Sixty-odd years of ellipsis-ridden diaries from the great Kornei Chukovsky, but omissions be damned: this is some chronicle of literary life in the Soviet Union. I've read a good deal about Gorky, Pasternak, and Solzhenitsyn, but this book showed me I had no sense of what they were really like - riveting stuff, with pithy insights all over.
To wit:
"What turbid, pretentious rubbish Nabokov's Invitation to a Beheading is. I put it down after forty pages."
"Tynyanov's autobiography is a marvel - all concrete imagery and artistic detail. One would think it had been written by a great novelist rather than a scholar. And what a memory for the picturesque images surrounding him as a child."
"I am deeply sympathetic--{Solzhenitsyn's} heroism is remarkable, his talent evident in every word--but a state may well not survive its writers' telling its people the truth."
All this from the Russian equivalent of Dr. Seuss!
(Now if only there were some lost diaries in which our Seuss defrocks Pynchon, champions John Kennedy Toole, and makes some prophetic remarks about Martin Luther King ...)
Chukovsky also raves about Bulgakov's Black Snow -- "pages worthy of Gogol" -- so I probably ought to revisit this novel, which I found bitter and constricted the first time through. Might be that Chukovsky merely found it as cathartic to read as Bulgakov must have found it to write, given that they had to suffer the same doctrinaire assholes, but it's even more likely that I missed the real flavor of the work.
My favorite snippet: "When I told {Solzhenitsyn} that he needed new shoes, he said, 'I bought these only ten years ago.'"