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Devil's Duke #4
The Prince
The temptation of her lips…
Libby Shaw refuses to accept society’s dictates. She’s determined to become a member of Edinburgh’s all-male Royal College of Surgeons. Disguising herself as a man, she attends the surgical theater and fools everyone—except the one man who has never forgotten the shape of her exquisitely sensual lips.
…will make a prince say yes to her every desire
Forced to leave his home as a boy, famed portraitist Ziyaeddin is secretly the exiled prince of a distant realm. When he first met Libby, he memorized every detail of her face and drew her. But her perfect lips gave him trouble—the same lips he now longs to kiss. When Libby asks his help to hide her feminine identity from the world, Ziyaeddin agrees on one condition: she must sit for him to paint—as a woman. But what begins as a daring scheme could send them both hurtling toward danger…and an unparalleled love.
Libby Shaw refuses to accept society’s dictates. She’s determined to become a member of Edinburgh’s all-male Royal College of Surgeons. Disguising herself as a man, she attends the surgical theater and fools everyone—except the one man who has never forgotten the shape of her exquisitely sensual lips.
…will make a prince say yes to her every desire
Forced to leave his home as a boy, famed portraitist Ziyaeddin is secretly the exiled prince of a distant realm. When he first met Libby, he memorized every detail of her face and drew her. But her perfect lips gave him trouble—the same lips he now longs to kiss. When Libby asks his help to hide her feminine identity from the world, Ziyaeddin agrees on one condition: she must sit for him to paint—as a woman. But what begins as a daring scheme could send them both hurtling toward danger…and an unparalleled love.
435 pages, Kindle Edition
First published May 29, 2018
263 people are currently reading
948 people want to read
About the author
Katharine Ashe
33 books1,031 followersKatharine Ashe is the USA Today bestselling author of historical romances reviewers call “intensely lush” and “sensationally intelligent,” including two Amazon's Best Romances of the Year. A professor of history and popular culture, she writes fiction because she adores the grand adventures and breathtaking sensuality of historical romance. For more information, please visit her at http://www.katharineashe.com.
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Displaying 1 - 30 of 207 reviews
May 18, 2018
The Prince by Katharine Ashe is a 2018 Avon Books publication.
This is the fourth book in the ‘Devil’s Duke’ series. I don’t know why, but I thought the last book was a wrap on the series. I suppose it could be because there are so many ‘trilogies’ in the historical romance genre, the idea of an ongoing saga just never occurred to me. But, I was very delighted to learn there would be at least one more book in the series.
I had no idea which direction Ashe would decide on, but I never would have dreamed we would have a prince with an artistic flair, living in exile- if that’s the right word, and a woman so desperate to become a doctor/surgeon she attempts to live as a man. Talk about an odd couple!!
For me, though, I thought this book was a little outside the box, unique, and perhaps unusual. That’s a good thing. Historical romance needs a little shot of that type of adrenaline. Some of the characters in the book are based on real people, and it is important to note that I used the word ‘based’. This is not a true account of anyone’s life, but a real person did inspire the author to build a ‘fictional’ story around true events and people.
As to the ‘Prince’… Well, I prefer my heroes to be conflicted, to have heavy issues to contend with, to be tortured souls. I’ll take that over some coddled, rogue Viscount who blames his father’s neglect for his own promiscuity. How many times has that been done? I can’t count that high, actually. So, give me a character like Ziyaeddin. A guy with a sensitive, artistic nature, who is more patient than he lets on, but one who also happens to be carrying the weight of the world on his shoulders.
Libby was refreshing in that she was not exactly socialized, was raised unconventionally, and didn’t really have a filter. Some of the things that popped out her mouth were not ladylike, but I had to admire her forthrightness. However, it should be noted that while Libby is very smart, she is single-minded in her determination to achieve her goals, and as such, she may exhibit some traits we might characterize or perhaps diagnose as ‘Aspergers Syndrome’. (OCD characteristics are evident as well.)
I wasn’t sure, at first, if this couple could be compatible, could cook up a little chemistry considering they are both slaves to individual secrets that, if exposed, would upend their lives, put them in danger, and shatter all their hopes and dreams. But, as Ziyaeddin obsesses over Libby’s lips, as the two of them converse, (whether Z wanted to or not), the attraction between them practically leaps off the pages.
Both of these characters are coping with situations quite out of the ordinary for this genre! Yes! Yes! Yes! The secondary characters are strong and wonderfully written, as well, and played key roles in the story.
This is really a wonderful love story!! I had to be convinced, as I was pretty skeptical, but the story is so rich in details and so vivid, and original, I found myself totally caught up in all the intrigue.
There are some thought provoking messages embedded in the story, as well, which gives it an added layer of depth and emotion. The wonderful happily ever after could n‘t have been more fitting, uplifting, or sigh worthy!!
Another stellar effort by Katharine Ashe!!
* Personal note: This has nothing to do with my review of this book, but could be spoilerish. I want to come to Katharine Ashe’s defense here, just a little. I promise this won't be a habit, but I felt compelled to clarify a few things. Authors are allowed to change dates and times, and flat out make stuff up. Obviously, the author did an incredible amount of research, and may also have erred on the side of caution in some circumstances. I’m a stickler for authenticity in historical fiction of any kind, but I think we, as readers, should be more flexible about historical accuracy. This is a story, not a history lesson- or a geography lesson. If you want to read history, there are lots of history books out there. Find one and read it. If you want a fictional love story, then you came to the right place. Also, just for the record, Libby is in DISGUISE- she’s not transsexual. She dressed as a man because it was the only way she could become a surgeon. This story has a strong feminist tone to it, which, unless I’m missing something, was the author’s intention. I just wanted to clarify that, for anyone who may be confused by the blurb/synopsis. My advice? Relax! Just sit back and enjoy the show! Happy reading.
This is the fourth book in the ‘Devil’s Duke’ series. I don’t know why, but I thought the last book was a wrap on the series. I suppose it could be because there are so many ‘trilogies’ in the historical romance genre, the idea of an ongoing saga just never occurred to me. But, I was very delighted to learn there would be at least one more book in the series.
I had no idea which direction Ashe would decide on, but I never would have dreamed we would have a prince with an artistic flair, living in exile- if that’s the right word, and a woman so desperate to become a doctor/surgeon she attempts to live as a man. Talk about an odd couple!!
For me, though, I thought this book was a little outside the box, unique, and perhaps unusual. That’s a good thing. Historical romance needs a little shot of that type of adrenaline. Some of the characters in the book are based on real people, and it is important to note that I used the word ‘based’. This is not a true account of anyone’s life, but a real person did inspire the author to build a ‘fictional’ story around true events and people.
As to the ‘Prince’… Well, I prefer my heroes to be conflicted, to have heavy issues to contend with, to be tortured souls. I’ll take that over some coddled, rogue Viscount who blames his father’s neglect for his own promiscuity. How many times has that been done? I can’t count that high, actually. So, give me a character like Ziyaeddin. A guy with a sensitive, artistic nature, who is more patient than he lets on, but one who also happens to be carrying the weight of the world on his shoulders.
Libby was refreshing in that she was not exactly socialized, was raised unconventionally, and didn’t really have a filter. Some of the things that popped out her mouth were not ladylike, but I had to admire her forthrightness. However, it should be noted that while Libby is very smart, she is single-minded in her determination to achieve her goals, and as such, she may exhibit some traits we might characterize or perhaps diagnose as ‘Aspergers Syndrome’. (OCD characteristics are evident as well.)
I wasn’t sure, at first, if this couple could be compatible, could cook up a little chemistry considering they are both slaves to individual secrets that, if exposed, would upend their lives, put them in danger, and shatter all their hopes and dreams. But, as Ziyaeddin obsesses over Libby’s lips, as the two of them converse, (whether Z wanted to or not), the attraction between them practically leaps off the pages.
Both of these characters are coping with situations quite out of the ordinary for this genre! Yes! Yes! Yes! The secondary characters are strong and wonderfully written, as well, and played key roles in the story.
This is really a wonderful love story!! I had to be convinced, as I was pretty skeptical, but the story is so rich in details and so vivid, and original, I found myself totally caught up in all the intrigue.
There are some thought provoking messages embedded in the story, as well, which gives it an added layer of depth and emotion. The wonderful happily ever after could n‘t have been more fitting, uplifting, or sigh worthy!!
Another stellar effort by Katharine Ashe!!
* Personal note: This has nothing to do with my review of this book, but could be spoilerish. I want to come to Katharine Ashe’s defense here, just a little. I promise this won't be a habit, but I felt compelled to clarify a few things. Authors are allowed to change dates and times, and flat out make stuff up. Obviously, the author did an incredible amount of research, and may also have erred on the side of caution in some circumstances. I’m a stickler for authenticity in historical fiction of any kind, but I think we, as readers, should be more flexible about historical accuracy. This is a story, not a history lesson- or a geography lesson. If you want to read history, there are lots of history books out there. Find one and read it. If you want a fictional love story, then you came to the right place. Also, just for the record, Libby is in DISGUISE- she’s not transsexual. She dressed as a man because it was the only way she could become a surgeon. This story has a strong feminist tone to it, which, unless I’m missing something, was the author’s intention. I just wanted to clarify that, for anyone who may be confused by the blurb/synopsis. My advice? Relax! Just sit back and enjoy the show! Happy reading.
April 17, 2018
Now that I've had two days to recover my book hangover, I'll attempt to talk intelligently about Katharine's latest book, The Prince, which releases May 29, 2018. I tried my best to resist reading this ARC when it loaded on my Kindle, but something told me this would be magic...and when I got into a book rut I shamelessly used that as my excuse to start The Prince. Just three chapters I said...and then three more chapters...and then good heavens what time is it? Should I get dressed? Should I eat? Who cares, there's more Libby and Ziyaeddin to read about :) I started this late on Saturday, fell asleep with the kindle on my face and then woke up and stayed in bed until 2:00 until I finished it. Yes, it was that good.
For those who have struggled with other books in this series, have no fear with this one. This book can stand alone. The Falcon Club threads wrapped up in The Rogue and The Earl and The Devil's Duke wrapped up in The Duke. The Prince...it's just for fun because the characters are so damn interesting they don't need anything else to embellish or strengthen their story. If you've read the other books in the series, other characters make minor cameos but on the whole a new cast of characters take center stage.
The bulk of the story takes place in Edinburgh, where the heroine, Libby, is willing to do whatever it takes to become a female surgeon. Ziyaeddin is a prince in exile, surviving on his art. Both characters can look at a person and see beneath the skin--Libby can see their bones and muscles, while Ziyaeddin can see their soul. How these two come together and truly fit together is original, well-paced, and hits just the right note of sensuality. Libby is driven to become a surgeon--she is consumed with it. Female surgeons are not allowed at this time in history and Ashe (in her author's note) uses some exceptional, real women of the time as inspiration for how Libby pursues her dream. Nothing else matters and she risks everything to fulfill her calling...until Ziyaeddin starts to matter also. Little by little, the romance builds as Libby excels but feels inexplicably drawn to Ziyaeddin. Ashe has her characters do extraordinary things--but for me, it all felt believable. I would not have been brave enough to risk all as Libby did, but her fastidious, unrelenting pursuit of medical knowledge made it admirable, engrossing, and suited to exactly what I imagined for her.
Ziyaeddin for his part was also different. For a good portion of the book, Ashe keeps the reader in the dark about his feelings. She occasionally gives the reader a peek at his artistic side and how he views the world, but how he comes to care for Libby, understanding her passion, helping her to succeed...all of it is shown with few words and powerful actions. He is careful in his movements, in his speech, and in the personality he shows to the world. Only Libby and her constant motion, brilliant mind, and open heart slowly break in and see the true man. And what she does for him...well, its unorthodox and sweet and perfectly suited to her. The give and take of this novel was excellent and what real love is all about.
The story initially focuses mostly on Libby and the medical college, with short vignettes that depict how Libby and Ziyaeddin interact each week...and grow closer and closer and closer. But once the two admit there's something between them...yeah the book pretty much lights itself on fire. What was so fascinating about this book was how steamy it was without actually having tons of sex scenes or anything gratuitously described. In fact, this book had the least number of sex scenes, but I'd consider it the most sensual. The sexual tension was so palpable, their connection so strong, it was pure romance. I loved it.
Anyway, there are so many details I'm leaving out because I don't want to spoil anything. I just want everyone to read it so I can celebrate this book all over again when it comes out in May. Both characters are different from the norm, yet I could connect with each for different reasons. The setting was new, the glimpse of the medical college and other mysteries of the time was fascinating, and Ashe's subtle critique of the racism and bigotry that existed (and sadly still exists) added depth and made the book un-put-downable.
THE PRINCE had beautiful writing, an interesting but easy to follow plot, well-drawn characters, and a romance that will stick with me for a long time. Ashe knocked it out of the park with this one. Even if you haven't tried this series or didn't care for the other books in the series, don't miss this. Both characters are meant for each other and give everything to be together--it's a story worth reading again and again. This was so good.
This is why I read romance.
5 stars.
I received a copy from Edelweiss. All reviews and opinions are my own with no influence from the publisher. Thank you for this lovely story.
