Here we have a reasonably well written book featuring a popular horror concept and a heavy focus on disgusting gore, but sadly lacking any real character development.
As I've come to expect, Hannibal Hills gives us another impeccable performance that is a joy to listen to. His voices are excellently crafted, and while his female voices do leave the tiniest bit to be desired, I have no complaints. As always, his vocal inflections and tempo changes were spot on.
My one narrator issue with this book is that it's a little off-putting to listen to a male voice narrating a female-led book.
Now, as a fan of films like The Hills Have Eyes and Wrong Turn, I was pretty excited to read a book with what seemed a similar concept.
However, it becomes apparent quite quickly that the concept isn't that similar.
There is a shift to the concept that (in an effort to avoid spoilers) I will not discuss. Suffice it to say that for me this shift made the book far less than enjoyable.
Not because of the shift itself, but because of how the shift affected the presentment of the villains and their personalities.
I struggled to connect with the main character. Not because she wasn't likable but because we just don't know anything about her.
The story opens on a trek through the wilderness to get her friends and her new boyfriend to connect. But her entire character consists of being meek and being Tim's girlfriend. That's really it.
I don't know where she's from, what she does, if she has any other friends, if she has family apart from her parents, what her parents are like, what her hobbies are, what she enjoys, or literally anything else about her.
I find it very disappointing and a little disconcerting that the villains get more character development than the main character.
As with the other Lee Mountford book I've read (The Mark), my biggest complaints about the writing are:
1, the author still hasn't realized the difference between nauseous and nauseated.
2, for me, the omniscient POV kills almost all of the tension as we are kept separate from the characters. The horror of the situation just doesn't feel personal or important because of that distance from them.
3, the "twists" really aren't twisty at all. I saw all of them coming from the very beginning. And
4, psychology. I feel like the author just doesn't understand how human brains work. There are a few points (like dissociation) where he hits it spot on, but others (such as thinking through pain and terror) where he swings miles wide of reality.
Which brings me to a minor tertiary point. I'm left wondering if the author has ever had a cut. His descriptions of the pain associated with severe cuts are... I'm sorry to say, laughable.
My final complaint is unique to this book. The gore. Now, with the concept being what it is I knew to expect a certain level of gratuitous gore. But I feel like this book took it several steps farther than necessary with the sole intention of trying to elicit gag reflex. Which it did. There was a point that I had to stop on account of nausea.
It wasn't scary. It wasn't horrifying. It was just disgusting.
Finally, the ending.
I won't give away whether this does or does not happen, but this is one of those books where the villains ultimately winning in the end would be very appropriate.
I did like the way things came together (coming full circle in some instances) at the end, though the note it ends on feels rather unrealistic to me.
I wish I could rate this book higher, as it was so close to an awesome concept that, if executed better, could have been a ton of fun to read.