This is a hard book to rate.
I love long-winded family sagas and this story starts in the 1880s and ends after WW2.
I hate overlong war dramas and descriptions about war, and this novel gave a good sense of both WW (plus the Boer War) without dwelling too much over either.
But then again, it never dwelled much over anything.
As other reviewers have pointed out, the first part of the novel draws you in and really makes you care for and admire Sam and Mary and their lucky business acumen. You wish for them to succeed and they do. Time and again. With no itch whatsoever. I actually enjoyed every bit of good fortune that came their way, because they are lovely characters and you can’t help but wish them well, but I also came to see it as a little implausible that they’d become so wealthy so quickly, without a single day of bad luck or a single bad business decision.
Once the family started expanding, though, my grip on the characters relented. I still loved Sam and Mary and the three wars, one single non-war related tragedy, plus the 1929 economic crisis helped even out the family’s luck. But as the cast grew I felt like much less time was spent in building each character and, as a result, I cared much less about them. The twins were the only interesting ones, but that’s probably because they reminded me of the Fred and George Weasley.
The writing style is episodic and often a few years have passed between one paragraph and the next. It doesn’t take long for each individual episode, crisis or piece of news to get resolved, then it’s on to the next episode, or character, or phase of life. New characters are introduced only as fleeting business partners or if they’re meant to join the family. There’s no romantic tension to speak of: with only one exception, as soon as a member of the family interacts with someone of the opposite gender you know that’s the person they’re going to marry. Also, they all get along jolly well except one set of in-laws, Joe, and Helen.
Actually, let’s talk about Joe and Helen. What was their story arc? I was really confused about them. In the first part of the novel, it was sometimes mentioned that Joe and Sam didn’t often see eye-to-eye. In the second part, Joe’s grown, him and Sam fight, he leaves for the States and comes back a rich man and married to Helen, a woman who used to whore herself out and whom he meets on the ship to New York. We witness their first and second encounter, they seem to hit it off rather well, then we learn they’ve married and had two children offscreen. Next thing we know, Joe comes and goes a few times with hardly any meaningful interaction other than building planes, and Helen exists just to be snobbish and insufferable to everyone in the family, including her own children. Why? She was nothing before Joe picked her up, and Sam and Mary were probably above her in class standing even back when he was a guttie. Why would the author bother to make their meeting on the boat at all meaningful if Helen then had to be such a minor annoyance throughout the whole novel, with no explanation as to her characterization? It seems as if these two characters exist only to create three more characters and to help the plot along with some insubstantial family drama.
I’ll read the second novel, nonetheless. I actually appreciated the author’s style more than not and I’m curious to see if any of the surviving characters will become sufficiently fleshed out as to not make me mourn for Sam and Mary. Also, (other)Sam and Terry’s final reveal came very much out of left field, so I’d like to see how that plays out as well.