Published in 2012, the original Spider-Men was a fun crossover storyline featuring Peter Parker, the original Spider-Man, and Miles Morales, the second Ultimate Marvel version of Spider-Man. It was far from perfect as it didn’t shake anything up in the Spidey mythos, but the witty interactions between two incarnations of the iconic web-slinger and the simplicity of them hanging out as oppose to fighting crime, was Brian Michael Bendis at his wordy best.
Following their first shared adventure, Peter runs a search for Miles' counterpart in his world and is shocked at the result. Five years later, where so much has happened in the Marvel universe, including the 2015 Secret Wars crossover, the result was finally revealed as Bendis and artist Sara Pichelli reunite for the sequel. Reunited to discover another dimensional portal occurring in the same warehouse where their first union happened, Miles and Peter find themselves targeted by the Taskmaster, who has some connection with a mysterious scar-faced adult named Miles Morales.
Despite the big selling point of Spider-Men II, which was “who is the other Miles?”, the comic itself doesn’t really make it a big deal and that’s because it doesn’t know what is it aiming for. Bendis is pulling in various directions from the partnership between the two Spideys, Miles’s potential romance with a girl in school, to the backstory of the other Miles, who has a whole issue devoted to. Throughout the five issues, there is dimensional travel, mercenaries-for-hire, gangsters, teen romance and a cameo from Jessica Jones, all of which one if not both of the wall-crawlers get their share of.
Considering so much is happening and yet nothing comes to fulfilment, Sara Pichelli continues to prove that she draws some of the most visually stunning superhero comics. From her unique panel layouts where she gets to show off some impressive action sequences, to character drama where Pichelli is a master of faces, her greatest strength is the artistic distinction between the two Spideys.
Without going into spoilers, the young Miles doesn’t get a sense of closure, something that Peter can relate to, and yet the lack of closure perfectly sums up what’s wrong with Spider-Men II, which suffers from a sense of nothingness.