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G229 (LITTERATURE FR.)

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« Je vous ai accordé une salle. Une salle, vous savez, ça n’a pas de prix. C’est la 229, bâtiment G. G229. Allez chercher la clé chez la concierge. Bon, je crois que cet entretien est terminé. Nous nous croiserons souvent désormais. Bienvenue ici. »
Je remercie le proviseur, mais il ne m’écoute déjà plus. Un proviseur, ça a beaucoup de choses à penser. Un prof, non. Un prof, ça ne pense qu’à une chose, ses classes.
Puis soudain, il est de nouveau là, présent. Il me fixe. Il dit : « Le plus dur, dans le métier, vous savez, c’est de manier le on et le je. » Je réponds que euh, je ne suis pas sûr de comprendre. « C’est une institution, l’école. Vous entrez dans un bulldozer. Il faut arriver à en devenir membre sans perdre son individualité. Ce n’est pas aussi facile qu’on le croit, vous verrez. Le on et le je. Réfléchissez-y. Bonne chance ! »

127 pages, Kindle Edition

First published January 6, 2011

3 people are currently reading
21 people want to read

About the author

Jean-Philippe Blondel

43 books83 followers
Jean-Philippe Blondel was born in Troyes, France, in 1964. His mother was a schoolteacher and his father worked for the National Railways. Jean-Philippe still lives in Troyes today after attending university in Paris and travelling around the world, including South and Central America, Nepal, India, and most of Europe.

Writing has always been Jean-Philippe’s way of expressing himself. He started writing poems when he was seven, then moved on to short stories as a teen. He wrote his first novel when he was 19. One book that had a profound effect on him as a child was Alice in Wonderland: he tended to identify with the White Rabbit…

Jean-Philippe’s favorite subjects at school were languages: French, English, and Spanish. He remembers telling his parents, at the age of 12, that he wanted to be an English teacher, which he’s been for the last 20 years in a high school.

Since no one in his family was particularly interested in literature, Jean-Philippe often wonders how reading and writing took on so much importance in his life—and at such an early age. However, books became his life-support when, at the age of 17, he lost his mother and brother in a car crash, and his father in another crash four years later.

His novels—for adults, young adults, or teenagers—are always based on everyday life. He writes in the first person because he wants readers to identify closely with the narrator, whom he tries to portray as the person next door. His novella, A Place to Live (2010), takes place in a high school. It is a very special text for him and reading it aloud always evokes strong emotions. He dedicated it to a class which he taught for three years: he had so enjoyed watching his students grow up and evolve that he wanted to offer them something special when they graduated. He read it to them during their last period together, and even now, several years later, thinking about the moment moves him deeply.
Jean-Philippe writes with the earplugs of his MP3 player in. He carefully selects one song before writing, and it becomes the original soundtrack of the novel. He listens to it over and over, sometimes forgetting everything else, including where he is and what he’s doing there. It gives him the opportunity to live two lives at the same time—a fictitious one (because he so identifies with his narrators) and a real-life one. In the latter, he is married to a primary school teacher and has two daughters, aged 8 and 11. His favorite activities are teaching, writing, reading, and rock music. He is working on his eighth novel for adults, which also explores the boundaries between teenagers and “so-called” grown-ups.

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5 stars
14 (20%)
4 stars
34 (49%)
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16 (23%)
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Displaying 1 - 11 of 11 reviews
Profile Image for karin.
146 reviews2 followers
July 14, 2018
il m'a beaucoup touchée. notamment des phrases auxquelles je me suis identifiée, dans lesquelles je me suis reconnue. j'ai souri, j'ai revécu mes années lycée, et du point de vue des profs. j'ai reconnu mon prof de philo, l'atmosphère de classe, les relations. c'est une narration très facile à suivre, et malgré le fait qu'il m'ait happée, j'ai dû reposer le livre à certains moments tant j'étais prise dedans. c'est un roman qui m'a fait du bien. moi qui ai tant de mal à accepter que le lycée est derrière moi maintenant et que j'ai tout en main, ce roman a remué le couteau dans la plaie mais pour mieux la cicatriser.
482 reviews6 followers
September 11, 2023
De belles reflexions sur le temps qui passe, son propre chemin parcouru, la vie avec les autres, la vie enseignante, la vie tout court.
23 reviews
October 18, 2024
Récit qui parle beaucoup à un prof
Marque le temps qui passe à travers les différentes générations de collégiens / lycéens
Profile Image for Laetitia YLaet.
1 review1 follower
September 26, 2016
Lecture agréable parce que certains passages font écho au métier d'enseignant. Ce n'est pas un livre qui change une vie mais il est touchant à certains moments. Pour ceux qui ne s'intéressent pas aux sciences de l'éducation ce n'est pas une lecture complètement indispensable.
Profile Image for Khlere.
39 reviews
August 19, 2025
On sourit, on a la larme à l’œil, on repense au lycée et on comprend mieux
Profile Image for Edith.
495 reviews69 followers
July 10, 2011
Le 4e de couverture ne décrit pas bien du tout ce roman. À un point tel qu'au début j'étais déçue de ce que je lisais. Ensuite, le charme a opéré et au final j'ai beaucoup aimé. Un beau livre sur le temps qui passe.
Profile Image for Christophe Jung.
64 reviews3 followers
Read
May 13, 2015
Une série de remarques très pertinentes d'un prof par rapport à ses élèves. Très bonne analyse d ela relation professeur / élèves, mais il n'y a rien de vraiment romanesque dans cet ouvrage. On a très vite l'impression de lire un essai sur le métier de prof.
11 reviews
January 21, 2013
Purée, ce type a écrit ma vie de prof d'anglais !
Profile Image for Axel.
5 reviews
July 22, 2013
La relation d'un professeur avec ses élèves et sa salle de classe décrit à la perfection dans ce livre.
Displaying 1 - 11 of 11 reviews

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