One of the best books I’ve read during Ramadan. For me, this is a definite must-read for those interested in Islam, especially the Qur’an. Unlike the Bible, the Qur’an is not compiled in chronological order. There’s also a surprising factor in its narrative structure—it doesn’t follow the common progression of orientation, climax, and resolution. Instead, as Nouman Ali Khan explains, it follows a ring structure, which is more prominent in oral traditions and classical narrative forms.
There are a few things to note before reading this book. It is a non-fiction work that delves into the literary language of classical Arabic. As a result, it is filled with complex linguistic terminology, both in English and Arabic. That being said, I found it incredibly fascinating—even to the point where I want to study classical Arabic to immerse myself further. However, if you are not familiar with linguistic or Islamic terminology, there is a glossary to help. Just be prepared for technical terms to appear frequently throughout the text.
This book is divided into two parts. The first consists of micro-level literary analysis, exploring aspects such as word usage, grammatical rules, lexicon, and the use of parables and metaphors. The second part focuses on macro-level literary analysis, delving into the broader narrative structure of surahs, their order, the ring structure within them, and the overall symmetry of the Qur’an.
Reading this felt like a love letter to the Qur’an. Even though I’m not a native English speaker, this book articulated many of the literary questions I’ve had while reading the Qur’an. So, if you’ve ever wondered about the Qur’an’s literary choices, you may find answers here. However, it is not a tafsir (exegesis) but rather a literary exploration of how deeply intricate the Qur’an is from a linguistic and structural perspective.