I picked this up in the Romance section of my favourite used book store, but it's more chick-lit than romance. That's not the fault of the book, but it meant my expectations for romance were not met in this story. There is a romance, and it ends happily, but that romance is largely secondary to other aspects of the story.
The point of view is awkward: It alternates between Fern and Evan, the nominal romantic leads, but Fern is first person, while Evan is third person. Third-person point of view, limited to the leads, is common in romance, and I could handle alternating first person, but the constant jumping from first person to third person was jarring. It didn't help that after Evan's tragic backstory was revealed, he almost disappeared from the story, or that sometimes there would be another point of view.
It was hard to sympathize with Fern at times, and while the job of authors is to make things difficult for their characters, it was over the top here. Fern is caring for her alcoholic father (who kills her pet mouse and then has a heart attack), her mother (who appears to be having an affair), her nephew (severely asthmatic) and her brother (apparently unable to work while caring for his son). She never has any money, or much ambition, but is supported and pushed by her old friend and sometime-lover Carl, who she derides as lazy and unambitious. They finally consummate their relationship when Fern is fired and her apartment burns down - on the same night.
After struggling to progress from singing in a bar for most of the novel (with Carl's help and encouragement), Fern is discovered by an agent, and her fabulous voice (untrained, and unharmed by years of working and singing in a smoky bar) catapults her to instant wealth. There remains only an extremely unlikely set of coincidences, and a trick from the author, to bring Fern and Evan back together.
The best part of the story was the relationship between Carl and Fern. Their friendship was deeper, stronger, and more interesting than the romantic relationship between Evan and Fern, even though we know little about Carl. Fern chooses to live with Evan, but still loves Carl, and Carl loves Fern no less for her choice. Evan and Carl's girlfriend have no obvious jealously over their respective partners loving friends. By the end, it seems like friendship is more important than a romantic relationship, and that sex doesn't need to ruin a friendship or create jealousy. Perhaps it is the nature of the chick-lit genre to emphasize friends over romance, but I appreciated the support for the complexity and possibilities of relationships.
The title is the reverse of the plot. My guess is that "the real world" is supposed to refer to Fern's growth from singing at the neighbourhood pub to being an international pop-star, but her life as a struggling barmaid living in a mouse-infested apartment while her family lives in council houses seems more realistic than her instant success and her mansion big enough for all her relatives, and amenities including a full-time gardener.