This is the collected works of Robert Howard on his iconic character Conan the barbarian. This is where the subgenre of sword and sorcery was born and from the interviews I’ve read most writers thereof attribute much credit to Howard. Many account him pivotal as an influence for their own writing while at the same time commenting that his writing wasn’t all that good, which I find amazing-of all the S&S writers I have read his is by far the best. The imagery and characters are very strong and energetic and if the plots at times seem simple it is only because they have been borrowed by so many others over nearly the last century-indeed, these stories forged the frame work for the subgenre and common characters, symbology, and plots thereof. If there is one criticism one might make it is perhaps with the dealings of racism and sexism, though I would urge such critics to remember that Howard was hardly exceptional of these attitudes for his time so I feel it is wrong to hold such against him and his stories. That said, obviously black skinned characters are often dealt roughly and cruelly with, and are nearly always considered as villains or disposable back ground characters. Women, even if strongly characterized, serve primarily as love interests in these pages, as is unfortunate-characters like Valeria or Yasmani might easily have made proper heroes in their own rights, especially in Valeria’s case. The stories in this collection are presented “in the preferred reading order” which seems non-chronological and indeed make me wonder if this is a collection of stories of one Conan or many, for some of the careers, traveling, and ways seem at odds with one another and it smashed against one’s suspension of disbelief to believe one man did all these things. It’s also regrettable how disposable side characters are-if you find a side character you like, enjoy them-once the stories done you won’t see them ever again in any other story. The stories in general for me seemed to fall into a few differing types consisting of pirate stories, wanderer stories, and royalty stories. The wanderer/ adventurer stories are probably the most iconic, where Conan seems most like the barbarian popular cultural consciousness has cast him in. The royal leader stories are the most strange for me, as here Conan is usually well armored and in charge of armies while with many royal, elite underlings. The pirate stories also seemed strange, though sometimes the wanderer Conan is also the thief/rogue Conan, so it’s not to big of a career jump when properly considers. Obviously the setting changes with his careers, and it keeps it lively and interesting to see different areas of the hyborian world. There is a strong mythos and world building that is reminiscent of story building done by the greats in the field of fantasy writing and though I found the history section a bit much towards the end, for those that wish it this volume includes Howard’s pseudo history of his work’s world.
One could and indeed many have written volumes on the Conan stories so I won’t write to much more here other than the following: if you are looking for beautifully written adventure stories and can withstand a lot of racism and a little sexism, I’d strongly recommend this work. It is a classic for a reason.