Original comment upon finishing two days ago:
Oh my goodness. I started reading this last night and COULD NOT STOP. This is one of Katharine's best works to date. I was swept into the unique, gripping, deeply romantic story and it would not let me go. The blend of history, sensuality, and beautifully drawn characters was perfectly, utterly consuming.
I have always enjoyed Katharine's books, but often I have a hard time connecting to her female characters. In this, I empathized with Libby and admired her courage and fundamental drive to heal and her unquenchable desire for one enigmatic, flawed, yet perfectly gorgeous prince.
Don't miss this one. If you're in a historical reading rut, this will end that dry spell. It is refreshing, sensual, and the epitome of romance.
5 FULL STARS.
More to come when I can put all my feelings into words.
For those who have struggled with other books in this series, have no fear with this one. This book can stand alone. The Falcon Club threads wrapped up in The Rogue and The Earl and The Devil's Duke wrapped up in The Duke. The Prince...it's just for fun because the characters are so damn interesting they don't need anything else to embellish or strengthen their story. If you've read the other books in the series, other characters make minor cameos but on the whole a new cast of characters take center stage.
The bulk of the story takes place in Edinburgh, where the heroine, Libby, is willing to do whatever it takes to become a female surgeon. Ziyaeddin is a prince in exile, surviving on his art. Both characters can look at a person and see beneath the skin--Libby can see their bones and muscles, while Ziyaeddin can see their soul. How these two come together and truly fit together is original, well-paced, and hits just the right note of sensuality. Libby is driven to become a surgeon--she is consumed with it. Female surgeons are not allowed at this time in history and Ashe (in her author's note) uses some exceptional, real women of the time as inspiration for how Libby pursues her dream. Nothing else matters and she risks everything to fulfill her calling...until Ziyaeddin starts to matter also. Little by little, the romance builds as Libby excels but feels inexplicably drawn to Ziyaeddin. Ashe has her characters do extraordinary things--but for me, it all felt believable. I would not have been brave enough to risk all as Libby did, but her fastidious, unrelenting pursuit of medical knowledge made it admirable, engrossing, and suited to exactly what I imagined for her.
Ziyaeddin for his part was also different. For a good portion of the book, Ashe keeps the reader in the dark about his feelings. She occasionally gives the reader a peek at his artistic side and how he views the world, but how he comes to care for Libby, understanding her passion, helping her to succeed...all of it is shown with few words and powerful actions. He is careful in his movements, in his speech, and in the personality he shows to the world. Only Libby and her constant motion, brilliant mind, and open heart slowly break in and see the true man. And what she does for him...well, its unorthodox and sweet and perfectly suited to her. The give and take of this novel was excellent and what real love is all about.
The story initially focuses mostly on Libby and the medical college, with short vignettes that depict how Libby and Ziyaeddin interact each week...and grow closer and closer and closer. But once the two admit there's something between them...yeah the book pretty much lights itself on fire. What was so fascinating about this book was how steamy it was without actually having tons of sex scenes or anything gratuitously described. In fact, this book had the least number of sex scenes, but I'd consider it the most sensual. The sexual tension was so palpable, their connection so strong, it was pure romance. I loved it.
Anyway, there are so many details I'm leaving out because I don't want to spoil anything. I just want everyone to read it so I can celebrate this book all over again when it comes out in May. Both characters are different from the norm, yet I could connect with each for different reasons. The setting was new, the glimpse of the medical college and other mysteries of the time was fascinating, and Ashe's subtle critique of the racism and bigotry that existed (and sadly still exists) added depth and made the book un-put-downable.
THE PRINCE had beautiful writing, an interesting but easy to follow plot, well-drawn characters, and a romance that will stick with me for a long time. Ashe knocked it out of the park with this one. Even if you haven't tried this series or didn't care for the other books in the series, don't miss this. Both characters are meant for each other and give everything to be together--it's a story worth reading again and again. This was so good.
This is why I read romance.
5 stars.
I received a copy from Edelweiss. All reviews and opinions are my own with no influence from the publisher. Thank you for this lovely story.
Original comment upon finishing two days ago:
Oh my goodness. I started reading this last night and COULD NOT STOP. This is one of Katharine's best works to date. I was swept into the unique, gripping, deeply romantic story and it would not let me go. The blend of history, sensuality, and beautifully drawn characters was perfectly, utterly consuming.
I have always enjoyed Katharine's books, but often I have a hard time connecting to her female characters. In this, I empathized with Libby and admired her courage and fundamental drive to heal and her unquenchable desire for one enigmatic, flawed, yet perfectly gorgeous prince.
Don't miss this one. If you're in a historical reading rut, this will end that dry spell. It is refreshing, sensual, and the epitome of romance.
5 FULL STARS.
More to come when I can put all my feelings into words.
June 5, 2018
Aww, what a truly romantic love story that is! ❤️❤️❤️
It’s a slow burn, tender and very sweet romance.
When the first time I’ve read the blurb and its reviews, I couldn’t help not being sceptical 🤨
A female wanted to be a doc and a Muslim Prince lives in exile? How she will going to pull that off without being another mediocre HR? How it won’t end up just like other HR books I’ve read lately? Another contemporary story setting in the past?
But I couldn’t be more wrong, with a different author probably will become one of those failed attempts to write another HR’s strong heroine but Ms. Ashe’s research and talent made this book stand up from the very crowded market.
I also appreciated how thoughtful she handle the different cultures between these two and nothing had done in rushed!
The epilogue? It was perfect! 😍
Oh, I have one question though, if you read this book later on, do you think Libby suffered from Bordeline Personality Disorder? That’s why she is different and behaving as she was? What do you think?
I love this story so much! ❤️❤️❤️
A highly recommend HR from me ladies! 😘
It’s a slow burn, tender and very sweet romance.
When the first time I’ve read the blurb and its reviews, I couldn’t help not being sceptical 🤨
A female wanted to be a doc and a Muslim Prince lives in exile? How she will going to pull that off without being another mediocre HR? How it won’t end up just like other HR books I’ve read lately? Another contemporary story setting in the past?
But I couldn’t be more wrong, with a different author probably will become one of those failed attempts to write another HR’s strong heroine but Ms. Ashe’s research and talent made this book stand up from the very crowded market.
I also appreciated how thoughtful she handle the different cultures between these two and nothing had done in rushed!
The epilogue? It was perfect! 😍
Oh, I have one question though, if you read this book later on, do you think Libby suffered from Bordeline Personality Disorder? That’s why she is different and behaving as she was? What do you think?
I love this story so much! ❤️❤️❤️
A highly recommend HR from me ladies! 😘
September 29, 2021
Exquisitely written, unique, clever, romantic. I LOVED THIS. This is a very diverse historical too, we have an artist hero with a disability who is Middle Eastern and a neuro diverse heroine who disguises herself as a man to become the first female surgeon in England.
This was out of the park fantastic and I loved every single word.
This was out of the park fantastic and I loved every single word.
September 23, 2020
E eis que cheguei ao último livro de Katharine Ashe...
...and what a ride ;)
Não poderei falar deste livro sem falar de todos os que me fizeram chegar aqui, houve uma notória evolução em separar as histórias, em as tornar mais individuais desde "O Conde", em "O Duque" foi mais aprofundado essa individualidade.
"The Prince" foi o mais individual de todos, o mais emotivo. O que teve um final.
Uma nostalgia...
Não sei se foi essa a intenção de Katharine Ashe, de deixar esta série de colecções, senti como a despedida do século XIX, depois de um percurso nos primeiros trinta anos do século através de dezanove livros, em que houve personagens recorrentes nas quatro séries, em que havia sempre algo familiar sempre que se iniciava um novo livro, uma nova série. As personagens estavam sempre interligadas.
Algo que, e vou referir duas autoras com duas séries que me "custou" terminar: Julia Quinn com os "Bridgertons" e Mary Balogh com os "Bedwyn". Sensação de se ter conhecido os personagens.
O terminar de uma era, foi a sensação que me deixou este livro...
Afinal, e que loucura, as mulheres até têm a inteligência para serem médicas ;)
Este realmente terminou, os anteriores, ficou sempre algo em aberto...
Algo que me deixava sempre esperar pelo próximo...
A história de Libby e Ziyaeddin é fabulosa, nós sabemos como irá terminar, pois todas as histórias de Ashe são HEA, mas o percurso... OMG... Ashe tem uma forma de nos cativar, os pequenos detalhes, todo o trabalho de pesquisa que envolve todos os seus livros, toda a parte histórica que ela transporta para a ficção...
Fiquei super, mega fã de Katharine Ashe (caso houvesse alguma dúvida).
...and what a ride ;)
Não poderei falar deste livro sem falar de todos os que me fizeram chegar aqui, houve uma notória evolução em separar as histórias, em as tornar mais individuais desde "O Conde", em "O Duque" foi mais aprofundado essa individualidade.
"The Prince" foi o mais individual de todos, o mais emotivo. O que teve um final.
Uma nostalgia...
Não sei se foi essa a intenção de Katharine Ashe, de deixar esta série de colecções, senti como a despedida do século XIX, depois de um percurso nos primeiros trinta anos do século através de dezanove livros, em que houve personagens recorrentes nas quatro séries, em que havia sempre algo familiar sempre que se iniciava um novo livro, uma nova série. As personagens estavam sempre interligadas.
Algo que, e vou referir duas autoras com duas séries que me "custou" terminar: Julia Quinn com os "Bridgertons" e Mary Balogh com os "Bedwyn". Sensação de se ter conhecido os personagens.
O terminar de uma era, foi a sensação que me deixou este livro...
Afinal, e que loucura, as mulheres até têm a inteligência para serem médicas ;)
Este realmente terminou, os anteriores, ficou sempre algo em aberto...
Algo que me deixava sempre esperar pelo próximo...
A história de Libby e Ziyaeddin é fabulosa, nós sabemos como irá terminar, pois todas as histórias de Ashe são HEA, mas o percurso... OMG... Ashe tem uma forma de nos cativar, os pequenos detalhes, todo o trabalho de pesquisa que envolve todos os seus livros, toda a parte histórica que ela transporta para a ficção...
Fiquei super, mega fã de Katharine Ashe (caso houvesse alguma dúvida).
May 29, 2018
I am barely keeping it together as I type this, you guys. I read my review copy of The Prince some time ago and have literally been counting down the days until I could reasonably share my thoughts with you. Because I want to shout my love for this book from the rooftops, I love it that much. I do, occasionally wish that Choose Your Own Covers were an option, because I've been feeling positively agitated at the thought that there might be someone out there who doesn't pick up this book because something about its trappings throws them off. Hence, today's review. I discovered Katharine Ashe a couple of years ago via her very enjoyable Falcon Club series. Those books segued nicely into her Devil's Duke books, of which this is the fourth volume.
Libby Shaw will have none of it. She is through trying to stuff herself and her ambitions into the tiny box society has set out for her and, come hell or high water, she is going to medical school to become a surgeon. She isn't about to let anything so trivial as gender stop her. And so it's pasted on beards and trousers and taking herself off to Ediburgh to fool them all. Which is where the reclusive portrait artist known as The Turk comes in. He once strove to delineate Libby and was frustrated at never being able to quite get her lips right. When the two meet once again in Edinburgh, he recognizes her for who she really is. In an effort to stop him from exposing her, Libby proposes a deal of sorts. He will allow her to board in one of the empty rooms in his town home and, in exchange, she will sit for him once a week for one hour only. Against his better judgement, the deal is struck. And thus begins the most beautiful of partnerships, though neither party is fully aware of the gravity of their relationship. Because Libby is far from the only one keeping secrets. And it is perhaps his secret that will prove the most impossible to overcome in the end.
This is an incomparable romance. It is incomparable historical fiction. And it is wordsmithing of the finest kind. There. How's that for setting the bar just a little high? But I am convinced there is simply no amount of praise I could lavish upon The Prince that could be even remotely considered overdoing it. It is not only a highlight of my reading year thus far, but of my entire history of reading in the genre. It should be taught in historical writing classes, as far as I'm concerned. One of the primary reasons is it is such a fine example of purposely crafted, elegant storytelling. Libby and Ziyaeddin are so whole. And by that, I mean not only are they fiercely vibrant characters, they are presented from every possible facet. Not one whit of emotional depth or intellectual complexity is overlooked. And while I always wished for them to be together no matter what page I was on, I never felt lonely or off balance when they were not, no matter which of them I was with at any given time. Which brings me to their verbal interactions. The dialogue in this novel, the sheer, joyful, unadulterated, endlessly witty banter. It is off the charts stellar. In fact, "banter" seems too small a word for the effortlessness of what passes between them. I tell you, my actual person felt physically incapable of holding the delight it brought. To say nothing of their ongoing internal dialogue and the way they quietly admire each other. Libby rarely, if ever, stops talking. And Ziyaeddin would happily stay silent for days on end. Libby lives with what would now likely be termed Asperger's. And Ziyaeddin uses a cane to walk in the absence of the limb he lost in an incident he will speak of to no one. Both of them use assumed names and are used to feeling (and often being) unknown, even to those who might be expected to know them best. All of which combines to make the most beautiful backdrop for the development of an unrivaled companionship.
