每一个不曾起舞的日子，都是对生命的辜负（用咒语般简单强大的语句，展现伟人思想和心智，带给读者无限启迪）

by Friedrich Nietzsche, 弗里德里希·尼采

本书集采尼采著作之精华语句，展现伟人思想和心智，带给读者无限的启迪。 全书一共分为14个篇章：自我、心理、情志、知识、艺术、文化、道德、善恶、人性、生命、成败、超越、行为、思想，涉及尼采作品和思想言论的方方面面，句句都是尼采思想的精髓。 尼采说出了人们时常思考着的世界的秘密，这些思想能够感染人，激励人，使人获得空前绝后的领悟力。面对那些逝去的时光，虚度的日子，灵魂的空白，做出改变，珍惜每一日的光阴，创造出最灵动的岁月。 喜欢尼采作品的人不可不读的书。尼采思想是现代思想的一座巍然耸立的里程碑，他是为颇具影响力的哲学家之一。其不仅在德、法语区域闻名遐迩,还流传于遥远的北美、南美、亚洲、大洋洲、非洲。 全书集采尼采著作之精华语句，展现伟人思想和心智，带给读者无限的启迪。 尼采是20世纪伟大的哲学家，他的著作堪称永恒的经典。他用咒语般简单强大的语句，道破生命的本质，让读者获得生存的力量，拥有强大的内心。 在这些著作中，尼采以非凡的勇气和惊人的洞察力，轻而易举地颠倒了各种公认的观念，奚落了一切美德，赞扬了所有的邪恶。尼采并没有建立一个封闭而庞大的哲学体系，他只写散文、格言和警句，在他的字里行间并不证明什么，只是预告和启示，但恰恰不是凭借逻辑推理，而是凭借神奇的想象力。 尼采热爱生命，提倡昂然的生命力和奋发的意志力，肯定人世间的价值，并且视自然界为唯一的真实世界，给欧洲古典哲学注入新鲜血液，并开辟了古典语言学的崭新时代。从这个意义上说，他开创了人类思想史的新纪元。 尼采，德国人，生于1844年10月，卒于1900年8月。享誉世界的哲学家、诗人、思想家、散文家。 著作有《权力意志》《查拉图斯特拉如是说》《偶像的黄昏》《悲剧的诞生》《论道德的谱系》《不合时宜的考察》《希腊悲剧时代的哲学》等，给后世留下了宝贵的精神财富。尼采写作风格独特，对后代哲学的发展影响很大，尤其是存在主义与后现代主义。 尼采无疑是一位天才，他在苦难的生活里，锻造出了闪亮的思想的光芒。他的思想精髓哪怕能读懂一句，就已经能够让人看透生命的本质。

101 pages, Kindle Edition

Published January 5, 2017

About the author

Friedrich Wilhelm Nietzsche was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. He began his career as a classical philologist before turning to philosophy. He became the youngest person to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24, but resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes.
Nietzsche's work spans philosophical polemics, poetry, cultural criticism, and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favour of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterisation of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture, and science, and drew inspiration from Greek tragedy as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner, Fyodor Dostoevsky, and Johann Wolfgang von Goethe.
After his death, Nietzsche's sister Elisabeth became the curator and editor of his manuscripts. She edited his unpublished writings to fit her German ultranationalist ideology, often contradicting or obfuscating Nietzsche's stated opinions, which were explicitly opposed to antisemitism and nationalism. Through her published editions, Nietzsche's work became associated with fascism and Nazism. 20th-century scholars such as Walter Kaufmann, R.J. Hollingdale, and Georges Bataille defended Nietzsche against this interpretation, and corrected editions of his writings were soon made available. Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th- and early 21st-century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism, and post-structuralism—as well as art, literature, music, poetry, politics, and popular culture.