Fast-paced, emotionally intense, HP romance from 1993
Kelda first met Angelo at the tender age of 13, when her mother, Daisy, who was a working-class hairdresser, married Angelo's father, Tomaso, a wealthy, upper-class businessman. Daisy had raised Kelda alone since she was a small child. As a sensitive, tender-hearted woman, she had not done an effective job setting much needed boundaries for strong-willed, hot-tempered Kelda. Tomaso did not want to be the bad guy, upsetting his beloved bride by applying a very firm hand of parental control on Daisy's precious only child. So he and Daisy basically deserted Kelda, placing her in an elite boarding school and leaving it up to 21-year-old Angelo to keep her in line whenever she was home for school breaks. Over the next five years, Daisy increasingly resented and despised Angelo because of his constant, irritating insistence that she stay out of trouble, study hard, and prepare herself to pass the qualifying exams for entering college.
Then, on the night of her 18th birthday party, a life-altering encounter occurred between her and Angelo (exactly what happened is not revealed until very late in the novel), which caused Kelda to hate Angelo so much, she never wanted to see him again. Not long after that, Daisy divorced Tomaso, which Kelda believed was well deserved, because she was absolutely convinced that he had cheated on her mother and had told her mother as much.
At the start of this story, six years have passed since the divorce. Kelda is a 24-year-old, high-fashion model, and 32-year-old Angelo is a rich and powerful banker. When Tomaso lands in the hospital with a mild heart attack, Daisy goes to see him, and their relationship rekindles, to the point that they are discussing getting married again. When Daisy timorously asks Kelda's opinion about this unexpected development, Kelda makes it clear that, if Daisy remarries Tomaso, she won't be seeing much of Kelda, who has no intention of going to any family gathering where Angelo might appear. Soon after, Angelo shows up at Kelda's apartment and harshly confronts her. He demands that she stop interfering between Daisy and Tomaso or he will make sure she regrets it. He loves his father very much, and he is convinced that Tomaso's emotional and physical health will be drastically improved with Daisy in his life.
This is a classic, HP romance from 1993 with a type of intense, domineering, Alpha MMC that LG no longer writes. Kelda is an extremely unusual LG FMC in that she is 6-feet tall (the vast majority of LG's FMC's are around 5'2"), and she has an extremely forceful, choleric disposition (most of LG's FMC's are vastly more sanguinely sweet and forgiving than Kelda). There are also no vicious, female antagonists in this story, whether an EOW or a narcissistically self-absorbed, casually cruel mother or sister, which are a frequent source of romantic conflict in LG romances. Instead, Daisy is one of the kindest, gentlest mothers of an FMC that LG has ever written.
This romance offers an "enemies to lover" plot, and it is almost as combative in its execution as one of my all-time favorite LG novels, Bond of Hatred from 1995. Though Angelo has frequent, sexist, macho moments throughout this novel, Kelda constantly goes toe to toe with him and never lets him intimidate her.
I have often noticed in LG's classic HP, tycoon romances, including this one, LG's employing a psychologically convoluted, misunderstanding-based, romantic conflict, in which the FMC pretends to be evil (PTBE). This act of self-created reputation assassination serves to keep an "enemies to lovers" plot, which the vast majority of 80s and 90s, HP, billionaire romances are, briskly rolling along. It works like this:
The FMC is affronted and enraged at the MMC for wrongly believing that she, a virginal, honest, and compassionate woman, is a promiscuous and/or gold-digging harpy, who has unrepentantly harmed a family member he cares deeply about. In an irrational moment of impotent rage, in order to increase the MMC's distress as a woefully inadequate payback for vilely insulting her, the FMC impetuously claims a temporary, pyrrhic victory over the MMC, who is vastly more socioeconomically powerful than she, by pretending to be the unprincipled, promiscuous termagant he has declared her to be. She, thereby, cements his conviction that his negative assessment of her is absolutely correct, and his worry that his beloved family member is at risk from her exponentially increases.
The most brilliant example of this plotting ploy that I have ever read, which works fantastically because it is played for laughs, is Faro's Daughter by Georgette Heyer. It is much more difficult to pull off this type of romantic conflict successfully when the PTBE device is done in a melodramatic way, which is how LG always does it in her novels.
With all its innate flaws, however, as an extreme case of the despised romantic conflict, miscommunication, LG actually pulls off PTBE in this novel. Once I picked up this book, the pacing and the intensity of the belligerent encounters between Kelda and Angelo, who are onstage together 95% of this novel, is such that I couldn't put this book down until I finished it. Also, the payoff of the ultimate HEA resolution is quite satisfying. All loose ends are tied up, and there is a well motivated growth arc for Angelo that makes his movement from enemy to devoted lover believable.