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'The water slips over me like cool silk. The intimacy of touch uninhibited, rising around my legs, over my waist, my breasts, up to my collarbone. When I throw back my head and relax, the lake runs into my ears. The sound of it is a muffled roar, the vibration of the body amplified by water, every sound felt as if in slow motion . . .' Summer swimming . . . but Jessica Lee - Canadian, Chinese and British - swims through all four seasons and especially loves the winter. 'I long for the ice. The sharp cut of freezing water on my feet. The immeasurable black of the lake at its coldest. Swimming then means cold, and pain, and elation.'
At the age of twenty-eight, Jessica Lee, who grew up in Canada and lived in London, finds herself in Berlin. Alone. Lonely, with lowered spirits thanks to some family history and a broken heart, she is there, ostensibly, to write a thesis. And though that is what she does daily, what increasingly occupies her is swimming. So she makes a decision that she believes will win her back her confidence and independence: she will swim fifty-two of the lakes around Berlin, no matter what the weather or season. She is aware that this particular landscape is not without its own ghosts and history.
This is the story of a beautiful obsession: of the thrill of a still, turquoise lake, of cracking the ice before submerging, of floating under blue skies, of tangled weeds and murkiness, of cool, fresh, spring swimming - of facing past fears of near drowning and of breaking free.
When she completes her year of swimming Jessica finds she has new strength, and she has also found friends and has gained some understanding of how the landscape both haunts and holds us.
This book is for everyone who loves swimming, who wishes they could push themselves beyond caution, who understands the deep pleasure of using their body's strength, who knows what it is to allow oneself to abandon all thought and float home to the surface.
255 pages, Kindle Edition
First published May 4, 2017
Water feels different in each place. The water I grew up with was hard, cutting, and when I go back to visit it now, I feel it in my ears when I dive in. something different, more like rock. The lake a whetted blade. The water in Berlin has a softness to it. Maybe it’s the sand, buffing the edges off the water like splinters from a beam. It slips over you like a blanket. There’s a safety in this feeling. In the lakes here, there is a feeling of enclosure and security that Canada can’t replicate. And it shouldn’t – the pelagic vastness there is entirely its own, and I’ve learned to love that too.
In the stillness of the lakes, the border between nature and culture is thinned. Swimming takes place at this border, as if constantly searching for home. Water is a place in which I don’t belong, but where I find myself nonetheless. Out of my culture, out of my depth.
There is more space inside than I can imagine, more hope and possibility than I’d known. Feeling as clear as the day, as deep as the lake.
"The first entry in the Oxford English Dictionary for the word 'lake' doesn't refer to lakes as we know them. Instead, 'lake', from Old English, means 'an offering, sacrifice; also a gift'. This origin of the word has nothing to do with water, but I find myself thinking about it sometimes, about the ways lakes hold themselves open to the world. Broad plates beneath the sky, they welcome a swimmer fully. Perhaps they swallow a swimmer whole. But there's a kind of offering in the generosity of water holding you afloat. In the heart way water holds feeling, how the body is most alive submerged and enveloped, there is the fullness of grace given freely."
" 'Freedom is the negotiation of ghosts on a haunted landscape; it does not exorcise the haunting but works to survive and negotiate it with flair'. I was sitting in the library, racing to the bottom of a stack of books, facing a deadline. But these words stopped me. I paused, traced my way back to the beginning of the sentence, and began again. 'Freedom is the negotiation of ghosts on a haunted landscape' - I mouthed the words, running my fingertip over the page. Maybe this was it. Each time I had moved somewhere new, to a new country or a new city, I soon found only the past in the present. There was a choice: keep moving or learn to live with ghosts. Freedom , it said. This seemed a promising thought."
"In the stillness of the lakes, the border between nature and culture is thinned. Swimming takes place at this border, as if constantly searching for home. Water is a place in which I don't belong, but where I find myself nonetheless. Out of my culture, out of my depth."
"I've been troubled by these narratives of women walking out on their lives, exiling themselves in order to take up space. I'm worried by the idea that in order to find a place for themselves, women walk away, as if the only choice is between the room of one's own or the inexorable, unequivocal wild. Between Penelope and the sirens. But likewise I've lingered over Atwood's lines, wondering whether my decision to swim was a way of surfacing from a suffocating pain, a way of marking territory. The ghosts can't be exorcised, though, and there isn't any wilderness left to claim. Though pain alleviates with time, fear remains, rolling as if on the tide."