You know that feeling, when you're just so massively grateful that a certain book was written? That it came into existence at a time when you happened to be living? That is how I feel right now. I look forward to pressing it into many hands, knowing that disappointment won't ever even be on the table. Because beauty and humanity are what this novel does. They are what makes up the fabric of its soul. Reading it is a joyous experience. One I shall always treasure.
Libby Shaw will have none of it. She is through trying to stuff herself and her ambitions into the tiny box society has set out for her and, come hell or high water, she is going to medical school to become a surgeon. She isn't about to let anything so trivial as gender stop her. And so it's pasted on beards and trousers and taking herself off to Ediburgh to fool them all. Which is where the reclusive portrait artist known as The Turk comes in. He once strove to delineate Libby and was frustrated at never being able to quite get her lips right. When the two meet once again in Edinburgh, he recognizes her for who she really is. In an effort to stop him from exposing her, Libby proposes a deal of sorts. He will allow her to board in one of the empty rooms in his town home and, in exchange, she will sit for him once a week for one hour only. Against his better judgement, the deal is struck. And thus begins the most beautiful of partnerships, though neither party is fully aware of the gravity of their relationship. Because Libby is far from the only one keeping secrets. And it is perhaps his secret that will prove the most impossible to overcome in the end.
I know that Muslims believe in the same god as Christians, although they call that god by a different name. When the American Thomas Jefferson insisted on that, many people made a fuss about it, but I think it makes perfect sense. And I know that idols are prohibited you. Admittedly I don't know anything about harems . . . and such. But I don't understand how anybody schooled in Scripture could think a child would be a useful religious sacrifice, for of course Abraham, who was the father of Judaism, Christianity and Islam, made that mistake with his own son so that the rest of us needn't ever after. In general I am not taken to fanciful notions, for I read a lot—a lot more, that is, than the caricatures of Byron or Morier. And I don't depend on the ridiculous portraits of foreigners one sees at the opera to inform me. I regret that is not the case with every Englishman or Scot you have encountered. If I could slap them all, I would."
For a long moment he did not speak.
"You would slap them," he finally said.
"Yes. For I don't have a collection of daggers. Although I do have surgical instruments, it's true. So I suppose I could inflict some fairly grievous wounds if necessary. I haven't yet taken an oath as medical men do, so it would not be strictly unethical, although certainly immoral. But I would do it for your sake. Please let me know if you ever wish me to."
His beautiful eyes changed—as though he not only believed her words but understood her.
This is an incomparable romance. It is incomparable historical fiction. And it is wordsmithing of the finest kind. There. How's that for setting the bar just a little high? But I am convinced there is simply no amount of praise I could lavish upon The Prince that could be even remotely considered overdoing it. It is not only a highlight of my reading year thus far, but of my entire history of reading in the genre. It should be taught in historical writing classes, as far as I'm concerned. One of the primary reasons is it is such a fine example of purposely crafted, elegant storytelling. Libby and Ziyaeddin are so whole. And by that, I mean not only are they fiercely vibrant characters, they are presented from every possible facet. Not one whit of emotional depth or intellectual complexity is overlooked. And while I always wished for them to be together no matter what page I was on, I never felt lonely or off balance when they were not, no matter which of them I was with at any given time. Which brings me to their verbal interactions. The dialogue in this novel, the sheer, joyful, unadulterated, endlessly witty banter. It is off the charts stellar. In fact, "banter" seems too small a word for the effortlessness of what passes between them. I tell you, my actual person felt physically incapable of holding the delight it brought. To say nothing of their ongoing internal dialogue and the way they quietly admire each other. Libby rarely, if ever, stops talking. And Ziyaeddin would happily stay silent for days on end. Libby lives with what would now likely be termed Asperger's. And Ziyaeddin uses a cane to walk in the absence of the limb he lost in an incident he will speak of to no one. Both of them use assumed names and are used to feeling (and often being) unknown, even to those who might be expected to know them best. All of which combines to make the most beautiful backdrop for the development of an unrivaled companionship.
Heart tight, she turned to the stairs and went up as swiftly as her bandy legs would carry her. When she paused on the landing and looked down, he stood there still, watching her.
"My father and I have always lived wherever his patients wished. I have rarely stayed in one house for long. I have never had a home that could be mine forever."
"Now you have."
"Until my father's return."
He nodded, and it was so regal that she wondered she had ever thought him anything but a prince.
"I won't bother you," she said.
"I have very little confidence in the predictive value of that statement."
Air shot out from between her lips.
"Was that noise an agreement?" he said, a beautiful smile shaping his mouth.
She laughed again, and pain shot through her lungs.
"I missed that sound," he said. "Your laughter."
She clutched the linen over her chest. "It hurts."
"Yes," he said. She didn't mean the laughter hurt, but she thought perhaps he understood that.
"I will try not to disturb you," she said.
"Don't," he said. "Disturb me. Every day. Every hour. Every minute if you wish."
You know that feeling, when you're just so massively grateful that a certain book was written? That it came into existence at a time when you happened to be living? That is how I feel right now. I look forward to pressing it into many hands, knowing that disappointment won't ever even be on the table. Because beauty and humanity are what this novel does. They are what makes up the fabric of its soul. Reading it is a joyous experience. One I shall always treasure.
May 5, 2020
Best of the series!
I loved Libby Shaw!
Slow progression, but lovely story!!
I loved Libby Shaw!
Slow progression, but lovely story!!
November 18, 2019
4.5 stars rounded up.
Review to follow (at some point!)
Review to follow (at some point!)
October 6, 2018
If you have liked other books by Katharine Ashe, I think you will enjoy this one as well. It has the feminism I have come to expect from her stories and so much more.
What I like about her writing, including this book, is how she portrays characters not as black or white. Her heroes and heroines have flaws, and the villains have the possibility to be redeemed. Real humans are like that, varying shades of grey.
The story was long and seemed implausible to me, but intriguing. Unexpectedly, her notes at the end state she researched a real woman who lived most of her life as a male doctor. Surprise!
I liked both Ziyaeddin and Libby as characters. They were both so extraordinary in some ways and difficult in others. Their relationship and the development of the story works well for me. The attraction was immediate but the steps between the beginning and when they gave into their sexual attraction took time. It was definitely not insta love with sex from the beginning. I also appreciated that Ziyaeddin is not the jerk, um, I mean rake, so typical in HR.
Overall, I definitely recommend. If you start out and don't get into it as much as I did, at least skip to the end and read the epilogue. It was beautiful!
What I like about her writing, including this book, is how she portrays characters not as black or white. Her heroes and heroines have flaws, and the villains have the possibility to be redeemed. Real humans are like that, varying shades of grey.
The story was long and seemed implausible to me, but intriguing. Unexpectedly, her notes at the end state she researched a real woman who lived most of her life as a male doctor. Surprise!
I liked both Ziyaeddin and Libby as characters. They were both so extraordinary in some ways and difficult in others. Their relationship and the development of the story works well for me. The attraction was immediate but the steps between the beginning and when they gave into their sexual attraction took time. It was definitely not insta love with sex from the beginning. I also appreciated that Ziyaeddin is not the jerk, um, I mean rake, so typical in HR.
Overall, I definitely recommend. If you start out and don't get into it as much as I did, at least skip to the end and read the epilogue. It was beautiful!
April 13, 2018
Soul-shatteringly romantic, this incredible tale is filled with endless amounts of passion, devastating heart-ache and a happily-ever-after for the ages. A true love story that will leave readers smiling with tears in their eyes at the end.
Determined to follow her dream of becoming a surgeon and keenly aware that she'll never be permitted to do so as a woman, Libby Shaw decides to disguise herself as a man. But when a portrait artist known as The Turk recognizes her for the woman she is, she realizes that maintaining anonymity will not be as easy as she initially thought and that she may need an ally to help her with her ruse. Falling in love was never her plan, but not doing so soon becomes as unavoidable as pursuing the education she so desperately craves.
When the woman whose lips have haunted Ziyaeddin for the last three years appears as a man at a surgical lecture, he is intrigued. When she begs him to keep her secret, offering herself as his subject in exchange for his help, he cannot resist the temptation. Especially since he knows what it is to live a secret life, exiled as he is from his homeland, a royal prince disguised as an artist. But he knows responsibility awaits him in Tabir and that he will soon be called on to do his duty, making the fierce attraction he feels toward Libby a dangerous distraction he must resist at all cost.
Katharine Ashe is exceptional. She possesses the extraordinary ability to render complex human emotion on the pages of her novels, and The Prince is no exception. A story that stands apart from the rest in its uniqueness, this is one romance readers will not want to miss and one that I would highly recommend!
Determined to follow her dream of becoming a surgeon and keenly aware that she'll never be permitted to do so as a woman, Libby Shaw decides to disguise herself as a man. But when a portrait artist known as The Turk recognizes her for the woman she is, she realizes that maintaining anonymity will not be as easy as she initially thought and that she may need an ally to help her with her ruse. Falling in love was never her plan, but not doing so soon becomes as unavoidable as pursuing the education she so desperately craves.
When the woman whose lips have haunted Ziyaeddin for the last three years appears as a man at a surgical lecture, he is intrigued. When she begs him to keep her secret, offering herself as his subject in exchange for his help, he cannot resist the temptation. Especially since he knows what it is to live a secret life, exiled as he is from his homeland, a royal prince disguised as an artist. But he knows responsibility awaits him in Tabir and that he will soon be called on to do his duty, making the fierce attraction he feels toward Libby a dangerous distraction he must resist at all cost.
Katharine Ashe is exceptional. She possesses the extraordinary ability to render complex human emotion on the pages of her novels, and The Prince is no exception. A story that stands apart from the rest in its uniqueness, this is one romance readers will not want to miss and one that I would highly recommend!
April 20, 2018
This book managed to be racist, imperialistic and transphobic. It let down its characters so much by using actual history but a fake country. This book is not worth it. Longer review point for point to come
I will preface this review by saying I am as white as you can get and cis queer. So I did my best to thoroughly explain my feelings in regards to the racism, imperialism, and transphobic elements of this book. If I have messed up terminology or phrasing in anyway please let me know as my thought process with ADHD can leave me grasping for words and phrases at times.
The Prince by Katharine Ashe had so much potential to be an amazing book, but instead it fell down the rabbit hole of racism, imperialism, and transphobia. Set in 1825, we meet Ziyaeddin (I shall note from searching for information that is the Ottoman spelling of his name, not the Persian spelling). The author has stated repeatedly that he is of a Persian royal family.
At first I thought Ziyaeddin was a Qajar prince of what was then the ruling family of Persian Iran in the early 1800s. He is actually the prince of a made up country. This is why this book is racist and imperialistic and falls into negative stereotype of “the generic prince from the exotic distant land”. The book blurb already does a fantastic job warning of this stereotype, mind you. To make up a country instead of using a historical empire, or even the Khanates to the north where she based Ziya’s homeland, is irresponsible. It does a disservice to Persian and Iranian people and the actual people who lived in that region. Just as harmful was the way that the author continued to say she was constrained by the events of the Russo-Persian war of 1826 to 1828 (which resulted the northern eras of what is now modern day Azerbaijan and western Armenia and other areas that were forcibly taken by Russia, weakening the Persian Iranian empire).
To say you are constrained by actual history but then to slap your own country in the center of all this and make it exist either on the edge of the Black or the Caspian sea is wrong. It is hurtful. To continue to say that his country survives unscathed to become a constitutional monarchy with his sister as regent, and that there is no way that the Ottomans, Russians or Persian Iranians are in away way a threat after a war was literally fought at this country’s borders is dangerous and naive.
Another issue in regards to racism is that Ziyaeddin has been exiled from his people for fourteen years, eight of that spent in Scotland being the exotic "Turk", having to live by a false name. He surrounds himself with the rich, white upper class who treat him and his art as something exotic. The only two items he still has from his own culture are a watch and a prayer rug. The author essentially white-washes his existence in Scotland. He is not surrounded by really any cultural ties because of his exile, and the fact that it isn't even delved into if he missed the food or anything else is disappointing. We get snippets of his culture and his family, but only when Libby (the other main character) forces him to reveal things when she refuses to leave him alone, because she must know where this strange man comes from.
Libby does defend Ziyaeddin and thinks it’s horribly rude of people to call him The Turk, but at the same time they also others him in that they doesn't understand why he wouldn't want a prosthetic foot.
I am not entirely certain if their OCD is handled well either. The reward system used by the characters should work for smaller things, but I am ultimately on the fence in regards to how his painting cures the bigger compulsions. So I am dubious of the depiction of OCD
The other biggest point that makes me even angrier (besides making up a country) is the depiction of how Libby portraying themself as Joe Smart is done. For this I am going to draw from the authors note at the end of the book. The author herself states that she based Libby and their "disguise" on a real life trans man, that of Scottish doctor James Barry. In every single account of James Barry’s life that comes up in any brief google search, it speaks about how he lived and viewed himself as a man. His entire life -no ifs, ands or buts about it. He is a trans historical figure. To say you've based a character’s disguise off a real trans person is insulting. It means the author probably believes trans people are just people in costume when they 100% are not.
Even without the author note mentioning Barry, there are multiple instances that Libby is very much not 100% cis. For example, in their masturbation scene at the beginning of the book, Libby thinks:
"She tired to imagine herself like other women: at twenty years old a wife by now, who knew a man's touch. But she was not like other women. She was a man."
