What do you do after your happily-ever-after? Arianna Papadoupoulos-Miller has already had the great love of her life. She and her beloved husband Ben raised their children, welcomed their grandchildren, and worked hard to make their family restaurant a success. Just as they’re poised to reap the rewards of all that, they receive devastating news. Ben is diagnosed with a rapidly deteriorating form of dementia that robs him of his memories and leaves him in a vegetative state with nothing left of the person he’d once been. Arianna is left in limbo—not yet a widow, but without the love that formed the center of her life and her identification—she’s also lost so much of her identity that she retreats to a shell where the only emotion she allows herself is grief.
But the family that she and Ben had nurtured refuses to let her life end with her husband’s decline. They encourage her to turn back to an earlier love, the art career she’d abandoned decades earlier when she joined Ben in running their restaurant. Reluctantly she agrees to apply for attendance at a two-week art workshop in Arles, France, chosen because of its association with her art idol, Van Gogh, but also because she and Ben had never been there and so she would be making new memories.
But despite her brave attempt, Arianna finds herself closed off from the art she’d once loved, consumed by grief, but also by shame and anger. She’s prepared to give up on the course and return home. As she hesitates, the other workshop students and artists reach out to her. But just as much, she finds that the setting—with its beautiful old towns, history, culture, and especially its food and scenery—reaches out directly to her soul. Like the sunflowers that turn incrementally to face the sun, she slowly and reluctantly opens to possibilities and even to love.
Drawing Lessons is a book that takes on difficult subjects. Is it right to embrace new experiences, visit new places, take up new passions, when your old life is still unresolved? Does romance belong to older women? Can new love—beautiful, romantic, love in all its fragile beauty—be right when the husband you’ve loved for four decades is still alive?
Starting with scenes showing what Arianna has lost—the love and support of the man who knows her better than anyone else—Drawing Lessons sets a deliberately slow and careful pace. As family traditions and normal life disappear, Arianna’s world becomes a sterile place. Friends, companionship, even the Thanksgiving dinner they all loved are abandoned.
What I loved about Drawing Lessons is the way Arianna is seduced back to life by the beauty of the French countryside, the stimulation of the food, the other students, and slowly, incrementally, her art.
[QUOTE] “Fields exploded with the bright colors of purple-pink valerian, yellow broom, and red poppies, lending an almost festive air to the landscape. She inhaled the colors, already planning her painting. How could she not?” [END QUOTE]
Their workshop is visited by Jacques de Vileneuve, a famous artist who also invites them to be his guests and experience his other passion, as gardian (cowboy) in the Camargue river delta preserves. I enjoyed learning about the Camargue, with its iconic Camarguais white horses, colorful flamingos, famous bulls, and the gardians‘ traditional life. It was easy to see how Arianna would be captivated by the setting, and especially by Jacques. But I also loved the well-developed three dimensional characters of her fellow students. They are a diverse group whose mutual reservations about each other slowly gell into true friendship over shared meals, experiences, and art.
Drawing Lessons is a different kind of love story. But if you like romance with complex, believable, mature characters in a gorgeous setting—plus great food!—I highly recommend it. I just have to warn you that you’ll be VERY hungry by the time you’re done.
***I received this book from the publisher or author to facilitate an honest review. This does not affect my opinion of the book or the content of my review.***