This JLA graphic novel comprises of a 6-comic arc, and so, is about 150 pages long. The story is wall-to-wall craziness - fire, fighting, space, Martians and nuclear bombs - which spans almost the whole of the book. This isn't my favourite kind of scenario anyway, but worse still, the last 30% involves Plastic Man who irritates me intensely. On the plus side, the artwork is occasionally very cool in certain panels and double-page spreads, albeit just 'too much' action, while any plotline is rather negligible. I can't say I enjoyed this much and even the printing isn't glossy. 2.25/5
Con Prueba de Fuego, llegó a su final la etapa de Joe Kelly. Crisis de Identidad y todo lo que iba a traer se aproximaba en el horizonte, y había ajustes que hacer para todas las colecciones de DC a medio plazo. Aún quedaba tiempo para una interinidad que llegaría de la mano de dos autores míticos (ya llegaremos a eso). Y en su último arco, Kelly y Mahnke decidieron enfrentar a la JLA a una auténtica prueba de fuego, uno de los enemigos más poderosos que la Liga se había encontrado nunca... y que se trataba de uno de ellos.
Después de los acontecimientos de La Era de Obsidiana, donde J'onn J'onnz había sido anulado por el dominio de Rama Khan sobre el fuego, el Detective Marciano había dejado la Liga para intentar eliminar su miedo al fuego, y lo hizo acudiendo a una antigua enemiga de Superman, la villana Quemadura, con la que J'onn iría comenzando en los arcos anteriores una relación relativamente romántica... con consecuencias inesperadas para todos los implicados. Y es que en Prueba de Fuego, vemos como al liberarse de su miedo al fuego, J'onn libera una antigua memoria genética eliminada milenios atrás por los Guardianes de Oa, los Marcianos de Fuego. Convertido en una entidad llamada Fernus el Incinerador, J'onn comienza intentando establecer una nueva paz mundial utilizando su telepatía para forzar por ejemplo una paz entre Bialya y Qurac, pero también comienzan a aparecer asesinados diferentes villanos, siendo amenazado el propio Lex Luthor... y a no tardar, toda la Liga de la Justicia.
Con este arco, Joe Kelly ponía fin a una etapa que había comenzado tan en lo alto que, aunque supo mantener un nivel más que alto, fue decayendo poco a poco, a pesar de las interesantes propuestas del guionista y de los dibujantes que le acompañaron.
This volume blew me away! I was recommended this after expressing my love for Martian Manhunter, and I couldn't be happier! This highlights his inner struggle as well as proving just how powerful he is.
I haven't felt a book hangover like this in a while! The storyline is interesting, the art is gorgeous, and it ends satisfactorily so you don't have to continue on in the series to know more. I had a blast reading this! If you love the DC universe, definitely this pick up!
One huge problem I have always had with the DC Universe is that their heroes are created too powerful. The likes of Superman, Flash, Martian Manhunter, etc. are shown here to do some unbelievably feats yet they are also succumb to things that wouldn't seem to make sense given their power displays earlier. It's the unevenness that bothers me and its quite evident here. This story, focusing on Martina Manhunter isn't bad but at times it was hazy as what exactly was going on. That could be Joe Kelly's fault or the artist, Doug Mahnke, might not have been clear enough. Mahnke does provide some spectacular visuals. There are certain scenes here that I will always remember. They are that good. However, there is are a lot of pages that seem to lack that same effort. Overall, this is a an interesting book that is a little convoluted but worth your time.
Every so often, I go back and re-read this, and every time I think, "This is gonna be the time that I realize this book isn't as good as I remember it being."
And every time, this book proves me wrong and is every bit as good as I remember.
I started to say, "I have no idea why this creative team' run on JLA didn't set the world on fire the way Morrison and Porter's before them did." but then I remember what the comic world was like at the time and all the other mitigating factors and sigh.
There are some details that will probably be lost on you if you haven't read all of the 70-80 issues of JLA prior to this arc, but it's still completely enjoyable and easy to follow without having done so.
Forgot to add this in when I started it and now I'm done. Kelly pulls it off as usual. I was riveted from the start. The setup was actually in the last graphic novel but I just read that one a couple weeks ago. I don't really know that much about Green Lantern or J'ohn's origins so this gave some cool glimpses into what they're all about. Loved the conflicted heroes (especially Superman) who didn't want to kill their long time friend and ally and of course it was cool to see Plastic Man back, he's always loads of fun.
Martian Manhunter sorta goes evil, and it’s sorta Green Lantern’s fault! I’m getting a little sick of all the revisionist history with Martians and Oans—they both seem to have a lot of retcons. On the whole, there were just too many characters in this book (Scorch? Major Disaster? Faith? Manitou Dawn?) for anyone to easily slip into it. Some of the major emotional moments, like Batman talking to Plastic Man’s son, also didn’t hit home. In the end, and mildly fun blockbuster.
By far, this is Joe Kelly's masterpiece in his run of JLA. I don't want to spoil it for anyone going in, I just want to say that you should go into this one blind. Its got the most character development and action I've ever seen, making for a blockbuster that is truly breath-taking and unforgettable.
Una sequenza, l'ultima di Joe Kelly per la JLA, che ancora una volta non soddisfa per nulla le mie attese. Certo è un poco meglio delle ultime storie, ma in generale è stata una vera pena leggere il ciclo di Kelly.
This is the best of the Kelly/Mahnke run and a fitting conclusion to everything they did up to this point. The hero goes bad story has been done a million times but this one worked better for me than most of the others I've read.