This line is just the start of a problematic thread of how Libby’s gender issues are handled. Do they genuinely think they are not a woman, or do they go between both genders as gender fluid? They are comfortable, for the most part, in both men’s and women's clothes.
Then there is this line later in the book in a conversation between Libby and Ziyaeddin:
"I cannot lie. I am not allowed to.”
"What of Joseph Smart?”, he said.
"Joseph is not a lie. He is the most honest part of me.”
Clearly Libby views Joe as the persona they prefer. After this, there are several more instances that support this. At 84% they ask Ziyaeddin if kissing them with whiskers on repels him or not. They bring this up repeatedly, asking if Ziyaeddin likes kissing them with the whiskers or not.
Another issue is the fact that Libby makes their own packer. With the help of house keeper, they sew a fake penis made from pillows, and refer to it as Joe’s genitals. This, in relation to ever other instance of how Libby views Joe as their true self, the multiple instances of kissing with whiskers, and the masturbation scene, leads me to believe that Libby is not 100% cis. I myself am cis, but as queer reader this is how I interpreted the information we were presented with in regards to Libby
This book overall could have been good if not for its entirely flawed and misguided premise. I firmly believe if the author had used both a Iranian or Persian sensitivity reader, as well as a nonbinary or trans sensitivity reader, that the racist and transphobic elements could have been avoided. Nothing at this point in the process except a total rewrite can save this book and that’s unfortunate. Both Libby and Ziyaeddin are fantastic characters who, if given the proper support, could have been amazing. Instead they are bogged down by imperialistic and transphobic trappings.
Upside, the cute pig can stay.
I will preface this review by saying I am as white as you can get and cis queer. So I did my best to thoroughly explain my feelings in regards to the racism, imperialism, and transphobic elements of this book. If I have messed up terminology or phrasing in anyway please let me know as my thought process with ADHD can leave me grasping for words and phrases at times.
The Prince by Katharine Ashe had so much potential to be an amazing book, but instead it fell down the rabbit hole of racism, imperialism, and transphobia. Set in 1825, we meet Ziyaeddin (I shall note from searching for information that is the Ottoman spelling of his name, not the Persian spelling). The author has stated repeatedly that he is of a Persian royal family.
At first I thought Ziyaeddin was a Qajar prince of what was then the ruling family of Persian Iran in the early 1800s. He is actually the prince of a made up country. This is why this book is racist and imperialistic and falls into negative stereotype of “the generic prince from the exotic distant land”. The book blurb already does a fantastic job warning of this stereotype, mind you. To make up a country instead of using a historical empire, or even the Khanates to the north where she based Ziya’s homeland, is irresponsible. It does a disservice to Persian and Iranian people and the actual people who lived in that region. Just as harmful was the way that the author continued to say she was constrained by the events of the Russo-Persian war of 1826 to 1828 (which resulted the northern eras of what is now modern day Azerbaijan and western Armenia and other areas that were forcibly taken by Russia, weakening the Persian Iranian empire).
To say you are constrained by actual history but then to slap your own country in the center of all this and make it exist either on the edge of the Black or the Caspian sea is wrong. It is hurtful. To continue to say that his country survives unscathed to become a constitutional monarchy with his sister as regent, and that there is no way that the Ottomans, Russians or Persian Iranians are in away way a threat after a war was literally fought at this country’s borders is dangerous and naive.
Another issue in regards to racism is that Ziyaeddin has been exiled from his people for fourteen years, eight of that spent in Scotland being the exotic "Turk", having to live by a false name. He surrounds himself with the rich, white upper class who treat him and his art as something exotic. The only two items he still has from his own culture are a watch and a prayer rug. The author essentially white-washes his existence in Scotland. He is not surrounded by really any cultural ties because of his exile, and the fact that it isn't even delved into if he missed the food or anything else is disappointing. We get snippets of his culture and his family, but only when Libby (the other main character) forces him to reveal things when she refuses to leave him alone, because she must know where this strange man comes from.
Libby does defend Ziyaeddin and thinks it’s horribly rude of people to call him The Turk, but at the same time they also others him in that they doesn't understand why he wouldn't want a prosthetic foot.
I am not entirely certain if their OCD is handled well either. The reward system used by the characters should work for smaller things, but I am ultimately on the fence in regards to how his painting cures the bigger compulsions. So I am dubious of the depiction of OCD
The other biggest point that makes me even angrier (besides making up a country) is the depiction of how Libby portraying themself as Joe Smart is done. For this I am going to draw from the authors note at the end of the book. The author herself states that she based Libby and their "disguise" on a real life trans man, that of Scottish doctor James Barry. In every single account of James Barry’s life that comes up in any brief google search, it speaks about how he lived and viewed himself as a man. His entire life -no ifs, ands or buts about it. He is a trans historical figure. To say you've based a character’s disguise off a real trans person is insulting. It means the author probably believes trans people are just people in costume when they 100% are not.
Even without the author note mentioning Barry, there are multiple instances that Libby is very much not 100% cis. For example, in their masturbation scene at the beginning of the book, Libby thinks:
"She tired to imagine herself like other women: at twenty years old a wife by now, who knew a man's touch. But she was not like other women. She was a man."
This line is just the start of a problematic thread of how Libby’s gender issues are handled. Do they genuinely think they are not a woman, or do they go between both genders as gender fluid? They are comfortable, for the most part, in both men’s and women's clothes.
Then there is this line later in the book in a conversation between Libby and Ziyaeddin:
"I cannot lie. I am not allowed to.”
"What of Joseph Smart?”, he said.
"Joseph is not a lie. He is the most honest part of me.”
Clearly Libby views Joe as the persona they prefer. After this, there are several more instances that support this. At 84% they ask Ziyaeddin if kissing them with whiskers on repels him or not. They bring this up repeatedly, asking if Ziyaeddin likes kissing them with the whiskers or not.
Another issue is the fact that Libby makes their own packer. With the help of house keeper, they sew a fake penis made from pillows, and refer to it as Joe’s genitals. This, in relation to ever other instance of how Libby views Joe as their true self, the multiple instances of kissing with whiskers, and the masturbation scene, leads me to believe that Libby is not 100% cis. I myself am cis, but as queer reader this is how I interpreted the information we were presented with in regards to Libby
This book overall could have been good if not for its entirely flawed and misguided premise. I firmly believe if the author had used both a Iranian or Persian sensitivity reader, as well as a nonbinary or trans sensitivity reader, that the racist and transphobic elements could have been avoided. Nothing at this point in the process except a total rewrite can save this book and that’s unfortunate. Both Libby and Ziyaeddin are fantastic characters who, if given the proper support, could have been amazing. Instead they are bogged down by imperialistic and transphobic trappings.
Upside, the cute pig can stay.
May 24, 2018
OMG - I thought The Duke was my favorite Katharine Ashe book and it was UNTIL I read The Prince!
This is not your typical HR novel, it is fresh and original and while the trope of a woman dressing as a man is not new, this story is unique and completely mesmerizing! Once I started this book, I could not put it down.
Ziyaeddin Mirza, exiled Prince of Tabir is hiding, he has assumed the identity of Ibrahim Kent, portrait artist and awaits the day he can return to his country and reclaim his birthright. Ziyaeddin is one of the most honorable and romantic heroes I have ever read - there is nothing about him that I would change. Not. One. Thing.
Elizabeth "Libby" Shaw is the adopted daughter of Dr. Shaw, she met Ziyaeddin in the previous book and she became his secret obsession. Libby's dream is to be a surgeon, she is brilliant, motivated, compassionate and unfortunately, a woman she also has an anxiety disorder (imagine Temperance Brennan from Bones and Adrian Monk have a love child - that is Libby) . To attend lectures and become an apprentice, she assumes the identity of Joseph Smart. Her father is leaving for a year in London and Libby will be staying in Scotland with her friend Alice, this is the perfect time for her to prove her worth as a surgeon. The disguise is going to be the only problem, coming and going as both Joseph and Libby is sure to cause some problems. So when she sees Ziyaeddin at a lecture and knows that he sees through her disguise, she hatches a plan - she asks him to paint pictures for her and sign them Joseph Smart - NO, she says she could live with him as Joseph, saying he is her patron - NO. He sends her on her way. Later he reconsiders and makes her an offer, she may live with him as Joseph and he will introduce her to Charles Bell on one condition - she sits for him once a week and lets him paint her. She agrees.
Over the course of the next few weeks, she registers for classes, makes friends and Bell finds a surgeon to take her on as an apprentice. At her first sitting with Ziyaeddin, she asks many questions, but gets no answers. He avoids her, but he does her small kindnesses. He desires her, but knows they have no future - she has dreams and he has a destiny to fulfill.
Little by little, he shares his past with her, he is the only person she feels completely comfortable with and she desires him. But he maintains a distance between them. When he tells her that there can be nothing between them. She insists on making a new prosthetic for him and after considerable badgering on her part, he agrees. But when he is in pain after the new prosthetic and she says he needs massage and offers to administer it - he refuses and flees to visit the Duke. She is lost without him, he is her anchor and without him, she begins to fall apart. When he returns, he is shocked and devotes himself to helping her recover.
When they finally kiss, it is like a dam is broken, he tells her it is a mistake and will never happen again. She gets news that her friend Coira needs her and he offers to help. But she is still hurt by his rejection and decides to leave the house. When he learns that she has left and is not with Alice, he grows frantic and when he finds her, alone and raging with fever, he brings her home. When she recovers, he asks her to forgive him and their relationship takes a turn.
When ugly rumors surface and Ziyaedinn's life is in jeopardy - Libby realizes that she has been selfish and makes the ultimate sacrifice for the man she loves. He is awed by her and loves her, but he has a destiny to claim and she plays no part in it.
This book was epic, it is well written, flows wonderfully, has amazing characters, heartbreak, secrets, sacrifices, steamy-ish love scenes and an incredible soulmate type love.
While this book is the fourth in the Devil's Duke series, it can absolutely be read as a stand alone title, as the connection to the previous books it very minimal. I cannot recommend this book enough, it is definitely one of my top picks for 2018 and has a permanent place on my keeper / read again shelf.
*I am voluntarily leaving a review of an eARC that was provided to me by Edelweiss and the publisher*
This is not your typical HR novel, it is fresh and original and while the trope of a woman dressing as a man is not new, this story is unique and completely mesmerizing! Once I started this book, I could not put it down.
Ziyaeddin Mirza, exiled Prince of Tabir is hiding, he has assumed the identity of Ibrahim Kent, portrait artist and awaits the day he can return to his country and reclaim his birthright. Ziyaeddin is one of the most honorable and romantic heroes I have ever read - there is nothing about him that I would change. Not. One. Thing.
Elizabeth "Libby" Shaw is the adopted daughter of Dr. Shaw, she met Ziyaeddin in the previous book and she became his secret obsession. Libby's dream is to be a surgeon, she is brilliant, motivated, compassionate and unfortunately, a woman she also has an anxiety disorder (imagine Temperance Brennan from Bones and Adrian Monk have a love child - that is Libby) . To attend lectures and become an apprentice, she assumes the identity of Joseph Smart. Her father is leaving for a year in London and Libby will be staying in Scotland with her friend Alice, this is the perfect time for her to prove her worth as a surgeon. The disguise is going to be the only problem, coming and going as both Joseph and Libby is sure to cause some problems. So when she sees Ziyaeddin at a lecture and knows that he sees through her disguise, she hatches a plan - she asks him to paint pictures for her and sign them Joseph Smart - NO, she says she could live with him as Joseph, saying he is her patron - NO. He sends her on her way. Later he reconsiders and makes her an offer, she may live with him as Joseph and he will introduce her to Charles Bell on one condition - she sits for him once a week and lets him paint her. She agrees.
Over the course of the next few weeks, she registers for classes, makes friends and Bell finds a surgeon to take her on as an apprentice. At her first sitting with Ziyaeddin, she asks many questions, but gets no answers. He avoids her, but he does her small kindnesses. He desires her, but knows they have no future - she has dreams and he has a destiny to fulfill.
Little by little, he shares his past with her, he is the only person she feels completely comfortable with and she desires him. But he maintains a distance between them. When he tells her that there can be nothing between them. She insists on making a new prosthetic for him and after considerable badgering on her part, he agrees. But when he is in pain after the new prosthetic and she says he needs massage and offers to administer it - he refuses and flees to visit the Duke. She is lost without him, he is her anchor and without him, she begins to fall apart. When he returns, he is shocked and devotes himself to helping her recover.
When they finally kiss, it is like a dam is broken, he tells her it is a mistake and will never happen again. She gets news that her friend Coira needs her and he offers to help. But she is still hurt by his rejection and decides to leave the house. When he learns that she has left and is not with Alice, he grows frantic and when he finds her, alone and raging with fever, he brings her home. When she recovers, he asks her to forgive him and their relationship takes a turn.
When ugly rumors surface and Ziyaedinn's life is in jeopardy - Libby realizes that she has been selfish and makes the ultimate sacrifice for the man she loves. He is awed by her and loves her, but he has a destiny to claim and she plays no part in it.
This book was epic, it is well written, flows wonderfully, has amazing characters, heartbreak, secrets, sacrifices, steamy-ish love scenes and an incredible soulmate type love.
