To a warrior, war isn’t about political causes. It’s about survival and protecting your fellow warriors standing next to you. The Cause may be what inspired you to fight, but it’s not the reason you fight.
The “Star Wars” franchise started by George Lucas almost 40 years ago has always fallen somewhere on the “light-hearted and campy” end of the fun spectrum. It has always been an homage to the silly Saturday morning sci-fi serials of the early days of cinema; an ode to “Flash Gordon” and “Buck Rogers” and the ridiculous cliffhangers that brought people---especially children---into movie houses. In that regard, it’s not insulting to say that there is something childish about “Star Wars”. It possesses the child-like wonder, creativity, and imagination that so often gets neglected or downplayed when we become adults.
The unbridled success of “Star Wars” was precisely because it was NOT political; it most definitely did not have an agenda nor was it espousing any secret propagandistic messages. It was entertainment for entertainment’s sake.
Yet, it’s easy to forget, amongst all the spaceships and aliens and space princesses and lightsabers, that it’s also about war; albeit fictional intergalactic war but war nonetheless.
Science fiction authors working in the “Star Wars” universe (canonical and otherwise) have played up this aspect of the franchise, generally for the better, in my opinion. Bringing a more serious, multi-layered, and (dare I say) “grown-up” perspective to “Star Wars” has only added depth to a franchise that was, at one point, in danger of becoming irrelevant by maintaining an outdated and stunted childishness. (See “Ewoks” and “Jar Jar Binks”.)
“Star Wars”, whether we liked it or not, needed to grow up.
Since J.J. Abrams has taken over the helm of the franchise, there have been a slew of new books and authors who are attempting to take the franchise in a new, different direction under the rubric of a so-called “official canon”. Sadly, the new canon completely negates the old, relegating the hundreds of previous books to what are now simply labelled “Legends”.
I don’t have a problem with the whole “new canon/old canon” controversy, as I think that Lucas handed over the rights to the franchise, fair and square, when he signed it over to Disney and Abrams. Abrams, et al., now have the right to do with “Star Wars” whatever the hell they want. So far, based on the film “The Force Awakens”, I have been extremely pleased.
I’ve been less pleased with some of the books I have read in the new official canon, but I have only read a few, and almost all of them have been in the YA genre. Not to disparage young adult fiction, as I think some of the best stuff is being done in YA today.
Needless to say, I did not have high expectations for Alexander Freed’s novel “Star Wars Battlefront: Twilight Company” for many reasons. Here’s the top three:
1) It’s based on a video game. Anyone who knows me, knows how much I hate video games. Video games are, in my opinion, a waste of time, energy, money, and brain cells. I know, the same can be said for many things. It’s just my own personal hang-up.
2) It’s only the second novel that Freed has written, his first being another Star Wars novel I had never heard of before. This, in itself, is not a bad thing. What worried me is that, according to his bio, Freed has spent most of his life writing video games. Perhaps it’s just my anti-gamer mentality, but how the hell do you “write” video games? Isn’t it mostly codes and computer programs and shit? (This statement will, no doubt, piss off a lot of people and/or reveal my complete lack of understanding of the video gaming world, as everything I have learned about video games comes from the movie “TRON”.)
3) None of the original characters are involved in the storyline. Some characters are mentioned briefly in passing, and one character---Darth Vader---has a minor cameo, but for the most part, it’s all original characters. Nothing wrong with this, at all.
I did not have high expectations, so it was surprising to find that the book is actually pretty good. Excellent, in fact. One of the better “Star Wars” novels I have actually ever read, and that’s saying a lot because I have read quite a few, including most of the Timothy Zahn novels, who pretty much sets the bar for me.
“Twilight Company” may not be the level of Zahn quality, but it’s probably unfair to make comparisons because Freed is doing something very different than what Zahn was doing.
While Zahn’s “Thrawn” series was very much in keeping with the “fun” childish tone of the original series, Freed’s tone is something a little darker and more aimed at adult sensibilities.
Freed’s inspiration seems to come less from the original movies than from literary sources like Erich Maria Remarque’s “All Quiet on the Western Front” and Tim O’Brien’s “The Things They Carried”, war novels that focused on the human drama of war. In those books, as in “Twilight Company”, the focus is on the relationships between the soldiers on the ground. Even the war itself is secondary.
“Twilight Company” takes place shortly after the events of “Star Wars Episode IV: A New Hope”. The first Death Star has been destroyed, and the Rebel Alliance is gaining ground in its galactic war against Emperor Palpatine.
While the novel features an interesting ensemble cast of characters, it follows one soldier in particular: Hazram Namir, a soldier fighting in the Rebel Alliance. He is a good soldier, but he is a cynic. His heart isn’t quite in it, so to speak, as he feels that even if the Empire were to fall, it would just be replaced by another corrupt government. He refuses to drink the Kool-Aid that the Rebel Alliance is serving, but he follows orders and he has respect, at least, for the men and women in his company, as well as his commanding officers.
When Twilight Company takes on the job of protecting an Imperial turncoat, Governor Chalis, they take on more than they bargained for. She is an arrogant, narcissistic aristocrat, but she also has in her possession vast amounts of classified information about the Empire that is extremely valuable to the Alliance.
Unfortunately, an Imperial Star Destroyer, commanded by the young and overzealous Prelate Verge, is hot on the trail of Twilight Company. Verge has not only drank the Imperial Kool-Aid, he will stop at nothing to work his way up the chain of command, even if it means sacrificing every stormtrooper under his command to please Lord Vader and the Emperor.
“Twilight Company” is darker and more violent than the average Star Wars novel, mainly because it emphasizes the “Wars” part rather than the “Stars”. There are no wise-cracking rogues or comic relief droids in this one. It’s blood, sweat, and tears, “Star Wars”-style.
This is both good and bad, depending on how you look at it.
For the die-hard Star Wars purist, Freed’s novel may be too realistic. Part of the fun of the franchise has been its escapist fantasy world. Dropping in a ton of graphic war realism is certainly a buzz-kill for these types of fans.
For fans who love to see new interpretations and experimentation with the Star wars universe, however, “Twilight Company” is pretty brilliant stuff.