A delightful translation of one of the finest, and most beautiful, examples of a medieval Bestiary.
Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning - the phoenix, for instance, as a symbol ofChrist's resurrection. This Bestiary, MS Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic quality ofthe later Gothic style, and make dazzling use of colour. This book reproduces the 136 illuminations to the same size and in the same place as the original manuscript, fitting the text around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm.
RICHARD BARBER has written many books on the history of and life in the middle ages, from his Somerset MaughamAward-winning The Knight and Chivalry, by way of biographies of Henry II and the Black Prince, to an anthology of Arthurian literature from England, France and Germany, Arthurian Legends, and an account of the historical Arthur, King Hero and Legend.
Librarian Note: There is more than one author in the GoodReads database with this name.
Richard William Barber is a prominent British historian who has been writing and publishing in the field of medieval history and literature ever since his student days. He has specialised in the Arthurian legend, beginning with a general survey, Arthur of Albion, in 1961, which is still in print in a revised edition. His other major interest is historical biography; he has published on Henry Plantagenet (1964) and among his other books is the standard biography of Edward the Black Prince, Edward Prince of Wales and Aquitaine. The interplay between history and literature was the theme of The Knight and Chivalry, for which he won the Somerset Maugham Prize in 1971 and he returned to this in The Holy Grail: Imagination and Belief (2004); this was widely praised in the UK press, and had major reviews in The New York Times and The Washington Post.
His other career has been as a publisher. In 1969 he helped to found The Boydell Press, which later became Boydell & Brewer Ltd, one of the leading publishers in medieval studies, and he is currently group managing director. In 1989, Boydell & Brewer Ltd, in association with the University of Rochester, started the University of Rochester Press in upstate New York. The group currently publishes over 200 titles a year.
I have always had a soft spot for Folio Edition books even when they are so fabulously expensive so when I can pick up a copy of a book I am interested in that format without handing over a kings ransom (or major body parts) I am always interested.
And so to this title which I have been curious about for some time - yes it is a reprint of a famous historical book held in the Bodleian Library and so is not the most cohesive of reads but rather for what it represents.
You see through history there have been a number of books which have helped directly or indirectly shape our imagination and the way we see world around us. Yes in todays world where it feels everything is examined, reviewed and categorised there is little space for mystery and the unknown. However at the time of these books - over the next hill could contain terrors and mysteries beyond our wildest imaginations. And the creators of these books tried to capture some of that and consign it to growing body of knowledge - there was little concern that pages on dogs and elephants where sharing space with dragons and gryphons.
This is a beautifully curious book which I will enjoy referring back to time and time again as I stumble across another obscure reference in my reading adventures.
The parrot: Its head is so strong that if you have to teach it with blows while it is learning how to speak to men, you have to strike it with an iron rod.
Published in the style of an illuminated manuscript, this volume is a great insight into the medieval perception of the natural world, religion, and mankind's place between the two.
It's a book of animals written by Irish Monks in the 7th century, translated from Latin to English.
You'd expect that they'd have a good grasp of local animals while more far away stuff gets a bit dodgy and apocryphal.
Nope. Balls to the wall insanity all the way through. Goats have acid blood. Weasels have sex through their ear and give birth through their mouth. An elephants natural enemy is the dragon. Beavers have medicine in their balls but they know they have medicine in their balls so if they get cornered by a hunter they'll just say fuckit and bite their own balls off and hand them over.
This is such a fun and fascinating read. The introduction sets you up for exactly what to expect, the translation is accessible, and the reproductions of the manuscript images beautiful. I loved exploring different weird and wonderful animals - real and not real - and what the writers thought about them. The moral lessons attached gave an interesting insight. The raven is black as sin, but the crow is the example of an excellent mother? Fascinating. It's so fun to dip in and out of, just to explore how other people thought and engaged with the world around them one thousand years ago...
I feel odd rating this text, as it is so darn old and absolutely does not fit within the 1 - 5 star literature review system. I thought this book was really fun and interesting to read. The introduction was informative and well-written. It absolutely needs to be read contextually.
13th century, second quarter. M. R. James considered the manuscript to have been produced in the late 12th century, though Hassall says it could be as late as 1230-40; Clark agrees with the later date
Such and interesting and fun read to see what people in history truly believed compared to what we know today. Also it’s easy to read and incredibly funny so can be enjoyed by all
This book is a translation from the original Latin text of the MS Bodley 764, which was produced in the first half of the 13th-century. It is supposed to replicate the original form of the book, embellished with the illuminated illustrations in their original positions, just in the form of a modern book that is accessible to readers of this age.
It is useful as a sourcebook. Obviously it would not be used for any present day observations regarding animals, however it works well if we are looking for a medieval context on the symbolic nature of animals within illuminated manuscripts, and constantly relates everything back to Biblical ideas.
It's interesting also to read just for leisure, as it tells us something about how much medieval Europe really knew about animals. Even though they were frequently wrong, there were things that were known, such as the fact that a parrot can imitate human vocabulary if taught.
Interesting as a read. Valuable as a source book. As a plus, the illustrations are fascinating.
Loved it and had a hard time putting it down. originally written in medieval times, it describes animals birds and reptiles, I am assuming based on what they have heard about them because much of it sounds more like myth/legend and includes dragons, unicorns and other mythical creatures. I have often heard it said that the unicorn was actually a rhino, but no rhino i have ever seen could leap into a virgin's lap. most of the creature's natures were then compared to stories from the bible and the attributes of God, Jesus and others.Fascinating book!
A useful and interesting look into the medieval worldview. This book is entertaining in its own right for the insight it gives into the medieval mind as well as the fantastically far-fetched descriptions of creatures that can now be seen in most zoos. I particularly like the idea that Tigers will stop top suckle a crystal ball if it is dropped in their path because they'll think the reflection is their offspring. Oh, you crazy monks . . .
This English translation saved my (academic) life. With an engaging style, brilliantly reproduced miniatures, and a clear introduction that treads the line between scholarly and introductory, the text is a highest order demonstration of Medieval material revived.