While this book is the fourth in the Devil's Duke series, it can absolutely be read as a stand alone title, as the connection to the previous books it very minimal. I cannot recommend this book enough, it is definitely one of my top picks for 2018 and has a permanent place on my keeper / read again shelf.
*I am voluntarily leaving a review of an eARC that was provided to me by Edelweiss and the publisher*
March 12, 2018
This story is unlike any historical romance I’ve read before. The characters are vivid creatures, each enduring their own struggles.
She needs someone to help hide her identity as she puts herself through medical school under the pretense of a young Scottish lad. He is a recluse, hiding among the every day patrons until he is summoned home to his kingdom far, far away.
It’s their unique situation that brings them closer, into a life where they must rely on the other in order to keep the fake facade real. But what appears to be a lie to everyone else, quickly blurs the line between the both of them.
The tension is so tangible, I could almost touch it. It’s a slow-burn sort of romance, with just the right amount of give and take to satisfy the reader. I found myself reading this novel in a two-day window because I simply could not get enough of them. This is, by far, what true romance in books is meant to be... and so much more!
She needs someone to help hide her identity as she puts herself through medical school under the pretense of a young Scottish lad. He is a recluse, hiding among the every day patrons until he is summoned home to his kingdom far, far away.
It’s their unique situation that brings them closer, into a life where they must rely on the other in order to keep the fake facade real. But what appears to be a lie to everyone else, quickly blurs the line between the both of them.
The tension is so tangible, I could almost touch it. It’s a slow-burn sort of romance, with just the right amount of give and take to satisfy the reader. I found myself reading this novel in a two-day window because I simply could not get enough of them. This is, by far, what true romance in books is meant to be... and so much more!
May 28, 2018
I gave this an A at
All About Romance
.
Katharine Ashe hits only high notes in this memorable fourth book in the Devil’s Duke series. The Prince elevates two previously minor secondary characters – and my friends, the pairing is brilliant. He’s an exiled prince of a fictional Mediterranean realm, hidden away in Scotland and biding his time until he can return home; she’s an exceptionally clever and intelligent feminist ahead of her time determined to become a member of Edinburgh’s all-male Royal College of Surgeons. Everything about this union sparkles, from the ultra slow-burn of their friends-to-lovers relationship, to Ms. Ashe’s remarkable characterization of her two complex, flawed and fascinating principals, and the compelling (and mysterious) subplot that runs throughout. I’m an unabashed mega-fan of this author, but The Prince is one of her best yet. Although it’s fourth in the Devil’s Duke series (an offshoot of the Falcon Club series) and familiar characters make brief appearances, The Prince works well as a standalone novel.
Despite the fact that no women has ever been admitted to the Royal College of Surgeons, Elizabeth – Libby – Shaw is determined to attend. Libby’s spent a lifetime learning and practicing medicine alongside her doting doctor father, but she isn’t content to adhere to societal dictates about what she can and cannot do any longer. When The Prince opens, she’s exulting in her successful infiltration of the surgical theater – disguised as a man – until she spots a familiar face in the audience.
When Ziyaeddin Mirza, a famed portraitist in Edinburgh who goes by the pseudonym Ibrahim Kent, first met Libby (in The Duke) he was immediately captivated by her and her beautiful, sensual lips. He hasn’t forgotten them – or her – and when he spots them in the audience of the surgical theater, he’s shocked and curious as to what she’s doing there. He confronts Libby, and although she’s desperate that he not give her away, she doesn’t apologize for her behavior or reasons for attending. Ziyaeddin is sympathetic but doubtful she can pull off the subterfuge and enroll as a student.
Thrilled with her disguise, Libby is determined to repeat the experiment and study at the Royal College. With her father conveniently away in London, she approaches Ziyaeddin and asks if she can live with him. Ziyaeddin can’t help his infatuation with Libby and his attempts to capture her on paper have proved elusive. When she asks if she can live with him, he knows she risks ruination if her identity becomes known, and that controlling his desire for her won’t be easy but he agrees, on the condition that she sits for him and allows him to paint her.
The chemistry between our two principals is intense from the moment they meet outside the surgical theater. But Libby isn’t like any cross-dressing heroine you’ve read before. Ms. Ashe strongly contrasts her characterization of Libby as trainee surgeon – skilled, dedicated, at the top of her class and able to clearly see what lies beneath our skin and bones – with the woman trying and failing to understand simple human relationships. She’s flustered by her interactions with her fellow students (and annoyed by the other star student in her class) but determined to ‘fit in’ with them, and she’s bewildered by her host. Libby doesn’t understand her attraction to Ziyaeddin or why she feels the way she does about him. Her diligent attempts to do so – via science and medical textbooks, which she can usually rely on – fail to provide the answers she seeks, and her desire for him stymies her analytical and scientific mind. He’s kind but enigmatic, and her awkward, honest confessions about his handsome good looks and attractive body, seem to frustrate and anger him. But Libby – despite her frustration over her feelings for Ziyaeddin and his unwillingness to share anything about himself with her – is determined to understand him.
Ziyaeddin is similarly a study in contrasts. He’s frustrated by his long exile in Scotland and consumed with desire and lust for Libby. He longs to return home to Tabir and the family he was forced to leave behind, but circumstances – the complicated diplomatic maneuverings of the British government, and the danger to his family from his sister’s dangerous and powerful husband – preclude him from leaving. Although he’s famed for his talents as a portraitist, he wearies of his reputation as a handsome and exotic curiosity amongst the women and men of Edinburgh – a fascinating object of desire. Ziyaeddin can see the soul and spirit that lies within his portrait subjects – but the one person he struggles to capture is the one he knows best, Libby. Ziyaeddin longs to give into his attraction to her but knows that one day he’ll leave – and that Libby is struggling to understand who and what they are to each other. He’s kind and gentle, firm and strong, and his protective, nurturing – intense – love for Libby is beautiful.
Ziyaeddin and Libby flit in and out of each other’s orbit for the majority of the novel. It’s tortuous watching the interplay between them, knowing how deeply they love and desire each other. Libby presses for more from Ziyaeddin and he resists – knowing he will soon be leaving, but although The Prince is primarily focused on the fraught relationship between Ziyaedinn and Libby, there’s much more to this marvelously engaging novel. Yes, Libby is a brilliant surgeon ahead of her time, but her personal struggles bring the character to life and elevate the story. Today, Libby might be labeled as a high-functioning autistic with obsessive compulsive disorder. But in early nineteenth century Scotland, her struggles are demons and they nearly destroy her. Her demons, and difficulties overcoming them, along with her awkward interpersonal relationships, are profoundly moving and keenly realized by the author. Ziyaeddin’s character is similarly multifaceted – a muslim prince forced to endure the bigotry and not-so-subtle racism of Scotland, he stoically endures it all, waiting for his chance to finally return home. He’s wise and wonderful, good and honorable, and his perceptive and nurturing love for Libby is a highlight of the novel. Ms. Ashe’s masterful characterization of her principal characters (and secondary ones, for that matter) is supremely well done. The love affair between Ziyaeddin and Libby is one for the ages, and perhaps one of my favorite in Romancelandia. Sigh. If this novel doesn’t make you swoon, I don’t know what will.
Multi-layered, complex and wonderfully nuanced...
My full review is here: The Prince
Katharine Ashe hits only high notes in this memorable fourth book in the Devil’s Duke series. The Prince elevates two previously minor secondary characters – and my friends, the pairing is brilliant. He’s an exiled prince of a fictional Mediterranean realm, hidden away in Scotland and biding his time until he can return home; she’s an exceptionally clever and intelligent feminist ahead of her time determined to become a member of Edinburgh’s all-male Royal College of Surgeons. Everything about this union sparkles, from the ultra slow-burn of their friends-to-lovers relationship, to Ms. Ashe’s remarkable characterization of her two complex, flawed and fascinating principals, and the compelling (and mysterious) subplot that runs throughout. I’m an unabashed mega-fan of this author, but The Prince is one of her best yet. Although it’s fourth in the Devil’s Duke series (an offshoot of the Falcon Club series) and familiar characters make brief appearances, The Prince works well as a standalone novel.
Despite the fact that no women has ever been admitted to the Royal College of Surgeons, Elizabeth – Libby – Shaw is determined to attend. Libby’s spent a lifetime learning and practicing medicine alongside her doting doctor father, but she isn’t content to adhere to societal dictates about what she can and cannot do any longer. When The Prince opens, she’s exulting in her successful infiltration of the surgical theater – disguised as a man – until she spots a familiar face in the audience.
When Ziyaeddin Mirza, a famed portraitist in Edinburgh who goes by the pseudonym Ibrahim Kent, first met Libby (in The Duke) he was immediately captivated by her and her beautiful, sensual lips. He hasn’t forgotten them – or her – and when he spots them in the audience of the surgical theater, he’s shocked and curious as to what she’s doing there. He confronts Libby, and although she’s desperate that he not give her away, she doesn’t apologize for her behavior or reasons for attending. Ziyaeddin is sympathetic but doubtful she can pull off the subterfuge and enroll as a student.
Thrilled with her disguise, Libby is determined to repeat the experiment and study at the Royal College. With her father conveniently away in London, she approaches Ziyaeddin and asks if she can live with him. Ziyaeddin can’t help his infatuation with Libby and his attempts to capture her on paper have proved elusive. When she asks if she can live with him, he knows she risks ruination if her identity becomes known, and that controlling his desire for her won’t be easy but he agrees, on the condition that she sits for him and allows him to paint her.
The chemistry between our two principals is intense from the moment they meet outside the surgical theater. But Libby isn’t like any cross-dressing heroine you’ve read before. Ms. Ashe strongly contrasts her characterization of Libby as trainee surgeon – skilled, dedicated, at the top of her class and able to clearly see what lies beneath our skin and bones – with the woman trying and failing to understand simple human relationships. She’s flustered by her interactions with her fellow students (and annoyed by the other star student in her class) but determined to ‘fit in’ with them, and she’s bewildered by her host. Libby doesn’t understand her attraction to Ziyaeddin or why she feels the way she does about him. Her diligent attempts to do so – via science and medical textbooks, which she can usually rely on – fail to provide the answers she seeks, and her desire for him stymies her analytical and scientific mind. He’s kind but enigmatic, and her awkward, honest confessions about his handsome good looks and attractive body, seem to frustrate and anger him. But Libby – despite her frustration over her feelings for Ziyaeddin and his unwillingness to share anything about himself with her – is determined to understand him.
Ziyaeddin is similarly a study in contrasts. He’s frustrated by his long exile in Scotland and consumed with desire and lust for Libby. He longs to return home to Tabir and the family he was forced to leave behind, but circumstances – the complicated diplomatic maneuverings of the British government, and the danger to his family from his sister’s dangerous and powerful husband – preclude him from leaving. Although he’s famed for his talents as a portraitist, he wearies of his reputation as a handsome and exotic curiosity amongst the women and men of Edinburgh – a fascinating object of desire. Ziyaeddin can see the soul and spirit that lies within his portrait subjects – but the one person he struggles to capture is the one he knows best, Libby. Ziyaeddin longs to give into his attraction to her but knows that one day he’ll leave – and that Libby is struggling to understand who and what they are to each other. He’s kind and gentle, firm and strong, and his protective, nurturing – intense – love for Libby is beautiful.
Ziyaeddin and Libby flit in and out of each other’s orbit for the majority of the novel. It’s tortuous watching the interplay between them, knowing how deeply they love and desire each other. Libby presses for more from Ziyaeddin and he resists – knowing he will soon be leaving, but although The Prince is primarily focused on the fraught relationship between Ziyaedinn and Libby, there’s much more to this marvelously engaging novel. Yes, Libby is a brilliant surgeon ahead of her time, but her personal struggles bring the character to life and elevate the story. Today, Libby might be labeled as a high-functioning autistic with obsessive compulsive disorder. But in early nineteenth century Scotland, her struggles are demons and they nearly destroy her. Her demons, and difficulties overcoming them, along with her awkward interpersonal relationships, are profoundly moving and keenly realized by the author. Ziyaeddin’s character is similarly multifaceted – a muslim prince forced to endure the bigotry and not-so-subtle racism of Scotland, he stoically endures it all, waiting for his chance to finally return home. He’s wise and wonderful, good and honorable, and his perceptive and nurturing love for Libby is a highlight of the novel. Ms. Ashe’s masterful characterization of her principal characters (and secondary ones, for that matter) is supremely well done. The love affair between Ziyaeddin and Libby is one for the ages, and perhaps one of my favorite in Romancelandia. Sigh. If this novel doesn’t make you swoon, I don’t know what will.
Multi-layered, complex and wonderfully nuanced...
My full review is here: The Prince
January 19, 2019
"The Prince," by Katharine Ashe, is the fourth book of the Devil's Duke series. Sigh. I loved this book. It was achingly beautiful (#nojoke). I'm pretty sure it's one of the best romance novels I have EVER read (a welcome relief after a series of duds the past two months, which I won't bore you about).
