Har menneskehetens frigjøringsprosess ført til dens fangenskap? Adorno og Horkheimer argumenterer for at det vestlige opplysningsprosjektet med nødvendighet slår om i irrasjonalitet. I stedet for at menneskeheten frir seg fra naturens undertrykkelse, synker den hen i en ny form for barbari. Med eksempler fra homeriske epos og Hollywoods filmer til nazistenes konsentrasjonsleire og moderne reklameindustri finner forfatterne forbindelser mellom mytologi, fascisme og vår tids massekultur. Opplysningens dialektikk er en historiefilosofisk klassiker og regnes av mange som den kritiske teoris bibel. Den ble utgitt for første gang i 1947.
Theodor Wiesengrund Adorno was one of the most important philosophers and social critics in Germany after World War II. Although less well known among anglophone philosophers than his contemporary Hans-Georg Gadamer, Adorno had even greater influence on scholars and intellectuals in postwar Germany. In the 1960s he was the most prominent challenger to both Sir Karl Popper's philosophy of science and Martin Heidegger's philosophy of existence. Jürgen Habermas, Germany's foremost social philosopher after 1970, was Adorno's student and assistant. The scope of Adorno's influence stems from the interdisciplinary character of his research and of the Frankfurt School to which he belonged. It also stems from the thoroughness with which he examined Western philosophical traditions, especially from Kant onward, and the radicalness to his critique of contemporary Western society. He was a seminal social philosopher and a leading member of the first generation of Critical Theory.
Unreliable translations hampered the initial reception of Adorno's published work in English speaking countries. Since the 1990s, however, better translations have appeared, along with newly translated lectures and other posthumous works that are still being published. These materials not only facilitate an emerging assessment of his work in epistemology and ethics but also strengthen an already advanced reception of his work in aesthetics and cultural theory.
A brilliant critique of Heideggerian phenomenology, ontology and epistemology. While Adorno does a great job at tearing into modern ontology, he does little to establish dialectics as a viable alternative. For that we have to read Negative Dialectics.