looks. It must also deliver the goods. So how did The Undoing of Saint Silvanus fare? All told, it’s an inviting story with a lively voice. For tone and scope, it felt to me like a cross between the novels of Jan Karon and Karen White, seasoned with Beth Moore’s own inimitable style and biblical wisdom.
It is, however, quite long. It might have been longer, apparently, had it not been for editors whittling it down from its original length, a whopping 160,000 words. (That’s twice the word count of your typical contemporary novel.) In part because of the length, the pace leans to the slow side. I would have liked the plot to unfold a bit more speedily.
Of course, herein lies the tension a writer (and her editors) must grapple with, because a speedier pace might have been achieved but at risk to the development of characters. This novel contains a host of them, all of which received careful attention.
In my reckoning, the best part of The Undoing of Saint Silvanus is the truth it conveys through the power of fiction. One such truth is its examination of compromises women so often make as they pursue the security of relationships. The other is the devastating impact of generational sins, a reality few of us are trained to recognize. But of course, the story doesn’t end there. As she does in every book she writes, Beth Moore brings it all back to center. In The Undoing of Saint Silvanus, she gloriously reveals the power of Jesus to overcome all these things, and more.
Thanks to Tyndale House Publishers for providing me this copy free of charge. All opinions are mine.