It's about Libby (Elizabeth), a brilliantly intelligent woman who dreams of becoming a surgeon (she disguises herself as a man in order to attend medical school since female surgeons were unheard of at the time), and Ziyaeddin (I'm gonna call him Z, for short), an exiled Middle Eastern prince laying low in Scotland. He's waiting for the right moment to return home and reclaim his throne and free his people. While he's waiting, he makes a living as a portrait painter in Scotland. He first meets Libby when she is 17, and is instantly drawn to her and smitten (love at first sight and all that). Three years later, he spies an effeminate young man with Libby's features at a surgical lecture and figures out what she's up to. She confronts him and talks him into letting her crash at his place while she pursues her medical studies. Z knows that this is a really bad idea, but because he's head over heels in love, he lacks the wherewithal to tell her "no," and the two become roommates. His only requirement is that she sit for him once a week while he paints or makes sketches of her.
Sparks fly, and while Libby is excelling in her studies and willing to experience everything in life to the fullest (including her growing attraction to Z), Z is cautious because (1) he knows he can't stay in Scotland for the long term and (2) he doesn't want to do anything that might hurt Libby. He tries his best to avoid interacting her, but Libby is not one to be avoided and the conversation between the two is witty and fun, and sometimes sexy. Ultimately, Z's love for Libby trumps everything in his life, and he is willing to give up everything that he has prepared for in order to ascertain her happiness.
Then the story goes and gets even better, because although Z is willing to sacrifice himself (and his kingdom) for Libby's dreams, things work out in a manner that leaves Z an honorable man while also giving us a satisfying happily ever after as the two literally walk into the sunset holding hands.
See why I sigh? If Z isn't the ultimate Hero, I don't know who is. He has a really really important goal of returning to his homeland to free his people from an evil dictator. And he's willing to give all of that up for LOVE! I find that a lot of romance novels have either a really contrived plot line where the hero convinces himself he has to sacrifice his heart for something really stupid, like to take care of a parent who doesn't need to be taken care of, or where the hero convinces himself he's not deserving of love. Stories like that drag on and on and make me want to nap. Here, not only is Z actively trying to accomplish something lofty, but Libby, the heroine, also has something important that she wants to accomplish. And what's even better is that through hard work and sacrifice, BOTH characters are not only able to achieve their goals, but also live happily ever after together!!! I LOVE it when characters are active instead of bemoaning the fact that they are not deserving of love.
You need to read this book. Five Hundred Stars. It was totally worth the $4.99. Go get it. Here's the link: https://www.amazon.com/Prince-Devils-...
BTW: I get NOTHING from posting the link. I just really want you to read this book!
It's about Libby (Elizabeth), a brilliantly intelligent woman who dreams of becoming a surgeon (she disguises herself as a man in order to attend medical school since female surgeons were unheard of at the time), and Ziyaeddin (I'm gonna call him Z, for short), an exiled Middle Eastern prince laying low in Scotland. He's waiting for the right moment to return home and reclaim his throne and free his people. While he's waiting, he makes a living as a portrait painter in Scotland. He first meets Libby when she is 17, and is instantly drawn to her and smitten (love at first sight and all that). Three years later, he spies an effeminate young man with Libby's features at a surgical lecture and figures out what she's up to. She confronts him and talks him into letting her crash at his place while she pursues her medical studies. Z knows that this is a really bad idea, but because he's head over heels in love, he lacks the wherewithal to tell her "no," and the two become roommates. His only requirement is that she sit for him once a week while he paints or makes sketches of her.
Sparks fly, and while Libby is excelling in her studies and willing to experience everything in life to the fullest (including her growing attraction to Z), Z is cautious because (1) he knows he can't stay in Scotland for the long term and (2) he doesn't want to do anything that might hurt Libby. He tries his best to avoid interacting her, but Libby is not one to be avoided and the conversation between the two is witty and fun, and sometimes sexy. Ultimately, Z's love for Libby trumps everything in his life, and he is willing to give up everything that he has prepared for in order to ascertain her happiness.
Then the story goes and gets even better, because although Z is willing to sacrifice himself (and his kingdom) for Libby's dreams, things work out in a manner that leaves Z an honorable man while also giving us a satisfying happily ever after as the two literally walk into the sunset holding hands.
See why I sigh? If Z isn't the ultimate Hero, I don't know who is. He has a really really important goal of returning to his homeland to free his people from an evil dictator. And he's willing to give all of that up for LOVE! I find that a lot of romance novels have either a really contrived plot line where the hero convinces himself he has to sacrifice his heart for something really stupid, like to take care of a parent who doesn't need to be taken care of, or where the hero convinces himself he's not deserving of love. Stories like that drag on and on and make me want to nap. Here, not only is Z actively trying to accomplish something lofty, but Libby, the heroine, also has something important that she wants to accomplish. And what's even better is that through hard work and sacrifice, BOTH characters are not only able to achieve their goals, but also live happily ever after together!!! I LOVE it when characters are active instead of bemoaning the fact that they are not deserving of love.
You need to read this book. Five Hundred Stars. It was totally worth the $4.99. Go get it. Here's the link: https://www.amazon.com/Prince-Devils-...
BTW: I get NOTHING from posting the link. I just really want you to read this book!
June 10, 2018
After the freaking awesomeness of The Earland the enjoyable and fascinating follow-up, The Duke, I have to confess this book was bit of a let-down.
Complex characters, an interesting story with a fascinating backstory of how difficult it was for a woman to study medicine or become a doctor in England in the 19th century and an angst-ridden romance.
I felt, though, that it was all a bit too much. The heroine seems to either have OCD or is on the spectrum, so we have that. She also dresses and plays a man, to be able to study medicine. The hero is an exiled, in-hiding half-Muslim prince from an imaginary small kingdom caught in the power-play between Russia, Turkey and I think it was Iran/Persia. He is also a celebrated portrait artist. With a permanent disability (he has a prosthetic leg below one of his knees).
Can you see what I mean?
The writing was great, as always, the research impeccable and the issues that Ashe explores are fascinating. But- and it is rather big but- I found the heroine and her personality exhausting. Geez, I wouldn't want to take her on!
Our prince, however, is an absolute sweetie and the ending, while I found it a bit rushed, was heart-warming.
I appreciate authors who try to incorporate important social issues or influential historical and political events into their HR. I love that, and always prefer a story with a message or a commentary on something important. I'm bored witless by vacuous descriptions of balls and dresses. I layered and complex characters struggling for happiness in vibrant, authentic historical contexts.
I just couldn't connect with the heroine as much as I would have liked, and found the hero almost too accommodating of her oddness.
Oh well, Maybe it's just a case of: it's not the book. It's just me.
Complex characters, an interesting story with a fascinating backstory of how difficult it was for a woman to study medicine or become a doctor in England in the 19th century and an angst-ridden romance.
I felt, though, that it was all a bit too much. The heroine seems to either have OCD or is on the spectrum, so we have that. She also dresses and plays a man, to be able to study medicine. The hero is an exiled, in-hiding half-Muslim prince from an imaginary small kingdom caught in the power-play between Russia, Turkey and I think it was Iran/Persia. He is also a celebrated portrait artist. With a permanent disability (he has a prosthetic leg below one of his knees).
Can you see what I mean?
The writing was great, as always, the research impeccable and the issues that Ashe explores are fascinating. But- and it is rather big but- I found the heroine and her personality exhausting. Geez, I wouldn't want to take her on!
Our prince, however, is an absolute sweetie and the ending, while I found it a bit rushed, was heart-warming.
I appreciate authors who try to incorporate important social issues or influential historical and political events into their HR. I love that, and always prefer a story with a message or a commentary on something important. I'm bored witless by vacuous descriptions of balls and dresses. I layered and complex characters struggling for happiness in vibrant, authentic historical contexts.
I just couldn't connect with the heroine as much as I would have liked, and found the hero almost too accommodating of her oddness.
Oh well, Maybe it's just a case of: it's not the book. It's just me.
May 30, 2018
Generally speaking, I usually pass on books where a woman disguises herself as a man in order to achieve her goals because most of the time they are so fantastically far-fetched that I end up with headaches from rolling my eyes in disbelief so much. Not here, not with Libby. She was such a unique woman to begin with that pretending to be anything but a woman of the ton wasn’t hard to believe. She was both endearing and sensual and her oddities make her a refreshing, different character, setting her apart from other bluestockings. As a matter of fact, Libby is on a whole other level of heroine archetype all by herself.
Ziyaeddin became captivated by Elizabeth when they first met so when she asked for his help he knew there would be trouble ahead. In spite of their obvious attraction, he tries to keep their relationship as distant as possible, not only because he knows his future is yet to be determined but because he knows of her dreams and doesn’t want to be in the way of them (if that’s not sexy I don’t know what is.) All that sexual tension was just as frustrating for the characters as it was for me as a reader! Yet what I loved the most about his character was that his always cool demeanor was able to reel Libby’s mind back in from the chaos it sometimes was proving once more that a man doesn’t have to be dominant or possessive to be the perfect hero.
Secondary characters were a true delight. They all added that perfect touch of variety to keep the story moving, and the fact that both Libby and Ziyaeddin had overcome many of their initial fears made the story even more memorable. And that epilogue! I don’t think I’ve ever read one full of so many emotions and feelings. With a heart-melting, enthralling storyline; complex and larger-than-life characters; and the perfect history backdrop this book is for sure an instant re-read.
**I received this book at no cost to me and I volunteered to read it; this is my honest opinion and given without any influence by the author or publisher.**
Ziyaeddin became captivated by Elizabeth when they first met so when she asked for his help he knew there would be trouble ahead. In spite of their obvious attraction, he tries to keep their relationship as distant as possible, not only because he knows his future is yet to be determined but because he knows of her dreams and doesn’t want to be in the way of them (if that’s not sexy I don’t know what is.) All that sexual tension was just as frustrating for the characters as it was for me as a reader! Yet what I loved the most about his character was that his always cool demeanor was able to reel Libby’s mind back in from the chaos it sometimes was proving once more that a man doesn’t have to be dominant or possessive to be the perfect hero.
Secondary characters were a true delight. They all added that perfect touch of variety to keep the story moving, and the fact that both Libby and Ziyaeddin had overcome many of their initial fears made the story even more memorable. And that epilogue! I don’t think I’ve ever read one full of so many emotions and feelings. With a heart-melting, enthralling storyline; complex and larger-than-life characters; and the perfect history backdrop this book is for sure an instant re-read.
**I received this book at no cost to me and I volunteered to read it; this is my honest opinion and given without any influence by the author or publisher.**
May 28, 2018
K. Ashe landed among the stars, 5 star reviews, with this book. I have two favorite books; this is one of them. You can tell the author did her research on this novel; the nuances of the characters are spot on. Ziyaeddin, the Prince, is also an artist. His point of view, is seen through a true artist’s eyes—the descriptions and casual interlacing of actual ‘artist colors’ like ‘raw sienna’ speaks to real artisans. This was a joy to read with such depiction of reality in the characters, the storyline overall, and the creativity of the composition.
Libby Shaw, a trailblazer of her time, paved the way for the women in the medical field today. It is unique to see through the eyes of those who prepared the road for females in the medical field now. Libby goes to great lengths to pursue her surgeon dreams…dressing as a male, living with a Prince practically alone, and tries to blend in by joining the guys at the pub after classes. She is a truly unique heroine and one genuinely appreciated in this genre. I absolutely love strong headed lead women, even the ones that get in their own way…because of being too smart or pure ambition/drive. They make for some interesting situations, often comical, in novels like this one. The romance and physical tension is well done also; it is a great balance of storyline and romance/intimacy (and the build-up). This book is a real page turner as well. I read it in 2 days.
Overall, the storyline is unique with strong believable characters, references to medical knowledge but not overly done, and it tops off a great Devil’s Duke Series as the fourth book (The Rogue, The Earl, and The Duke (where these two character meet for the first time)). I highly recommend this book to the Historical Romance readers and those who appreciate strong (feminist/activist) female leaders across genres. Definitely one of K. Ashe’s best books…if not the best.
Libby Shaw, a trailblazer of her time, paved the way for the women in the medical field today. It is unique to see through the eyes of those who prepared the road for females in the medical field now. Libby goes to great lengths to pursue her surgeon dreams…dressing as a male, living with a Prince practically alone, and tries to blend in by joining the guys at the pub after classes. She is a truly unique heroine and one genuinely appreciated in this genre. I absolutely love strong headed lead women, even the ones that get in their own way…because of being too smart or pure ambition/drive. They make for some interesting situations, often comical, in novels like this one. The romance and physical tension is well done also; it is a great balance of storyline and romance/intimacy (and the build-up). This book is a real page turner as well. I read it in 2 days.
Overall, the storyline is unique with strong believable characters, references to medical knowledge but not overly done, and it tops off a great Devil’s Duke Series as the fourth book (The Rogue, The Earl, and The Duke (where these two character meet for the first time)). I highly recommend this book to the Historical Romance readers and those who appreciate strong (feminist/activist) female leaders across genres. Definitely one of K. Ashe’s best books…if not the best.
May 25, 2018
Elizabeth (Libby) Shaw wants to be a doctor like her father. Her father has gone to London for several months and she sees this as an opportunity to go to medical school. Women aren’t allowed in medical school, so she dresses as a young man and uses the name Joseph Smart. She hopes to be an apprentice to a surgeon. While watching a public dissection she meets some other students and one of them, Archie, invites her to go to the pub with him and his friends. As she’s leaving, she notices a man she met two years ago, the artist Ibrahim Kent, and realizes he recognizes her. He follows her and agrees to keep her secret.
