With Sonya's Chickens (published in 2015), author and illustrator Phoebe Wahl shows both textually and equally illustratively (with sweetly tender words and colourfully expressive artwork) how young Sonya takes very good care of the three baby chicks her father (who is a farmer) brings home (however, I just do have to point out that there is at least in my not at all humble opinion absolutely nothing at all wrong or inherently problematic with Sonya as a girl taking care of baby chicks and as such being nurturing as some reviews of Sonya's Chickens seem to rather vehemently insinuate, as come on, let us not read weirdly rabid feminism into Sonya's Chickens, and indeed, that Sonya's Papa is also shown by Wahl as nurturing, as being lovingly parental and certainly not just Sonya and her mother). Now with Sonya's conscientious round-the-clock care, Sonya's Chickens textually and visually demonstrates how she soon has three fine, egg-laying hens and who for her are first and foremost cherished companions who are foraging outside during the day and are inside their chicken coop at night (well, that is until a fox steals one of the hens during the night to feed his own family, and oh my gosh, I really do appreciate that Phoebe Wahl does not call the fox an "it" in Sonya's Chickens but a "him"). But while with regarding the loss (and death) of one of her three hens, Sonya is depicted and described by Wahl as being understandably and justifiably emotionally devastated, after sympathising with her, her father in Sonya's Chickens then gently but firmly (and also absolutely wonderfully) explains to his daughter that the fox is in no way something or someone nasty, evil or depraved, but just and entirely naturally an obligate predator needing to feed his own babies, and yes, just like Sonya fed and cared for her chicks (something that Sonya is also shown by Phoebe Wahl as both understanding and accepting). And while of course not getting over her grief immediately, the funeral Sonya, her parents and her little brother are shown by Wahl as holding for the lost hen in Sonya's Chickens is both tenderly lovely, provides closure for Sonya and allows her to ruminate some more on what her father has said about food chains (as she is caring for her remaining chickens and with the father reinforcing the chicken coop in which they live to prevent foxes and other predators from gaining access) and that Sonya also finds catharsis and joy welcoming at the end of Sonya's Chickens a new baby chick to the coop when one of the hens’ eggs hatches.
So textually speaking, Phoebe Wahl's writing for Sonya's Chickens is warmly immediate, and albeit some of Wahl's printed words and phrases might perhaps need a wee bit of explanation for younger listeners, the language used in Sonya's Chickens is for the most part very nicely straightforward and with just a hint of delightful lyricism. And yes, Sonya's Chickens also capably and carefully balances sensitivity towards children’s attachments to their pet animals with honesty regarding food chains (and wow, I really do love love love that Sonya's father's calmly compassionate defence of the fox and his and his cubs' needs is presented by Phoebe Wahl as being enlightening, as being educational without any annoying pedantry, sans any annoying and frustrating didacticism).
And finally about Wahl's artwork for Sonya's Chickens, bold lines of coloured pencil are softened with glowingly luminous watercolours to create richly hued visual backdrops, while collaged elements offer extra details and also add texture to the presented scenes, with rosy-cheeked, biracial Sonya being a sturdy and attractive heroine clad in bright coloured clothing and funky yellow boots (and with me also appreciating that Sonya's family being bi-racial is only visually shown and something entirely natural, neither exotic nor avant-garde), and with the animal characters of Sonya's Chickens equally visually endearing (so that even the chicken-stealing fox is totally impossible to dislike when he is depicted by Phoebe Wahl curled around his kits in their den). But yes, very sensitive children may well struggle a bit regarding the illustration of the fox with a limp hen in his mouth, but that Sonya's Chickens certainly offers a gentle (both textual and aesthetic) starting place to encourage children to consider the bigger picture when looking at predator-prey relationships, that foxes are carnivores and that chickens are in fact a natural prey animal for foxes.