You know what to expect with Uris - epic plots, larger than life hypermasculine characters, Judaism both held aloft for admiration and critiqued for its shortcomings (without the humor or skill of Phillip Roth!) To his credit, the book is a page-turner. The characters, while not always three dimensional, are nevertheless captivating. In typical Uris style, the scope is enormous, covering 19th century shtetls, depression-era Jewish Baltimore, the US Communist movement, the Spanish Civil War, always coming back to center around the 1956 Sinai war between Israel and Egypt. It all feels real enough, at least for someone who's never lived then and there. :)
The misogyny, Hemmingway-esque take on manliness and anti-Arab propaganda make the book unpalatable at times, BUT to Uris' credit he actually tries, at times, to acknowledge and even critique the first two shortcomings. He at least lets the reader know he's aware of these issues in his work, and his supermacho protagonist is just as often undone and made miserable by the ideal of masculinity to which he has held himself hostage. The battle of Mitla Pass becomes a giant metaphor for his own self-destructive need to prove himself, as well as that same need of the Jewish people to "prove themselves tough" in a post-Zionist age...yet it is also seen as kind of inevitable. It is clear that how much Uris also wants us to lionize this guy despite his faults, which I had trouble with.
There is pretty much one, count her, ONE female character who actually seems admirable, a schoolteacher/aviator who fights and dies in the Spanish Civil War. The protagonist announces directly that this is the one woman (besides his sister, whom we don't see much of) whom *he* finds admirable, and the narrative seems somewhat enslaved to his perceptions: pretty much all the other women in Mitla Pass whiners, seducers, manipulators, teases, victims and anchors, often all of the above. This is a shame, because EXODUS had several well-flushed out (for a Uris novel), admirable women (Jordana Ben-Cannan was my fictional crush for years!) Uris *can* write likable, believable women. I was disappointed that he chose not to here.
When I was 18 and rediscovering my Judaism, Uris' EXODUS was transformational. Later on, of course, I came to see all of the hideous propaganda...and even later, came to hold a place for the book in my heart. It was what it was. So too is Mitla Pass, although its tight binding to a rather unsympathetic protagonist makes it less well done than its predecessor.