Ziyaeddin Mirza, is a mid-eastern Prince in exile using the name Ibrahim Kent. He makes a living from his fabulous paintings. He lost part of his leg and is in pain quite a lot. His sister is still in his homeland and sends a letter to him through a trusted source. She wants him to stay in Scotland until the time is right to come home. Libby decides to move in with him, so she can study in her disguise. He tries to say no but gives in to her. He paints and she studies medicine as they fall in love. Libby sees how hard it is for him to walk and makes him a more functional prosthetic leg.
Then comes the day he must return to his homeland. He gives Libby his house, so she can continue her studies.
There is a lot more going on in this book that I will not spoil. Mystery to solve, Libby’s issues and wondering if he’ll ever return to Scotland. Don’t worry, there is a HEA! I hope you’ll read this wonderful book. I loved it. Katharine Ashe is an automatic buy for me.
Ziyaeddin Mirza, is a mid-eastern Prince in exile using the name Ibrahim Kent. He makes a living from his fabulous paintings. He lost part of his leg and is in pain quite a lot. His sister is still in his homeland and sends a letter to him through a trusted source. She wants him to stay in Scotland until the time is right to come home. Libby decides to move in with him, so she can study in her disguise. He tries to say no but gives in to her. He paints and she studies medicine as they fall in love. Libby sees how hard it is for him to walk and makes him a more functional prosthetic leg.
Then comes the day he must return to his homeland. He gives Libby his house, so she can continue her studies.
There is a lot more going on in this book that I will not spoil. Mystery to solve, Libby’s issues and wondering if he’ll ever return to Scotland. Don’t worry, there is a HEA! I hope you’ll read this wonderful book. I loved it. Katharine Ashe is an automatic buy for me.
June 1, 2018
Libby and Her Prince
Katharine Ashe has left me breathless once again. This intricate tale is torn from the archives of history.
Elizabeth "Libby" Shaw has always been an adorable odd duck. I've enjoyed her single minded determination in the prior books of this series. Here she takes center stage. In every instance where it appears that Libby's words and actions are incongruent with the times, we need only look to the historical examples presented in the author's notes.
Her hero is a "to die for" drop dead gorgeous man who captures the human soul and spirit on canvas. He harbors a dangerous secret about his identity, yet moves freely in Edinburgh society under an assumed name. Their mutual longing for one another is palpable. They sizzle on the page.
The romance was breathtaking. I could not put this book down. I wanted to know what happens next. Although, this book's characters appear throughout the series, this tale can be read as a standalone.
Katharine Ashe writes intelligent romance. I want to be her when I grow up. You will need to put your thinking cap on and be prepared to do your research as you delve into this story. You will learn much and enjoy the journey. Her style is anything but pedantic and professorial, so be prepared to be enchanted.
Katharine Ashe has left me breathless once again. This intricate tale is torn from the archives of history.
Elizabeth "Libby" Shaw has always been an adorable odd duck. I've enjoyed her single minded determination in the prior books of this series. Here she takes center stage. In every instance where it appears that Libby's words and actions are incongruent with the times, we need only look to the historical examples presented in the author's notes.
Her hero is a "to die for" drop dead gorgeous man who captures the human soul and spirit on canvas. He harbors a dangerous secret about his identity, yet moves freely in Edinburgh society under an assumed name. Their mutual longing for one another is palpable. They sizzle on the page.
The romance was breathtaking. I could not put this book down. I wanted to know what happens next. Although, this book's characters appear throughout the series, this tale can be read as a standalone.
Katharine Ashe writes intelligent romance. I want to be her when I grow up. You will need to put your thinking cap on and be prepared to do your research as you delve into this story. You will learn much and enjoy the journey. Her style is anything but pedantic and professorial, so be prepared to be enchanted.
April 13, 2018
I received an ARC of this book for an honest review
Another great book by Katharine Ashe.
What great characters and secondary characters, this story was engaging and delightful.
Elizabeth Shaw wants to be a surgeon more than anything. She lives in a time period where men are the only surgeons. She comes up with a plan to pretend to be a man, so that she can achieve her dream. SHE needs the famous portraitist, Ibrahim Kent, to help her with her plans. This author writes great historical fiction. She is well versed in the background knowledge. In this book, she not only tells a great story, but she gives the characters real issues. Libby has a condition that is known about today that people don't like to acknowledge, but this character makes it real in her time period. She is a strong female that needs the strong male at her side. I loved how friends of the characters also played a big part in this book.
Another great book by Katharine Ashe.
What great characters and secondary characters, this story was engaging and delightful.
Elizabeth Shaw wants to be a surgeon more than anything. She lives in a time period where men are the only surgeons. She comes up with a plan to pretend to be a man, so that she can achieve her dream. SHE needs the famous portraitist, Ibrahim Kent, to help her with her plans. This author writes great historical fiction. She is well versed in the background knowledge. In this book, she not only tells a great story, but she gives the characters real issues. Libby has a condition that is known about today that people don't like to acknowledge, but this character makes it real in her time period. She is a strong female that needs the strong male at her side. I loved how friends of the characters also played a big part in this book.
May 31, 2018
The romance between Libby and Ziyaeddin was built over time. There was plenty of chemistry and tension between them. I liked how these two brilliant yet imperfect individuals were brought together to find love. They both accepted each other the way they were and were willing to sacrifice themselves for one another. Ziyaeddin was the perfect hero doing everything he could to support her ambition to become a surgeon. I liked how Libby was aware that she didn’t handle social conversations well and acknowledged it.
We were introduced to these characters in earlier books but this book can be read standalone.
Once I started reading this book, I was unable to put it down. Katherine Ashe created wonderful characters and a plot that kept me engaged in The Prince.
We were introduced to these characters in earlier books but this book can be read standalone.
Once I started reading this book, I was unable to put it down. Katherine Ashe created wonderful characters and a plot that kept me engaged in The Prince.
May 26, 2018
I absolutely loved this beautiful and original book by Katharine. The amount of research that went into this story is amazing. I expect no less from this author. This book is inspired by a real-life woman who disguised herself as a man to become a Doctor. In the year 1825 in England woman were not allowed to have a trade, anything that was outside of their homes was considered too complex for the fragile feminine brain. There was a lot of woman with more intelligence than men, but they were considered abnormal or a bluestocking to be avoided at all costs. This is not to say that there were no enlightened men, but they were few and far between.
Libby Shaw is a young lady determined, she is a force to be reckoned with. The daughter of a Doctor who grew up without the influence of a mother. Libby is going to become the best surgeon in Edinburgh, Scotland or die trying.
She has been fascinated with medicine and the human body since she was old enough to understand what her father did for a living. She went with him to house calls and assisted him in his office. When her father leaves her in Edinburgh with friends while he accepts a year-long post in London, she decides it is time to begin her education as a surgeon. She disguises herself as a man to attend lectures and wants to be accepted as a student of a surgeon. To pull off her disguise she must live someone who knows she is a girl and can keep her secret.
Ziyaeddin Mirza is a deposed Prince of Tabir, a small Middle Eastern country. He was forced to flee with his mother as a child when his father was killed in a coup. He has been waiting for the moment when he can go back and take his place on the throne and rescue his sister. For now, he must bide his time and having discovered a rare and wonderful talent, he paints portraits and is very popular and sought after. When he sees Libby disguised as a man at a surgeons theater watching a human dissection he is intrigued. They met briefly years ago and he was fascinated by her and as an artist obsessed with capturing her image, especially her lips, which he could never get right. Now she has an outrageous plan to become a medical student and she needs his help. She convinces him to let her live with him disguised as a man and he agrees knowing that it is the only way to keep an eye on her and keep her out of trouble.
Ziyaeddin is determined to resist Libby's siren call and protect her from his desire for her. Libby has other ideas. She wants him and she never gives up when she wants something. When Ziyaeddin has to go to London for a few days, Libby is left alone in the house. Libby doesn't do well with sudden changes, she has had episodes of irrational behavior when she feels compelled to do everything exactly right and will keep doing it again and again until she gets it right. If she can't she shuts down goes inside herself until she can cope again. When Ziyaeddin returns and finds her crawled up in a ball in his bed he realizes how much he loves her. Libby is astounded that Ziyaeddin understands what is happening to her and wants to help her any way he can. What Libby experiences is like an anxiety attack. In 1825 Doctors called these episodes hysteria, which would get you declared insane and put in Bedlam.
I already have given away more of the plot than I usually do in my reviews, but what Libby goes through is an important part of the love story. Libby knows that he will have to leave to go back to his country. Ziyaeddin has commitments that require his presence in his homeland. Will this be the end of their love affair? There is so much more to this story than I can ever explain in a review. It is a riveting read from beginning to end. If you have never read a book by Katharine, this is the one you should start with, even though it is the fourth book in the series. I guarantee you will be hooked like I am. Katharine weaves a tale of two people who should never have even met in the normal course of their lives and the journey they take will affect more than just them. Katharine is an amazing talent in the Historical Romance Genre and every book she writes is more creative and ingenious than the last. This book is a must-read!
Libby Shaw is a young lady determined, she is a force to be reckoned with. The daughter of a Doctor who grew up without the influence of a mother. Libby is going to become the best surgeon in Edinburgh, Scotland or die trying.
She has been fascinated with medicine and the human body since she was old enough to understand what her father did for a living. She went with him to house calls and assisted him in his office. When her father leaves her in Edinburgh with friends while he accepts a year-long post in London, she decides it is time to begin her education as a surgeon. She disguises herself as a man to attend lectures and wants to be accepted as a student of a surgeon. To pull off her disguise she must live someone who knows she is a girl and can keep her secret.
Ziyaeddin Mirza is a deposed Prince of Tabir, a small Middle Eastern country. He was forced to flee with his mother as a child when his father was killed in a coup. He has been waiting for the moment when he can go back and take his place on the throne and rescue his sister. For now, he must bide his time and having discovered a rare and wonderful talent, he paints portraits and is very popular and sought after. When he sees Libby disguised as a man at a surgeons theater watching a human dissection he is intrigued. They met briefly years ago and he was fascinated by her and as an artist obsessed with capturing her image, especially her lips, which he could never get right. Now she has an outrageous plan to become a medical student and she needs his help. She convinces him to let her live with him disguised as a man and he agrees knowing that it is the only way to keep an eye on her and keep her out of trouble.
Ziyaeddin is determined to resist Libby's siren call and protect her from his desire for her. Libby has other ideas. She wants him and she never gives up when she wants something. When Ziyaeddin has to go to London for a few days, Libby is left alone in the house. Libby doesn't do well with sudden changes, she has had episodes of irrational behavior when she feels compelled to do everything exactly right and will keep doing it again and again until she gets it right. If she can't she shuts down goes inside herself until she can cope again. When Ziyaeddin returns and finds her crawled up in a ball in his bed he realizes how much he loves her. Libby is astounded that Ziyaeddin understands what is happening to her and wants to help her any way he can. What Libby experiences is like an anxiety attack. In 1825 Doctors called these episodes hysteria, which would get you declared insane and put in Bedlam.
I already have given away more of the plot than I usually do in my reviews, but what Libby goes through is an important part of the love story. Libby knows that he will have to leave to go back to his country. Ziyaeddin has commitments that require his presence in his homeland. Will this be the end of their love affair? There is so much more to this story than I can ever explain in a review. It is a riveting read from beginning to end. If you have never read a book by Katharine, this is the one you should start with, even though it is the fourth book in the series. I guarantee you will be hooked like I am. Katharine weaves a tale of two people who should never have even met in the normal course of their lives and the journey they take will affect more than just them. Katharine is an amazing talent in the Historical Romance Genre and every book she writes is more creative and ingenious than the last. This book is a must-read!
May 13, 2018
THE PRINCE is the last book (?) in the Devil’s Duke series, and having read the previous ones, I had to read this one, although the woman-disguised-as-a-man is one of my least favourite tropes, and I had also I recently read another novel with a similar premise. Well, I’m pleased to say that Katharine Ashe made it work. Libby Shaw, daughter of the illustrious forensic physician John Shaw, has decided that will become a surgeon regardless of the fact that women are not allowed to pursue the required studies. She needs to hide her real identity, and who better than the attractive man she had met two and a half years ago to help her: famous portraitist Ibrahim Kent – Prince in exile Ziyaeddin Mizra. She has a deal for him, which will make it a very difficult enterprise because Ziyaeddin has never forgotten those lips, which he has never managed to paint to his satisfaction.
Based on historical facts, THE PRINCE is a sweeping saga, as well as a feminist fairytale. Through Libby, we experience the impossibility for women to become physicians in the early 1800s, as well as all the intricacies of the medical profession, prosthetics (which was fascinating), the Resurrectionists, and the global political situation at the time – real and fictitious. Ms. Ashe has obviously done a tremendous amount of research, but I admit I was confused by the use of “Iran”, since Persia only adopted that name in 1935, 110 years after the beginning of the story; I had understood that during the Regency era it was known as Persia. Ziyaeddin and Libby have been attracted to each other since they first met, and it was striking how different they were: Ziyaeddin is calmness personified and a man of few words, while Libby is effervescent, tenacious, and a chatterbox; Ms. Ashe succeeded so well as conveying Libby’s bubbliness in her lines of dialogues that I could hear Libby talking a mile a minute, and honestly, she would have driven me batty at the beginning; thank goodness, she calmed down at some point. I’m not exactly sure why the OCD episode – at least, that’s what it appeared to me – was included, unless it was to show that Libby had a “flaw” (I’m not aiming to be politically incorrect her, only that Libby seemed at times a little too perfect.).
