Seeds of Hatred was written by Christian Nadeau and published on 9 April 2017
“As a former assassin, a man on the run for years, Marac survived taking on odd jobs, living on society’s fringe, never putting down roots for fear of having to run again. Until he’s hired to steal a trinket from the Brotherhood.
Newly graduated, Soren is ready to shoulder the responsibilities that come with an officer’s commission. Serving in the Brotherhood of Khan is a privilege, one he abandoned everything for. But when an Angel calls on him, he knows his first assignment is more than it seems to be.
As a Lightbearer, gifted with the power to shape light to her will, Alex lived a sheltered life in Tyranor’s monastery. Should the Brotherhood find out what she was, they’d kill her, but the monastery is underground, safely hidden from their prying eyes.
Then it all comes crashing down. A terrible game is played, and when the powerful move, pawns are doomed to be sacrificed.
Are they?”*
I was given a complementary copy of Seeds of Hatred (Scions Awakened Book I) to review. It in no way, shape, or form influenced my opinion/review of the book.
Within the very first few pages, it became evident that Seeds of Hatred could benefit from a heavy edit. Judging by other Goodreads reviews, the complaint of the character list is not an uncommon theme. There are at least four pages of characters, which is an absurd amount to not only have in a book, but to also deem important enough to put their name and description in the beginning. It’s overwhelming, and had I been thumbing through this book at the store, I probably would have put it back on the shelf and opted for a simpler one instead. It’s just too many characters. There’s no way all of them – or even half – were important. It has always been my philosophy that characters should be introduced as I read, and have enough of a “voice” that I can easily distinguish one from the other.
That being said, the map is beautiful. I’m a bit of a sucker for a quality map of the land in any novel. This one is beautiful in it’s simplicity, yet detailed enough to provide an effective scope of the land. On that same note, the book is gorgeous in terms of the cover. The dark brown and black colours actually stand out as opposed to blend in. Also, at 500 pages, Seeds of Hatred is a hefty book that I’m confident is solid enough to last for years with no issues. (I’m guilty of reading books so often that the pages fall out.)
Of course, there is so much more good than bad within this book. Alex and Dorn’s relationship was a highlight for me. They balance each other out very well. Moreover, Alex’s powers are decently thought out, and her character arc and development was organic. At times she can come across as flat; yes, I know she bites her nails and has a fiery temper…but what else? This can easily be solved by, again, omitting POVs to focus more on the main characters. For example, Dorn’s perspective could have been easily cut. While Alex ponders Dorn’s past, we’ve already known about it for a good while. This halts any and all suspense and tension, all because another POV spoiled it some pages earlier. If a reader is left wondering, they’ll continue on with the book.
The concept of Lightbearers and Darkbearers along with “blood puppets” was something I’ve never seen before. It was an interesting twist on the battle between night and day. The creativity behind how each power was crafted is abundantly clear. Not every author can write scenarios like these and get away with it, but Nadeau does it with ease. Nothing ever comes across as hokey or juvenile.
Another highlight was Soren Kline and his command. The transition from Soren’s blind belief in the Brotherhood to becoming a wanted rogue was particularly interesting. The dynamic between the few men was natural, and this is when Nadeau’s writing is most effective. To see Soren struggle with his morals and values in times of war was heartbreaking – he’s such a beautifully written character that you can’t help but root for him. Sure, he’s naive (and a little bit too fearful at times), it’s these flaws that really do round him out and make him someone you’d want to root for.
Finally, perhaps the best writing done by Nadeau is the fight scenes. Each played out in my head like a movie. The terms used were simple enough for everyone to understand while also providing sufficient descriptions for the imagination. I loved every bit of these scenes, and I know in the next book there will be a lot more as the war goes on.
Nadeau has a unique writing style that takes some time to adjust to. There are commas where one might expect periods or transition words. That being said, the prose is exceptional when not bogged down by the many mistakes. I am so upset at the editing for this book. There are missing punctuation marks, messy contractions, completely wrong words, and much more throughout the whole novel. How the multitude of mistakes got past everyone and into the published, physical copy astounds me. A book as wonderfully written as this one should not have sloppy mistakes like these:
Get out a few word (16)
Let her pass “go on in” (41)
You’d don’t want to tell (43/44)
Wasn’tmuch time (77)
Those two were shy about more that the wounds (188)
The amount of mistakes do not lessen the farther you get in the book. The reason some (though not all) of them are included here is to point out that oftentimes these simple mistakes can and do draw a reader out of the fantasy world Nadeau had so painstakingly woven. A third party was needed to catch these – it’s easy to accidentally skip over the issues when you’re proofreading your own work. Still, when written correctly, I found the novel to be refreshing in its concept and writing style. Fantasy is my all-time favourite genre, so I don’t mind reading much-needed exposition that sets up an entirely new world. Though some might be put off by the slow start, it’s usually necessary in such a genre (fans of Queen of the Tearling will definitely resonate with Seeds of Hatred).
One big issue that stems from the character list is the multiple (and that’s putting it lightly) POVs in this book. Even halfway through, the reader is still being introduced to new characters, some of which only have one chapter and are not featured again. Without spoiling too much, there is a war brewing, and we see every. Single. Perspective. It’s easy to get lost – who is the protagonist here? The antagonist? The answer is never clear. I’m not saying you have to distinguish this (many plot-driven books don’t), but when there are so many angles and so many people, we need an anchor. Who can we keep coming back to? I would have liked it to be Marac, Soren, or Alex. Unfortunately they are minimized by other, less developed, much less important characters.
In the notes that I keep for each book, I wrote down the word ‘inconsequential’ for this one. Looking back, this is a pretty decent word to describe certain aspects. Entire sections and characters could be cut out and it wouldn’t impact the plot whatsoever. A good book doesn’t have to be a long one, and I’m confident this novel could lose roughly 150 pages and be the same, if not better. If there wasn’t so much fluff, it would be easier to see the plot and the fight about to ensue. Instead, it’s muddled. The three characters included in the blurb of this book should have been the only voices used. It would have been more than enough, and would have simplified the conflict.
Overall, it comes down to this: I want the next book. I want to know what happens to the core group of characters. I WANT it, and that is the best thing you can ask for from a reader.
3 out of 5 stars
*Blurb by Goodreads