What have we discovered about performance practice in the Sam Wanamaker Playhouse since the opening of the intimate candlelit theatre at Shakespeare's Globe? Playing Indoors reveals the results of a two-year study into the performance of Elizabethan and Jacobean drama in this unique theatre, drawing together insights into early modern stage practice and the observations of today's actors and spectators. A history of the experiences of artists and audience members who experienced the space first, the book is also a study of the significance of re-imagined theatres like the Sam Wanamaker Playhouse and the Globe. Accessibly written and intended for a wide audience of students, scholars, artists and theatre-goers, Playing Indoors is a valuable contribution to the young field of early modern practice-as-research.
A really interesting companion to Moving Shakespeare Indoors and Shakespeare's Globe: A Theatrical Experiment, exploring the fascinating and beautiful Sam Wanamaker Playhouse. I particularly enjoyed the chapters describing the 'Research in Action' workshops, in which they used a scene from an early modern play to explore various ways of using the theatre. This included, for example: how an actor delivers an 'aside' on such a small, crowded stage; where a character like Benedick in Much Ado about Nothing might hide in order to eavesdrop on his friends as they talk about Beatrice loving him; how you convey a sense of location for an outdoor scene in this insistently indoor space; and so on. Top stuff!