Katharine Ashe’s prose is always impeccable, the dialogue natural and clever, and the characters very well-defined; some secondary characters were particularly charming, Archie for instance and Coira. I was a bit surprised that Libby’s agreeing to pose for Ziyaeddin did not go as I expected – for which I was thankful. The romance progressed organically, and it was a relief that Ziyaeddin was not an arrogant hero, and the romance is lovely. The abundance of details made the environment and the era come to life, although I feel some things could have been condensed a little. Nevertheless, THE PRINCE is a fine addition to this series, and even though some characters from the first three books make brief appearances, it stands perfectly on its own. In fact, had it been shortened a bit, it could have been the start of a whole new series; there is that much material in this novel.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own.
I give 3 1/2 stars.
Based on historical facts, THE PRINCE is a sweeping saga, as well as a feminist fairytale. Through Libby, we experience the impossibility for women to become physicians in the early 1800s, as well as all the intricacies of the medical profession, prosthetics (which was fascinating), the Resurrectionists, and the global political situation at the time – real and fictitious. Ms. Ashe has obviously done a tremendous amount of research, but I admit I was confused by the use of “Iran”, since Persia only adopted that name in 1935, 110 years after the beginning of the story; I had understood that during the Regency era it was known as Persia. Ziyaeddin and Libby have been attracted to each other since they first met, and it was striking how different they were: Ziyaeddin is calmness personified and a man of few words, while Libby is effervescent, tenacious, and a chatterbox; Ms. Ashe succeeded so well as conveying Libby’s bubbliness in her lines of dialogues that I could hear Libby talking a mile a minute, and honestly, she would have driven me batty at the beginning; thank goodness, she calmed down at some point. I’m not exactly sure why the OCD episode – at least, that’s what it appeared to me – was included, unless it was to show that Libby had a “flaw” (I’m not aiming to be politically incorrect her, only that Libby seemed at times a little too perfect.).
Katharine Ashe’s prose is always impeccable, the dialogue natural and clever, and the characters very well-defined; some secondary characters were particularly charming, Archie for instance and Coira. I was a bit surprised that Libby’s agreeing to pose for Ziyaeddin did not go as I expected – for which I was thankful. The romance progressed organically, and it was a relief that Ziyaeddin was not an arrogant hero, and the romance is lovely. The abundance of details made the environment and the era come to life, although I feel some things could have been condensed a little. Nevertheless, THE PRINCE is a fine addition to this series, and even though some characters from the first three books make brief appearances, it stands perfectly on its own. In fact, had it been shortened a bit, it could have been the start of a whole new series; there is that much material in this novel.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own.
I give 3 1/2 stars.
May 15, 2018
The Prince is the fourth book in the Devil's Duke series by Katharine Ashe. It can easily be read as a standalone book.
Elizabeth Shaw (Libby) wants nothing more in life than to be a surgeon. A profession that women are allowed no part of as it is a male-only field. When her father is called away for a year she decides to use that time to qualify to become a surgeon. In order to do that she has to dress and act as a man which she is more than willing to do.
Ziyaeddin Mizra is an exiled Prince living in Edinburgh until it is safe to return home. He makes his living as Ibrahim Kent, a famous portrait artist. He met Libby once a few years ago and has never been able to forget her 'perfect lips'. When he sees a young man in a medical seminar he immediately recognises her as Libby and lets her know that he knows who she is. She explains what she is doing and why and he is happy to keep her secret. He also offers up his home to her to stay in so that she can be seen coming and going as a gentleman which she couldn't do if she stayed with friends. The only thing he wants in return is for her to sit for him for one hour a week for him to capture her likeness, including those perfect lips.
What follows is a fabulous story with so much going on in it that once I started to read it I did not want to put it down. There is the subterfuge that poor Libby has to go through in order to prove that she has what it takes to be a surgeon despite her gender. Then there is Ziyaeddin who has been through so much during the military coup where his family were overthrown and he had to seek exile. His sister is still in danger, and he knows he will have to return to fight at some point to gain back the throne. Libby and Ziyaeddin are fighting the strongest attraction to each other because of their circumstances, but when they finally give in to their first kiss, oh my goodness, their passion was almost palpable. WOW. So, yes, all in all, this book had it all, and I cannot recommend it highly enough. What makes this book even better is that a lot of it is based on fact, on real people, which the author explains in her notes at the end of the book. Again I just have to say WOW. If all the books in this series are as good as this one, then I am definitely going to be reading them all!!
I voluntarily read an advanced readers' copy of this book.
Elizabeth Shaw (Libby) wants nothing more in life than to be a surgeon. A profession that women are allowed no part of as it is a male-only field. When her father is called away for a year she decides to use that time to qualify to become a surgeon. In order to do that she has to dress and act as a man which she is more than willing to do.
Ziyaeddin Mizra is an exiled Prince living in Edinburgh until it is safe to return home. He makes his living as Ibrahim Kent, a famous portrait artist. He met Libby once a few years ago and has never been able to forget her 'perfect lips'. When he sees a young man in a medical seminar he immediately recognises her as Libby and lets her know that he knows who she is. She explains what she is doing and why and he is happy to keep her secret. He also offers up his home to her to stay in so that she can be seen coming and going as a gentleman which she couldn't do if she stayed with friends. The only thing he wants in return is for her to sit for him for one hour a week for him to capture her likeness, including those perfect lips.
What follows is a fabulous story with so much going on in it that once I started to read it I did not want to put it down. There is the subterfuge that poor Libby has to go through in order to prove that she has what it takes to be a surgeon despite her gender. Then there is Ziyaeddin who has been through so much during the military coup where his family were overthrown and he had to seek exile. His sister is still in danger, and he knows he will have to return to fight at some point to gain back the throne. Libby and Ziyaeddin are fighting the strongest attraction to each other because of their circumstances, but when they finally give in to their first kiss, oh my goodness, their passion was almost palpable. WOW. So, yes, all in all, this book had it all, and I cannot recommend it highly enough. What makes this book even better is that a lot of it is based on fact, on real people, which the author explains in her notes at the end of the book. Again I just have to say WOW. If all the books in this series are as good as this one, then I am definitely going to be reading them all!!
I voluntarily read an advanced readers' copy of this book.
May 29, 2018
History professor/historical romance author, Katharine Ashe brings the past into the contemporary with an understanding of human nature and historical facts. Her novels are rich in history with a modern relevance.
The Prince is a timeless story of the heart versus dreams and responsibility.
Mr. Kent (The Prince Ziyaeddin of Tabir) is in exile, making his way in the world as a renowned artist. He meets the inexhaustible Libby/Elizabeth Shaw at the devil duke’s home in The Duke and he has never forgotten her.
Dressed as Mr. Smart, Libby sits among the medical students during a public dissection. No one realizes the boy with the wild whiskers isn’t a lad at all. She has accomplished the impossible, a woman in the operating theater in Edinburg. Until she sees Mr. Kent and realizes he recognizes her.
The daughter of a doctor, it is Libby’s dream to become as surgeon but no one will accept a woman as a surgical apprentice. Women aren’t even allowed to study medicine.
Mr. Kent is awaiting the moment when he can return home and free his sister and his country from the people who assassinated his parents.
The Prince is a story about people risking everything to accomplish a dream and forfeiting it all for love. It is a story of friendship, respect and following your heart despite others’ expectations. These extraordinary characters face insurmountable odds.
This is Katharine’s best work so far. These characters are unique yet familiar. As a reader, I’m rooting for Kent and Shaw to get together yet that seems impossible. How can they accomplish their dreams and responsibilities if they give into their desires? The emotional rollercoaster ride brings us closer to this amazing couple and the other characters who support their story.
I’m so thankful for happy endings but it wasn’t the ending I expected.
If you’re a history buff like I am, reading the historical notes Katharine provides for readers is just as much fun as the stories they inspired. It is one of my favorite things about reading her books.
The Prince is a timeless story of the heart versus dreams and responsibility.
Mr. Kent (The Prince Ziyaeddin of Tabir) is in exile, making his way in the world as a renowned artist. He meets the inexhaustible Libby/Elizabeth Shaw at the devil duke’s home in The Duke and he has never forgotten her.
Dressed as Mr. Smart, Libby sits among the medical students during a public dissection. No one realizes the boy with the wild whiskers isn’t a lad at all. She has accomplished the impossible, a woman in the operating theater in Edinburg. Until she sees Mr. Kent and realizes he recognizes her.
The daughter of a doctor, it is Libby’s dream to become as surgeon but no one will accept a woman as a surgical apprentice. Women aren’t even allowed to study medicine.
Mr. Kent is awaiting the moment when he can return home and free his sister and his country from the people who assassinated his parents.
The Prince is a story about people risking everything to accomplish a dream and forfeiting it all for love. It is a story of friendship, respect and following your heart despite others’ expectations. These extraordinary characters face insurmountable odds.
This is Katharine’s best work so far. These characters are unique yet familiar. As a reader, I’m rooting for Kent and Shaw to get together yet that seems impossible. How can they accomplish their dreams and responsibilities if they give into their desires? The emotional rollercoaster ride brings us closer to this amazing couple and the other characters who support their story.
I’m so thankful for happy endings but it wasn’t the ending I expected.
If you’re a history buff like I am, reading the historical notes Katharine provides for readers is just as much fun as the stories they inspired. It is one of my favorite things about reading her books.
June 1, 2018
Ratings. I struggle. Is this book a technical masterpiece, a shining example of literary excellence? No, but then I’m not expecting that. That’s not to say it’s not wonderfully written, because it is. Katharaine Ashe always delivers on dialogue and her adjective use, unlike mine, is exactly right.
I loved it. I loved the characters, I loved the story, I loved the prose, I loved the chemistry between Libby and Ziyaeddin. There’s no unnecessary flaunting of couples from previous books in the series, and not a blessed plot moppet to be found anywhere. I have quibbles about the ending and how conveniently it was wrapped up, but it at least didn’t have any random drama thrown in unexpectedly like a The Duke did.
Is it the best book I’ve ever read? No. It’s not even as good as the Rogue, which is in my top 5 HRs, but it’s still a damn sight above other offerings right now within the genre. I’m so happy it was so good, and so sad I have to wait so long for another.
I loved it. I loved the characters, I loved the story, I loved the prose, I loved the chemistry between Libby and Ziyaeddin. There’s no unnecessary flaunting of couples from previous books in the series, and not a blessed plot moppet to be found anywhere. I have quibbles about the ending and how conveniently it was wrapped up, but it at least didn’t have any random drama thrown in unexpectedly like a The Duke did.
Is it the best book I’ve ever read? No. It’s not even as good as the Rogue, which is in my top 5 HRs, but it’s still a damn sight above other offerings right now within the genre. I’m so happy it was so good, and so sad I have to wait so long for another.
May 29, 2018
4.5/5
Really liked this one! 4th in a series and may be my favorite yet. Not your typical historical romance. Libby (who exhibits signs of high-functioning autism) is brilliant and desperately wants to become a surgeon (which is prohibited women at that time) and will do anything to realize her dream. Ziyaeddin is an ousted heir to a throne living incognito in Edinburgh. Zi is a very patient, understanding character who has lived through some horrible events in his life. I loved that there was a slow build up here, even though both characters (especially Zi), are both pretty much attracted to the other from the beginning. It’s a story of overcoming obstacles and prejudices and ultimately finding home and what’s really important in life. Very satisfying read.
Really liked this one! 4th in a series and may be my favorite yet. Not your typical historical romance. Libby (who exhibits signs of high-functioning autism) is brilliant and desperately wants to become a surgeon (which is prohibited women at that time) and will do anything to realize her dream. Ziyaeddin is an ousted heir to a throne living incognito in Edinburgh. Zi is a very patient, understanding character who has lived through some horrible events in his life. I loved that there was a slow build up here, even though both characters (especially Zi), are both pretty much attracted to the other from the beginning. It’s a story of overcoming obstacles and prejudices and ultimately finding home and what’s really important in life. Very satisfying read.
May 29, 2018
I love Katharine Ashe's books and I already can't wait for the next book. This story is about Libby Shaw and she refuses to accept society's rules. She is determined to become a member of Edinburgh’s all-male Royal College of Surgeons and has been dressing up like a man. She fools everyone but one man, who has never forgotten her lips. Ziyaeddin is an exiled prince, who was forced to leave home as a boy. When he first met Libby, he memorized by her. But when Libby asks his help to hide her identity from the world, but she has to sit for him to paint a portrait. I thought this book was very good.
June 4, 2018
4.5 stars
I loved the slow burning romance and characters, but the ending was a little bit too rushed and didn't really satisfy me in the end.
I loved the slow burning romance and characters, but the ending was a little bit too rushed and didn't really satisfy me in the end.
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